NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Lagos comes alive with jazz

29 May 2015 - 12:44

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Lagos is at the centre of African jazz this weekend as the Nigerian city hosts two jazz festivals to mark International Jazz Day: the Lagos International Jazz Festival and the inaugural Satchmo’s Jazz Fest.

Yemi Sax will perform at Satchmo’s Jazz Fest in Lagos.

The Lagos International Jazz Festival aims to celebrate Nigerian musicians who play jazz or its various fusions, but with indigenous flavor. The event will kick off on Thursday 30 April, UNESCO’s International Jazz Day, at the Freedom Park, Marina, Lagos, and will climax on Saturday 2 May, with the likes of Grammy-winning percussionist Lekan Babalola, US-based multi–instrumentalist Adeniji the Heavywind and bass virtuoso Bright Gain, director of the SPAN Academy of Jazz and Contemporary Music in Lagos. Also on the bill are veteran clarinetist Tee Mac, vocal sensation Ego and neo-highlife star Nomoreloss. This year’s festival will also see plenty of young local talent on stage, such as Segun Atoyebi, Jerry Omole, Daniel Bankole, Seun Olota, Femi Leye, Awayin’o and Dotun Bankole

Performances at the Lagos International Jazz Festival will be delivered on five different stages, named after prominent Nigerian musical icons: Fela Kuti, Elder Steve Rhodes, Fatai Rolling Dollar, Osita Osadebe and Bala Milla. Apart from the musical performances, this year’s event will feature master-classes and art exhibitions. As part of the celebration, Rashid Lombard, founder of the Cape Town International Jazz Festival, will be the special guest and speaker at this year’s International Jazz Day lecture.

LIJF founder and director Ayoola Shadare of Inspiro Productions told The Guardian in Nigeria: “We believe that the festival should be one of the leading Jazz festivals in Africa in the near future and we are working tirelessly to fully integrate Lagos into the global jazz tourism circuit. We are satisfied with our eclectic lineup of artistes, who will be playing this genre and other related ones with traditional jazz, Naijazz, Afro-jazz, Fuji, Afrobeat, Apala, highlife and Naija hip-hop.

“This year, the festival is going a step higher by incorporating both the Jazz Appreciation Month (JAM) and International Jazz Day to its program. The month of April is Jazz Appreciation Month and worldwide a number of programs to promote jazz - both as an historical and contemporary art form - are held, with concerts, lectures, workshops and exhibitions. The JAM culminates with the International Jazz Day on April 30. This was officially designated in November 2011 by UNESCO in order to highlight jazz and its diplomatic role of uniting people in all corners of the globe. We expect a huge turnout to the event given the extensive media and publicity plan put in place, with support from the city’s leading radio stations and other media outlets,” said Shadare.

Meanwhile, Satchmo’s Jazz Fest will open on with flagship concerts, seminars and workshops on Thursday 30 April, continuing with activities and concerts throughout the weekend of 1-3 May. The new fest brings some of the finest international performers from around the world to Lagos and aims to create a platform for artists to share, teach and exchange in a professional context. On stage at the Oceanview Marquee at Eko Hotel on 30 April will be Grammy-nominated South African guitarist Jonathan Butler, Bobby Ricketts (USA) and Cleveland Watkiss (UK) and local star Yemi Sax. The Grand Finale concert on 3 May at Lagos Oriental Hotel will see performances by Somi (USA), Tunde Jegede & The Nomadic Mystics, HKB Finn (UK) and Trio Ivoire (Germany/Cote d’Ivoire). Also billed to perform are Kwitee & The Hot Seven and Brian Cox.

The festival is preceded on Wedneday 29 April by a masterclass and workshop at MUSON, led by Tunde Jegede, Cleveland Watkiss and HKB Fin, exploring improvisation, composition, voice, vocoder, as well as hot tips for poetry and performance. A hands-on approach to creative musicianship, this practical workshop guides participants to creating an original piece of music – a unique opportunitiy to learn through doing.

Satchmo’s Jazz Fest ’15 and UNESCO’s International Jazz Day will be a “first of its kind” collaborative celebration of the unifying and uplifting spirit of jazz in Nigeria, and will hopefully continue to entertain, encourage and enlighten for many years to come. Tickets are available from various venues in Lagos. See the festival website for more details.

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