NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud to announce its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is launching a new national programme designed to create jobs, address skills gaps, and strengthen South Africa’s creative industries — in line with the SEF’s overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative will recruit and train participants, match them with host organisations, and place a minimum of 1 000 workers across the country. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES has stamped its authority as Africa’s leading music trade event. At the 2019 edition in Accra, the conference brought together more than 1 200 delegates from about 50 countries on the continent and beyond. The conference also hosted 76 showcasing artists from Africa and the diaspora, who got to perform for an influential audience at two top live venues in the Ghanaian capital. Apart from live showcases, the event features panel discussions, presentations, exhibitions, pitch sessions, Q&A sessions with prominent musicians and visits to key music industry hubs in the host city. Many of these activities will be planned for ACCES 2021, with the ACCES team already exploring a tailor-made programme that will cater for the specific needs of the local music industry amid the pandemic. ACCES is organised by the Music In Africa Foundation, a non-profit and pan-African organisation, in partnership with Siemens Stiftung and Goethe-Institut.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at claire@musicinafrica.net. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Wily Mignon

Wily Mignon

Solo artists
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Profile added by Sisi Nkabinde on 18 Mar 2026

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South Africa

In operation since:

1 Jan 2010

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Wily Mignon

BIO

Wily Mignon is a prominent contemporary musician from Benin, recognized for his energetic performances, catchy Afro-pop tunes, and fusion of traditional Beninese rhythms with modern urban music. Emerging in the 2010s, Mignon has played a key role in shaping the contemporary music scene in Benin, bridging generational gaps by integrating the rich musical heritage of his country with global influences, including R&B, hip-hop, and dancehall. His work has gained recognition both locally and across West Africa, positioning him as one of the most influential modern artists from the region.

Born and raised in Cotonou, Benin, Wily Mignon was immersed in the country’s vibrant musical culture from an early age. His upbringing exposed him to traditional rhythms, including agbadja, aton, and Vodun drumming, as well as the popular highlife and Afrobeat sounds that were widely played across Benin and neighboring countries. Music became a central part of his life, and he began experimenting with singing, songwriting, and percussion as a teenager. Early performances at local gatherings and cultural events allowed him to refine his style, demonstrating both vocal versatility and an innate understanding of rhythm that would become hallmarks of his music.

Mignon’s professional career took off in the early 2010s when he began releasing singles that quickly gained traction on local radio and social media platforms. His music combined infectious beats with memorable melodies and lyrics that resonated with younger audiences. Tracks such as his breakout hits showcased his ability to weave traditional Beninese elements with modern Afro-pop structures, making his music both culturally rooted and commercially appealing. Through these recordings, Mignon established a distinct musical identity that distinguished him from other artists in the region.

As an artist, Wily Mignon is noted for his dynamic stage presence. His live performances often feature intricate choreography, call-and-response sections with audiences, and the use of live percussion instruments, reflecting his deep understanding of traditional Beninese performance practices. These elements, combined with modern lighting, sound design, and visual production, have helped him draw large crowds at concerts, festivals, and community events across Benin and neighboring West African countries. His ability to engage audiences has been a key factor in his growing popularity and influence.

In addition to his solo work, Mignon has collaborated with other leading West African artists, contributing to regional music projects that celebrate cultural diversity and musical innovation. He has also leveraged digital platforms such as YouTube, Instagram, and Facebook to reach international audiences, posting music videos, live performance footage, and behind-the-scenes content. These platforms have enabled him to maintain visibility, interact with fans, and expand his influence beyond national borders.

Wily Mignon’s musical style is defined by its versatility. While rooted in traditional rhythms, he effortlessly incorporates contemporary production techniques, urban beats, and melodic structures that appeal to a broad audience. This fusion allows him to honor his cultural heritage while creating music that resonates in the modern entertainment landscape. His songs often explore themes of love, social life, and cultural pride, offering listeners both entertainment and a connection to Benin’s cultural identity.

Throughout his career, Mignon has emphasized mentorship and community engagement, supporting emerging artists and collaborating with youth programs to encourage musical development. By sharing his knowledge of both traditional and contemporary music, he has helped nurture the next generation of Beninese musicians, ensuring the continuation and evolution of the country’s musical traditions.

Wily Mignon remains a defining figure in modern Beninese music, successfully navigating the balance between cultural preservation and innovation. His recordings, performances, and digital presence continue to shape the musical identity of Benin, inspiring younger artists and contributing to the country’s reputation as a vibrant hub of African music. Through his work, he exemplifies the potential of contemporary Beninese musicians to honor their roots while reaching international audiences, ensuring that the country’s rich musical heritage continues to thrive in the 21st century.

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