NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Mmaphala

Mmaphala

Solo artists
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Gaborone, Botswana

In operation since:

2012

Contact person:

Mmaphala

BIO

‘Setswana SoulJazz’ is how Mmaphala describes her music. Carefully crafted with traditional Setswana elements and instruments, placing it within the genres of World Music and Jazz yet, still very niche in its delivery. When listening to each ballad, one is taken on a journey that is reminiscent of love experienced in all forms, from the love of a father, a lover and for a native country.

Her name, Mmaphala, lovingly coined by her father, a saxophonist and trumpeter at the time of her birth. The English translation is awkward and doesn’t capture the meaning. However phala in Setswana, means a wind instrument or any instrument that you blow into that creates a sound and Mma can mean mother of in Setswana and therefore, mother of these beautiful sounds, which truly embodies the Sphere, the title of her debut album. In her own words Sphere means,

“That inner place, inner space, inner voice, that inner guide where we find the answers to the questions that we need or at least where we find the guidance towards the answers; I feel that’s where God talks to us; it’s an inner space that is magical, mystical and spiritual. It’s a calm inner space that informs the bigger decisions of our lives.”

Mmaphala takes people on a musical, lyrical and vocal journey that evokes and conjures up emotions

Music Lover
She’s a singer songwriter with basic piano playing skills who has invested into XLT Studios, which recorded her album. Sphere is the culmination of a self introspective, musical exploration, which started in earnest as a back-up singer for Momo and other local artists and as a lead singer for Unity Band, which played at numerous events.

As part of the Streethorn Jazz team, she assisted in the:

• Re Batswana Musical
• FNB All That’s Jazz David Sanborn/Joe Sample Show at GICC
• Be Mobile Jonas Gwangwa show held at the Majestic in Palapye

She has played as a DJ at Jazz and Old School on air and at events

As an on air radio personality on Gabzfm many years ago, she introduced ‘Distant Drums’ to expose listeners to soul music from Africa, the Caribbean and Latin America, such as Zouk. Afro Soul, Salsa, Kompa, Kisumba and Calypso.

Marketing Management
She holds a Bachelor’s Degree in Business Administration and was employed at BTC for over ten years where the last role she held was acting Head of Product Management charged with developing and implementing growth and retention strategies for the product portfolio.

Actress
This began as Jill Scott's double in the film - No. 1 Ladies' Detective Agency (2007) which subsequently lead to the 'Older Maid' role in the TV series the following year (2008). In Morwalela (2010), a local soapie (docu-drama), she played Mma Kenosi, the councillor's wife

(All photos taken by Kgosi Goodwill)

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