NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Somali star Maryam Mursal to attend Midnimo residency in USA

16 Oct 2015 - 09:04

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Legendary UK-based Somali singer, Maryam Mursal, will arrive in Minneapolis in the USA for the fifth Midnimo residency on 1 November. The 10-day residency will include public discussions, workshops, community events, and a grand finale performance at The Cedar on November 14.

Somali artist Maryam Mursal. Photo: www.expose.org

Midnimo is a program of The Cedar and Augsburg College that builds knowledge and understanding of Somali Muslim culture through music. Midnimo consists of week-long residencies with Somali artists from around the world that include public concert performances, workshops, and activities in the classroom and the community for Somali and non-Somali audiences.

The story of Maryam Mursal is both tragic and inspiring, the tale of a strong and determined woman whose music reflects her life, a powerful and dramatic mix of sorrow and joy. Mursal’s musical journey began as a teenager in 1966 when she broke the Somali tradition and began singing professionally in Mogadishu. She performed in nightclubs and her brand of music, featuring a mix of blues, soul, Somali and Arabic influences, and known as Somali jazz, became popular across the country.

Performing primarily solo, she also collaborated with Waaberi, a 300-member music and dance troupe associated with the Somali National Theatre. Later, after having criticized Somalia's then ruling military government, she was banned from singing for two years, and made her living driving a taxi. Her repertoire still includes the traditional Somalian songs she grew up with, a remarkable hybrid sound of African and Arabic influences created by centuries of cross-cultural fertilization between migrating nomadic tribes.

In 1991, having spent seven months walking across the Horn of Africa with her five children to flee the civil war in her home country of Somalia, Maryam finally found refuge in Denmark. Once established in her new home, Maryam began to think about rebuilding her singing career. She met up with the Danish arranger Soren Kjaer Jensen. He had come across Maryam's music when working in Somalia as a freelance photographer in 1986 and had even recorded her extraordinary voice from a radio broadcast.

Jensen heard Maryam singing at a Somalian immigrant camp to 300 fellow refugees and realised it was the same voice. He recorded her singing some traditional songs and brought Maryam to the attention of Peter Gabriel's Real World. Suitably impressed, the label asked her to work on two albums, New Dawn, recorded with members of Waaberi now resident in London which was released in the summer 1997, and a solo album The Journey that was released in early 1998.

Maryam played her first dates in the UK in the summer of 1997, including an appearance at the Womad festival in Reading where the organizers were forced to lay on a hastily arranged second performance to satisfy the demand. Maryam Mursal's life and art have intertwined to produce a sound that is both profoundly moving and totally unique.

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