NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Sali Oyugi

Sali Oyugi

Solo artists
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Profile added by Stanley Gazemba on 29 May 2014

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Nairobi, Kenya

In operation since:

1997

Contact person:

Sali Oyugi

Contact:

+4132303905

BIO

Sali Oyugi is a Kenyan Singer/Songwriter and Social Activist with a dual heritage from the Lake Victoria region of Kenya and the Tanga region of Tanzania. Sali cherished her dual cultural heritage and took the time to study the traditional rhythms, songs and dances from both the Luo people of Kenya and the Wazigua people of Tanzania. The result has been the beautiful rhythms and sounds Sali brings forth in her guitar playing and vocals during her performances.

Sali started performing while still residing in Kenya, where she mainly worked under the sponsorship of the Alliance Francaise in Nairobi. She got the opportunity to share the stage with renowned South African musician Hugh Masekela.

In 1997 she left for United Kingdom, where she performed at a Solar Energy Convention. It was during this time that she met with renowned Kenyan Singer/Songwriter, Ayub Ogada. After this trip, Sali released her first solo project – a three-song CD, which was well received.

She then moved to in Boston (USA), where she performed with many diverse musicians and ensembles. While in the USA Sali played at the Somerville Theatre, curtain raising for acclaimed world music performer/composer, Oliver “Tuku” Mutukudzi. She headlined the world music stage during the national arts convention. During this time also, she headlined at various festivals including the Africa in April Festival in Memphis, Tennessee.

Her first album ‘Vuma!’ was released in 2002. Her second album ‘The Return: Journey back to the Source’ was released in 2007. In 2008, Sali moved back to East Africa where she continued to perform at The Alliance Francaise and the Goethe-Institut in Nairobi. She has also performed at the Blankets & Wine Festival. In 2010, Sali took a break from performing to work on her fourth album under the working title ‘Mabawa’. During this break Sali took time to work on another album Asante Baba which she donated to the church as a way of thanking God.
Sali has also been featured on the Ketebul “Spolight on Kenyan Music Vol4” in a duo with Suzanna Owiyo on the track titled Makeba. Beyond music, Sali has launched an arts initiative: Leko Arts Initiative which seeks to nurture and develop the talents of children who hail from Nairobi’s challenging neighbourhoods.

After six years of working on the album which started in 2010 under the working title, Mabawa, Sali is set to release the new album which is now titled Uromo sometime during the first quarter of 2016.

Photos

Music

Giza

Sali Oyugi
06:45

Birdsong

Sali Oyugi
04:46

Mos MosTrack 7

Sali Oyugi
04:42

Chelegese

Sali Oyugi
03:30

UROMO

Sali Oyugi
05:01

Kikulacho

Sali Oyugi
03:41

Wau Wau

Sali Oyugi
06:12

Social Networks and Websites

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