NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

BASA honours three recipients with special awards

23 Oct 2019 - 14:57

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Business Arts South Africa (BASA) has awarded special awards to three recipients who have made an impact on the country's arts scene.

Eoan Group director Shafiek Rajap received a BASA Chairperson’s Premier Award for his extraordinary commitment to the arts in South Africa. Photo: Facebook

The special awards are made annually at the discretion of the BASA board of directors to celebrate remarkable contributions by individuals, organisations and businesses. The awards come a week after BASA announced the finalists for its 2019 awards in Johannesburg on 13 October.

The BASA Chairperson’s Premier Award was awarded to Eoan Group director Shafiek Rajap. The accolade recognises individuals who have sustained and shown extraordinary commitment to the arts in South Africa.

The Diplomacy in the Arts Award went to the European Union in South Africa. The award, presented by creative producer Grace Meadows, recognises foreign missions that contribute to the development and preservation of the arts in South Africa, as well as the continued prioritisation of cultural diplomacy between South Africa and the international community.

Lastly, Linda Givon received the Art Champion Award for her outstanding achievement in the encouragement of business support for the arts. The award was presented by BASA deputy chairperson Mandie van der Spuy.

“The annual BASA Awards are a significant barometer of the success of mutually beneficial and sustainable partnerships between business and the arts,” Mandie van der Spuy said.

BASA head of marketing Savannah Feeke said: “Partnered by Hollard, the awards recognise business support of and partnerships with the arts. It is BASA’s flagship event and assists in promoting mutually beneficial, equitable and sustainable business partnerships with the arts. The eleven awards categories encompass all creative mediums and a wide spectrum of partnerships.”

BASA said in a statement: “The Eoan Group has produced musicals, choir festivals, ballets, and drama since the 1930s, and started with opera in the 1950s, continuing to perform canonical opera works through to the late 1970s. After legislated racial segregation was lifted, the company continued to function as a ballet and drama company in Athlone and today it serves as a performing arts school and company.

“The EU provides support to cultural diversity in developing countries. It promotes culture as making an essential contribution to human rights, key elements of good governance and inclusive and sustainable growth.”

About Linda Givon, BASA said: “During her management, many of the country’s most well-known artists all came to prominence through the Goodman Gallery, including, among others, Dumile Feni, William Kentridge, Ezrom Legae and Robert Hodgins, David Goldblatt, Kendall Geers and Penny Siopis. She promoted the work of black artists and encouraged black patrons to frequent the gallery. Many artists appreciated the way she promoted their art elsewhere in the world a time before South Africa participated in art fairs.”

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