NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Music studio in Burkina Faso capital bombed after coup

18 Sep 2015 - 08:42

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Studio Abazon in Ouagadougou, the capital of Burkina Faso, was attacked in the early hours of Thursday 17 September. The studio is owned and run by top Burkinabe rapper and revolutionary artist, Serges Martin Bambara - aka Smockey (or Smokey). The attack was reportedly carried out by members of the RSP, otherwise known as the ‘Presidential Guard,’ led by General Gilbert Diendéré, the leader of the military junta that seized power in the country this week.

Smockey at the 5 March concert in front of the ruins of the National Assembly.

Studio Abazon, according to rights activists in Ouaga, was rocket-bombed by members of the RSP. According to reports, the well-equipped studio, a hub for young and aspiring musicians in Ouga, was damaged beyond repair - which confirms the suspicion that it was an orchestrated attack on the artist, who in recent years has become the rallying voice for the politically decimated angry and idealistic young Burkinabe. Smockey is the leader of a popular socio-political movement called Balai Citoyen (The Citizens’ Broom), which led the revolt against the dictatorial actions of former President Blaise Compaoré. The popular revolt forced Compaoré to resign and flee the country on 31 October 2014. General Diendéré was number two man to Compaoré. His leadership of the RSP targeted Smockey and members of The Citizens’ Broom, who they perceived as enemies of the ousted Compaoré.

Earlier in March, Smockey had played host to top musicians from eight African countries, known collectively as the Ambassadors for Creative Expressions, under Artwatch Africa, a project promoted by Arterial Network, a pan-African body of artists and cultural workers. The 11 musicians had recorded a single track in the studio titled ‘Right To Life’, which called for the freedom of artistic expressions.

Two of Africa’s most prominent musical activists, Nigeria’s Ade Bantu and Senegal's Didier Awadi, both of whom were Artwatch Ambasadors, have spoken against the bombing of Studio Abazon. They said the bombing reaffirms the fact that artists’ lives are not secure in many parts of the continent. They urged the Economic Community of West African States (ECOWAS), the African Union (AU) and the United Nations (UN) to make necessary intervention to ensure that the attackers of Smokey’s Abazon studio are brought to justice.

The project manager of Artwatch Africa, Diana Ramarohetra, who coordinated a Ambassadors workshop and recording in Ouaga in March, stated: “Artists are in danger in Ouagadougou. The artist is not terrorist; the artist has the right to defend what he thinks is right. Of course, his voice can be stronger, his words more aggressive. But as it is often said, the truth hurts.

“The artist has a responsibility to the public towards his convictions. The artist is there to denounce where the social contract has been broken. These artists, despite their commitment to organizations in civil society, and despite the challenges that confront their legitimacy, are non-political. They aspire to one thing: that Africa puts an end to political unrest that continues to hurt our image and our future,” added Ramarohetra.

‘Right To Life’ video to be launched in Lagos

Meanwhile, the video for ‘Right To Life’ (or 'Droit de vivre'), the song that was recorded in the bombed studio and mastered by Smockey, will be formally presented in Nigeria on Friday 18 September at the monthly Afropolitan Vibes concert, which is hosted Ade Bantu. Awadi will also feature at the concert, as well as presenting the video clip. The event takes place from 7pm at Freedom Park in Lagos.

The 11 leading artists that featured in the audio and video recordings of ‘Right To Life’ under the collective name of Artwatch Africa Ambassadors for Creative Expressions are: Didier Awadi (Sénégal), Soum Bill (Côte d'Ivoire), Josey (Côte d'Ivoire), Zeynab (Benin), Master Soumy (Mali), Monza (Mauritania), Smockey (Burkina Faso), Alif Naaba (Burkina Faso), Awa Sissao (Burkina Faso), Pheno Bi (Niger) and Ade Bantu (Nigéria)

Launched earlier this year by Artwatch Africa, an arm of the pan-continental body Arterial Network, the sole aim of the Ambassadors for Creative Expressions project has been to canvas for freedom of artistic rights and creative expression. The launch was held at a two-day workshop in Ouagadougou during the 24th Pan-African Cinema and Television (FESPACO) 2015. In the two-day workshop on 4 to 5 March, the artists were taken through a workshop on various issues involved in freedom of creative expression. Many of them met for the first time at the workshop and collaborated to forge common aims and strategies to champion freedom of artistic and creative expression on the continent, and to identify challenges to be overcome so that artists would be accorded their due respect in all the countries of the continent.

The two-day session was concluded with a concert by Smockey as he launched his latest album, leading his fellow hip-hoppers, members of the Balai Citoyen collective, on 5 March in the ruins of the old National Assembly in Ouagadougou. The highlight of the workshop was the recording of joint single titled ‘Right To Life’, which was initiated by Awadi. The song, according to him, is an opportunity by the artistes from across the continent to unite their voices and record song on freedom of expression. Watch the video below.

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