NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Egyptian MP demands answers over Travis Scott’s concert

24 Jul 2023 - 15:52

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With just days to go, the confusion surrounding US rapper Travis Scott’s planned concert in Egypt has deepened, with a Member of Parliament seeking clarification on the matter.

Travis Scott.

On 18 July, Egypt’s Musicians Syndicate announced that it will not allow the planned concert at the Giza pyramids on 28 July “to ensure the safety and protection of the audience.”

However, according to event promoter Live Nation, the show is still set to go ahead with tickets sold out. Live Nation said: “There have been no changes to Travis Scott’s show in Egypt, any reports to the contrary are false. We can’t wait to celebrate Utopia with you in Egypt!”

But at the weekend, Ticketsmarche, the local company authorised to organise the concert said Travis Scott’s equipment was seized and the organisers were prevented from entering the pyramids area.

The company’s CEO Mohamed Serag told local media that the concert’s fate is now unknown. “We do not know what we will do, especially if the last date for the equipment to enter was Wednesday. However, nothing new has happened given that most state institutions are on official leave until Sunday,” Serag said.

“We have all the permits and we do not know the reason for preventing the entry of the equipment, especially since the Egyptian Musicians Syndicate does not have the authority to cancel the concert, nor does it have the power to prevent the entry of the equipment. It also made it clear that the whole matter is in the hands of the authorities.”

Now the matter has found its way into the floor of Egyptian parliament with MP Freddy al-Bayadi seeking clarification from the government.

“Was it cancelled or will it take place on time?” Bayadi asked. “After much controversy and some demands to cancel the concert of international singer Travis Scott, which was scheduled for Friday at the pyramids, until now there is confusion regarding the statements.

“There is no confirmation from the government whether the concert will be cancelled or held. Why is there no clear statement issued by the concerned authorities regarding the matter?

“If the concert is still going on, what are the measures that the ministries of Interior, Tourism and Local Development will take to ensure the organisation of the concert and prevention of any violations or accidents as a result of the expected crowding?”

“All tickets for this concert were sold out as soon as they were offered, and previous concerts in other countries were attended by huge numbers of people, some of which were plagued by poor organisation, stampedes, and attendance greater than the capacity of the venues.”

The rapper, who is expected to unveil his upcoming fourth studio album Utopia during the concert, scheduled to take place in the Sound and Light area near the pyramid complex, is facing opposition from the Musicians Syndicate.

Dr Mohamed Abdullah, in a statement on behalf of the Musicians Syndicate, said: “While the Musicians Syndicate has welcomed various art forms and concerts in recent months, it has set conditions and regulations to safeguard the customs and traditions inherited by the Egyptian people. After examining social media opinions and feedback, as well as the news circulating on search engines and social media platforms, which included authenticated images and information about peculiar rituals performed by the star during his performance, contradicting our authentic societal values and traditions, the syndicate’s president and board of directors have decided to cancel the licence issued for hosting this type of concert, which goes against the cultural identity of the Egyptian people.”

The Musicians Syndicate has not specified which rituals Travis Scott is accused of performing. In 2021, 10 fans were crushed to death during the musicians’ Astroworld Festival performance in Houston, Texas, where some say he used satanic imagery as part of his visual show.

The Musicians Syndicate says it plays a crucial role in regulating the music industry in Egypt and ensuring the preservation of cultural heritage. According to AFP, the regulatory body rarely opposes such events, but in recent years has spearheaded a fight against musical genres deemed improper in Egypt, with hip hop a frequent target.

“Egypt has also increasingly opposed what it views as a ‘rewriting’ of its history, finding fault with African American movements that claim cultural affiliation to the ancient pharaohs,” AFP said.

Recently, many in Egypt, including former minister of antiquities Zahi Hawass, criticised the Netflix series Queen Cleopatra for casting a biracial woman, British actress Adele James, to play the role of the ancient ruler.

“Cleopatra was not black; as a Greek, she was similar to the queens and princesses of Macedonia. During the 25th dynasty, the Kingdom of Kush ruled Egypt and those were Kushite pharaohs, but they had nothing to do with ancient Egyptian civilization,” Hawas said on Facebook earlier this year.

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