NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Tutorials

Guitar lesson 6: Major and minor triads

13 Apr 2016 - 15:52

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The triad is a three-note chord where the notes are stacked in Major and/or Minor thirds. Altogether there are four types of triads: Major, minor, augmented and diminished. The two most commonly used are Major and Minor.

Learn more about triads in this guitar lesson. Photo: dreamatico.com

The first note is called the root because it is the starting point. The second note of the triad is called the 3rd and the third note is called the 5th. This is because the triad is most often based on an underlying mode or scale has has 7 notes in an octave.

1 3 5
(root) (third) (fifth) (octave)
1 2 3 4 5 6 7 8
C D E F G A B C
←-– M3 –-→ ←-– m3 –-→

The Major Triad

The Major triad consists of a Major 3rd (M3) with a Minor 3rd (m3) stacked on top of it. The interval between the root note (first note) and the third note is a perfect fifth (p5).

If we start the triad from the root we say it is in root position. Starting on C it would look like this:

←––– p5 –––→
C E G
←M3→ ←m3→

Inverting the Major Triad

The Major triad can also be inverted. There are two different inversions possible: one starting on the third (called the first inversion) and one starting on the fifth (called the second inversion).

To invert a Major triad the first time you take the bottom note (the root) and put it at the top. Now the triad starts with a minor 3rd followed by a perfect 4th (p4). The interval between the bottom and top notes is now a minor 6th (m6).

Now we say the triad is in first inversion because it starts on the 3rd or first note after the root:

←–– m6 ––→
E G C
←m3→ ←p4→

To invert a triad the second time you again take bottom note (the third) and put it at the top. Now the triad starts with a perfect 4th (p4) followed by a Major 3rd (M3). The interval between the bottom and top notes is now a Major 6th (M6).

Now we say the triad is in second inversion because it starts on the 5th or the second note after the root:

←––––M6––––→
G C E
←p4→ ←M3→

Take some time to understand the theory above before you begin to apply it to the guitar.


Major third triads and inversions on guitar

Understanding triads on the fretboard helps to understand how guitar chords are constructed.

Exercise 1: Major triad on a single string using the sliding technique


Exercise 2: Major triad exercise on two strings in 4/4


Exercise 3: Major triad exercise on three strings in 3/4

Note: Exercises that are limited to one or two strings are worth doing at all stages of your development as a player.


The Minor Triad

The Minor triad consists of a Minor 3rd (m3) with a Major 3rd (M3) stacked on top of it. This is the opposite of the Major triad. The interval between the root note (first note) and the third note is a perfect fifth (p5) like in the Major triad.

1 3 5
(root) (third) (fifth) (octave)
1 2 3 4 5 6 7 8
C D Eb F G Ab Bb C
←– M3 –→ ←– m3 –→

If we start the triad from the root, we say it is in root position. Starting on C it would look like this:

←––––– p5 –––––→
C Eb G
← M3 → ← m3 →

Inverting the Minor Triad

The minor triad can be inverted in exactly the same way as the Major triad. To invert a minor triad the first time you take the bottom note (the root) and put it at the top. Now the triad starts with a Major 3rd followed by a perfect 4th (p4). The interval between the bottom and top notes is now a Major 6th (M6).

Now we say the triad is in first inversion because it starts on the 3rd or first note after the root:

←–––– M6 ––––→
Eb G C
← M3 → ← p4 →

To invert a triad the second time you again take bottom note (the third) and put it at the top. Now the triad starts with a perfect 4th (p4) followed by a minor 3rd (m3). The interval between the bottom and top notes is now a minor 6th (m6).

Now we say the triad is in second inversion because it starts on the 5th or the second note after the root:

←–––– m6 ––––→
G C Eb
← p4 → ← m3 →

Take some time to understand the theory above before you begin to apply it to the guitar.


Minor triads and inversions on guitar

Understanding triads on the fretboard helps to understand how the guitar chords are constructed.

Exercise 4: Minor triad on a single string using the sliding technique


Exercise 5: Minor triad exercise on two strings in 4/4


Exercise 6: Minor triad exercise on three strings in 3/4


Conclusion

Exercises that are limited to one or two strings are worth doing at all stages of your development as a player.

Practicing both Major and minor triads in root position and first and second inversion is essential if you want to develop as a guitarist. It will help you when constructing chords and enable you to play voicings that move more smoothly. It will also help you when learning melodies because the triadic structure is often present in melodies as well. Knowing your triads will enable you to find better fingerings more easily.

If you want to improvise, a good knowledge of triads will also help you in developing more interesting lines in your playing. If you don't know your Major and minor triads, you will get confused easily and lose your harmonic orientation.

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