NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Mzungu Kichaa embarks on tour of Scandinavia

15 Oct 2015 - 10:10

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Tanzanian-based Danish singer Espen Sorensen, better known as Mzungu Kichaa, will from 15 October embark on a series of unplugged concerts in Sweden and Denmark. Mzungu Kichaa, who has  spent time living in Copenhagen, Dar es Salaam and London, embodies a blend of these various places, which has resulted in him becoming what he is today: one of the pioneers of East Africa's most popular fusion of traditional music and hip-hop - Bongo Flava.

Chaba Thomas, Mzungu Kichaa and Jcb Mkalla at a past concert. Photo: www.tzaffairs.org

His tour kicks off at Sweden’s Carib Kreol in Malmo at 9pm local time. He will then head to Denmark, where the concerts will be staged at various venues. He will make stops at Huset Esbjerg, Marius Øltapper, Skanderborg and at the Friland, Rønde on the 16, 17 and 18 October respectively. The concerts will feature percussionist Salieu Dibba and guitarist Preben Carlsen. Thereafter he is expected to attend the annual five-day music industry event, WOMEX, which comprises a trade fair, showcase festival and conferences in Budapest, Hungary between 21 and 25 October.

Mzungu Kichaa's first album, Tuko Pamoja, was released in 2009, and was followed up by a tour of several East African and European concert venues and festivals. He is an advocate of Tanzania's contemporary music scene and aims to make Bongo Flava known across Tanzania's borders as he considers it music that ‘can open our minds and expand our horizons'. His lyrics are critical and thought provoking, contesting generalized and non-reflective images of what is happening in the world. His songs focus on social problems in Tanzania. For instance, the single ‘Jitolee’ off his 2009 album talks about development issues and was a hit in Tanzania and Kenya.

Recently, in June 2015, Mzungu Kichaa released the music video for the single 'Twajiachia' , a song that celebrates the journey of Tanzanian musicians on the global music scene. The song was recorded at Tao Studio in Hamburg, Germany together with German producer Flo Bauer during a joint tour by Mzungu Kichaa and Tanzanian ragga/dancehall artist Malfred at the end of 2014. The song is an example of the globalization of urban club music: an upbeat fusion between European electronic sounds, Bongo Flava and Jamaican dancehall.

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