NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Overviews

Media and Music in Uganda

09 Feb 2015 - 08:34

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By Achiro P. Olwoch

Ugandan_TV_journalist_at_work_Source-Deutche_Welle

The music industry in Uganda is one of the most vibrant industries in the arts world and the media has played a big role in its growth. In many ways, the media has greatly influenced the music industry in Uganda.

Print

This form of media is the most common with the growth in the number of newspapers and magazines giving a lot of information on the music industry and the practitioners in the industry. The main newspapers are The New Vision and The Monitor newspapers. The New Vision newspaper is government-owned and was first published by the Vision Group in 1986. It is an English newspaper and it is fairly liberal in whatever they report. They do have a column dedicated to entertainment highlights daily and report extensively over the weekends. The Leisure and Entertainment magazine is a pull out that comes with every Saturday Vision copy. In it comes all the latest in music and entertainment within Uganda and around the world[i]. The Monitor newspaper was first published by the Nation Media Group in 1994 and (like The New Vision) they also have a daily and a weekend edition. Their weekend paper is dedicated to entertainment and it offers the latest on the happenings in the music scene in the country[ii].

The leading tabloid is The Red Pepper and, as is typical of tabloids, this paper reports on virtually everything. In The Red Pepper you will find not only news on the latest music but also read about the inner-most secrets of the musicians behind the music. Still, as the saying goes, ‘even bad publicity is publicity’; this tabloid has brought attention to even the smallest musicians and turned their careers around over night. Still, because of the conservative nature of Ugandans, this newspaper does raise eyebrows with its headlines, but nonetheless, it is one of the fastest selling newspapers in the country. Its popularity draws from the fact that you never know what news to expect[iii].

Uganda has a weekly newspaper, The Weekly Observer that rounds up the news of the week. This paper also has an entertainment segment that offers in-depth coverage of the events of the week in the entertainment industry, and which the daily newspapers may have missed[iv].

All the major Ugandan newspapers follow the local music industry and frequently update on the music charts and cover album launches of the different musicians in and around Uganda. This way, the public is kept abreast of the happenings around town even if one is not a party fanatic. They also keep up-to-date information on foreign musicians and their music and lifestyles.

Two lifestyle magazines that give mention to the music industry are Flair and African Woman magazines. Flair magazine is a product of the Vision Group while The African Woman magazine is privately owned and run by designer Sylvia Owori. The City Beat magazine is a bigger version of the leisure and entertainment pullout by the Vision Group. They feature musicians and explore their lives beyond music. Other magazines like the Bride and Groom magazine give mention to music and entertainment from the perspective of a wedding ceremony. They let their readers know what bands and musicians are available for hire during weddings and traditional ceremonies.

Television

The first radio station was government-owned and it remained that way for the longest time, thus the information that was relayed in this medium was censored. It was called Uganda Television (UTV), established in 1963, and which has since transformed to the Uganda Broadcasting Corporation (UBC). There was no room for the music industry to excel at the time because UTV was not allowed to relay any messages in that art form. UBC is a state company created by a 2004 Act of Parliament, which merged UTV and Radio Uganda operations. The corporation became fully functional as UBC on November 16, 2005.

Today a number of other television stations have risen and each has allotted much time to promote local music and musicians. They include; WBS, NBS, NTV, Record TV and the latest Urban TV. The top stations, Urban TV and Bukedde TV, are both government-owned under the Vision Group, while NTV is under the private Nation Media Group.

Like their print counterparts, they are the visual representation of what is in print form. There are other stations that are dedicated to vernacular speakers and all the music they play is in the local languages. These include Bukedde TV and Star TV and they reach far into the rural areas. Christian channels include Light House TV and Top TV. All the TV stations acknowledge that music video programmes are the most watched on local TV. Thus, each of them has allotted specific slots to both local and international music.

Almost all Ugandan music together with the accompanying videos are produced in Uganda. Steve Jean is probably the most experienced producer who has many hit tracks under his sleeve. Steve has worked with the top musicians in Uganda like Juliana and Blu3. Ngoni of Good Enuff Productions comes in a close second, with others like Doug B also emerging on Uganda’s music scene. Ngoni is predominantly a gospel producer. He is the force behind new group Thug Squad.

Pay TV channels like DStv, Go TV, Star Times and Zuku TV are not easily affordable by many Ugandans. Still, a number of people have acquired their services and enjoy international music that is aired on the different channels. The most popular channels are Channel O and MTV. Occasionally, the local TV stations will air clips of the music channels for the general population to enjoy.

Radio

Like with television, the first radio station was owned by the State. Radio Uganda was the first radio station to be established in 1954, and it remained the sole operator until the establishment of the other radio stations in 1986. Just like TV, they were not allowed to air any message-oriented music. Today there are so many radio stations that it’s difficult to keep track of all of them. There are almost 28 radio stations registered in Uganda today.

The biggest radio stations include Sanyu FM, Capital FM, KFM, Super FM, Beat FM, X-FM and Radio West that was opened to serve western Uganda. The other parts of the country have smaller radio stations in their regions that serve them in their local languages. As remote as they are, they are still able to raise the signal of some of the major stations in the city.

The Christian stations include Power FM, Suubi FM, Radio Maria, Impact FM and Alpha FM. All the radio stations play music by both international and local musicians. There are particular shows that are dedicated to African music and Ugandan music. It is in these shows that the presenters will inform the public on the latest music shows and concerts upcoming by the same musician. Most radio stations are now streaming online, and one can have a pick of what they want to tune into at http://RadioUganda.Net

Because radio reaches all the corners of the country, it is the more preferred media by even the most rural Ugandans. The rural folks often know more about music and music personalities in Uganda than urban Ugandans because they are constantly glued to their radios.

Internet

This is a more recent form of media and musicians around Uganda use it mostly for advertising. More and more sites feature Ugandan music and provide worldwide access to Ugandan music, musicians’ profiles, lyrics, news and events. Examples of such sites include; www.ugandaonline.net/mp3, www.ugandamusic.me, www.music-uganda.com, www.ugandavideos.com, www.aboutUganda.com/music-videos, www.hipopo.com and www.bigeye.ug

Facebook, Twitter and You tube have dominated the music industry with many musicians using this medium to advertise their art. Most musicians started their career online before they became known locally. The social media craze has not left Uganda behind and most telecom companies allow free use of face book on their mobile networks. This has allowed the owners of even the most basic phones with Internet access a chance to be in the know on what’s happening on the music scene.

Media Freedom

When it comes to medium, the Luganda language has dominated the music industry with most musicians choosing to use it to relay their messages. This is because Luganda is widely spoken and understood in many parts of the country as compared to any other language apart from English. Also, musicians realized that Ugandans will identify more with songs that are sung in a local language because it gives them a feeling of belonging. It identifies the musician as one of their own, singing about their issues in their language.

Lately, more and more musicians have been going against the grain, performing in English and/or mixing English with Luganda or English with Kiswahili alongside Luganda. They do this because they want to break into the East African market as well as take their music global.

Before and after independence the media had their hands tied with the state dictating what content was acceptable on air. All available forms of media at the time were all state-owned. The present government introduced freedom of speech and expression in whatever art form, starting in 1986. This resulted in the establishment of different media houses around the country. Thus, over the last 25 years, the media has played a big role in showcasing the talent that comes from Uganda in the music industry because it reaches far and wide. The Uganda Communication Commission (UCC)[v], the industry’s regulatory board, will from time to time censor the content but in general, it is a lot easier now than it was 30 years ago[vi].

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