NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Burundi musicians menaced, silenced and fleeing the country

29 Sep 2015 - 07:22

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By John Banram

Fear of being assassinated is spreading among artists and journalists in Burundi. No one dares to speak out or stand up any longer. An international arrest warrant (‘mandat d’arrêt’) with an undisclosed list of names was issued by the procureur general and has made everyone scared.

Lion Story reggae band during a performance. Photo: www.flickr.com

Burundian artists are confronted with ever-shrinking possibilities for open and free political speech. Since April 2015, the central African country has been going through political turmoil. Well-known singers and band members are being targeted and, if possible, manipulated to change their artistic or political style. Several musicians have fled the country.

President Pierre Nkurunziza was to leave office at the end of his second term as enshrined in Burundi's Constitution. However, Nkurunziza disputed and overruled both the constitution and the Arusha agreements of year 2000, which had brought peace to the country that has been through more than three decades of civil war. In July 2015, he won a new term in office after a contested election which was boycotted by the opposition.

The last months since then have showed acts of violence and harsh repression against opposition members and civil society actors as well as media practitioners. Freedom of expression has been extremely limited, especially when five of the most popular private radio and television stations were attacked and burned during the month of May 2015.

With the closing down of these stations, the new and upcoming generation of Burundian artists lost their outlets. Some of the artists were also engaged in the campaign against the third term of the president, mainly through songs that informed and sensitized the people of Burundi in their local language. Some of these songs have been considered examples of expressions of hate speech, because they openly accuse and denounce the “others”.

Reggae band threatened

Apart from losing their main access to the airwaves, more is at stake for the musicians. Mentioning specific artists’ names poses danger under these circumstances. This article therefore has left out names of most artists at risk.

The story about the famous and popular reggae band Lion Story is already out there, though, in numerous articles, blog posts and YouTube video interviews. Long before the elections, in early 2015, Lion Story received regular threats because of the sharpness and openness of their lyrics.

Some of their well-known songs dealt – in a symbolic, but highly understandable way – with issues such as corruption, political killings and harassments of members of political parties and civil society members. Some of their songs were used as the soundtrack of the May and June protests that were organized by the youths in the urban suburbs of the capital Bujumbura, where most street protests took place.

On the other hand, it needs to be said that other songs also praised the president for all his results achieved during the last 10 years in power. With the political situation declining, week by week, the Burundian artists have been confronted with ever shrinking possibilities for open and free political speech. Due to the crisis almost no public concerts are being organized anymore, and in several areas, well-known singers and band members are being targeted and, if possible, manipulated to change their artistic or political style.

Those who participated and supported the president did profit financially, but were on the other hand looked upon as “enemies” of the opposition and civil society and as a consequence dropped from playlists at private radio stations.

Artists as vessels of truth

For most of the youngsters involved in artistic, musical expressions, fear has taken over their lives. They fear the ruling political party will engage its youth members against them, using violence to silence the critics. Why? Their songs could be seen as carriers of messages that inform about malpractices by the political parties.

By using a specific national youth language, the songs “deconstruct” the political narratives used by political spearheads, and they denounce manipulators at nation-wide level. By doing so, these songs have the potential to warn and sensitize rural, young, and vulnerable citizens about the psychological and manipulative narrative which politicians use to engage them upon acts of belonging to “us”, and acts of violence against “them” – the others, the traitors.

Fleeing to Uganda and UK

By the end of August 2015, the situation had evolved to a point that almost all artists are menaced in one way or another. Several musicians have fled abroad. Lion Story is probably the most famous one – “the prophet’s voice”, as they are often called, literally, in the local dialect.

Several of their songs are directly targeting the party in power, CNDD-FDD. All band members have fled Burundi. Seven members found refuge in Uganda. According to International Business Times, one of the members is currently seeking for political asylum in the United Kingdom.

Fleeing to the US and Kenya

Another artist has been declared an “enemy of the people” mainly because his most famous songs are openly denouncing the assassinations and act of corruption of the political leaders in Burundi. He survived three attacks already and is at present in the United States with no security if he returns home.

Authorities are allegedly searching for the man who organised a concert with a controversial singer in the Muramvya province during the month of March 2015.

An award-winning musician is currently being searched by the “Documentation”, which is the Burundian secret service, and this only for his song in which he refers to the need for politicians to first of all ask rural peasants their opinion before making any political decisions that are of concern to them. The singer recently fled to Kenya’s capital Nairobi.

Another singer, who is well-known for his cultural songs and expressions, used to perform in a karaoke type of bar in Bujumbura. He has several times been refused to perform within his own bar that is extremely close to the place where the Burundian president plays football on a daily basis.

Rumours go that they won’t let him perform anymore because he refused to sings songs of glory for the CNDD-FDD, the party of the president. He is also known for a very popular activist song in which he refers to some members of political parties who are “engaged in eating a lot themselves and never think of other that are hungry as well”. This particular singer was given the opportunity to participate in a musical festival in the United States, and he decided not to return to Burundi.

Engaged in political propaganda

More singers have been confronted with problems for refusing to sing for political parties or joining campaigns. In 2010, a singer, who currently lives in Canada, performed almost all the songs for the presidential campaign. He refused to engage in favour of the president in the recent campaign, as he felt deceived by the politics of recent years.

A similar story goes for a band which is known for their performances in the different karaoke bars of Bujumbura. Some members claim the band was obliged to perform songs in favour of president Nkurunziza. After having refused to perform, their bar was ordered to be closed down and some of the band members barely escaped personal attacks on them.

Since late August 2015, the two artists have been back in Burundi. “We did not flee,” they said, stating that they only went to Rwanda to “broaden their horizons.”

Fear of becoming a target

Yet another award-winning singer confirmed that he received threats, even without having composed songs with political connotations. He is related to a young movement leader of a coalition of youngsters that were campaigning against the third term of the president. The youth leader is currently in hiding in Rwanda.

Five more known artists as well as an unnumbered amount of singers that are performing profane and gospel music are travelling back and forth between Bujumbura and neighbouring Kigali, the capital of Rwanda. Although they are not menaced in Burundi, they leave their country mainly out of fear of what is going to happen in the near future.

A general fear has spread all over Burundi, and most musicians see themselves as one of the first that might become targets as the situation seem to be deteriorating and becoming increasingly dangerous. Most of them are in Rwanda, others in Uganda, and some are in the Democratic Republic of Congo or Tanzania.

To round off this long list of persecuted musicians, the most recent one that fell out of grace with the president is a composer and the singer of a hymn praising the political party CNDD-FDD. Opposed to the third candidature of the president, he as well has had to leave the country and is currently living in Holland.


Originally published on 28 September 2015 at Freemuse.org. Republished with permission.

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