NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Corneille

Corneille

Solo artists
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Profile added by Stanley Gazemba on 28 Jan 2015

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Montreal, Canada

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Corneille

BIO

Corneille, real name Cornelius Nyungura was born in Freiburg im Breisgau, Germany, though he spent most of his childhood in Rwanda. He discovered his passion for music in 1993, and so joined an R&B group, who won the Découverte 1993 competition. This also introduced him to songwriting and musical composition. However, his life changed after the Rwandan genocide in 1994. His father, Émile Nyungura, was a leader of the political party PSD; as a result, his parents and some of his relatives were killed in the genocide. Corneille fled to Germany, where some of his parents' friends took him in.

In July 1997, Corneille decided to leave Germany in order to pursue studies in communication, and moved to Montreal, Quebec, Canada to attend Concordia University. During this time, he founded O.N.E., an R&B band, with Pierre Gage and Gardy Martin, whom he had met shortly after arriving in Quebec. Zoukin, one of the group's songs written by Corneille, rose to first place in Canadian airplay. Then, at the beginning of 2001, Corneille left the group, wishing to pursue a solo career. He began to center his songs on his past.

During 2002, Corneille worked on various projects. He wrote and composed the songs "Ce soir" for the Cocktail R&B 2 compilation (Ghetto R&B, Sony Music) and "Si seulement on s'aimait" for Hip Hop Folies (Sony Music). Invited by Dave Stewart, he performed at his first showcase at the Réservoir in Paris, and had the chance to sing with Jimmy Cliff. In January 2003, he was invited to perform the first part of Cunnie Williams at Olympia. His first public concert at Opus Club followed shortly thereafter.

Corneille's first album, the Canadian version of Parce qu'on vient de loin, was released on 10 September 2002. It was little known. The French version, which included numerous bonuses on the second disc, was released on 20 October 2003. It quickly became successful. To date, the album sold more than a million copies.

In April 2003, Corneille sang with Craig David, repeating a verse in French in the song Rise and Fall. He underwent his first tour during May 2003, receiving a full house in Paris, Marseilles, Lyon and Bordeaux. In March 2005, the singer participated in the concert Africa Live, which was organized to fight against (malaria) paludism. This is the first time that he has returned to his home continent since the genocide.
Les marchands de rêves, Corneille's second album, was released in November 2005.

Corneille is working with the Canadian Red Cross to raise awareness of children who are victims of war. He finished recording his first English-language album, The Birth Of Cornelius, which was released in July 2007. The first single is called "Back To Life". written by Mrs. smith.

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