Novelist celebrates the legacy of Ebony

In an essay titled The Legacy of Ebony and Female Sexuality, the novelist Bisi Adjapon says Ebony “shattered what remained of female coyness in many West Africans”.

Adjapon, the author of the novel Of Women and Frogs, writes that before Ebony’s emergence, such acts as Mzbel had been open about female desire but Ebony was more radical. "In 'Poison', Ebony languidly intones the addictive power of sex," Adjapon writes. "Call it poison, she says, knowing what society would say to a woman unleashing the full force of her sensuality."

Elsewhere she discusses the moral divide put in place by Ghanaians: “Not long ago, there was a clear delineation between good girls and bad girls in Ghana and many other countries. Good girls went to school, preferably all girls’ secondary schools. During holidays, they mostly stayed at home. They were ladies, or in the Fante word, ‘akatasia’, a portmanteau of the words 'cover' and 'hide'. Thus good girls weren’t exhibited except during puberty rites in villages. Women of good morals dared not demonstrate desire, much less luxuriate in it. In her short life, Ebony blurred the gap between good girl and bad girl.”

Ebony, who died a week before her 21st birthday, was both loved and ridiculed for the sexual content in her songs and videos. Her popularity led to pastors making pronouncements on her music; it also caused fans to defend her. Nonetheless, upon her death, much of Ghanaian media seemed to have agreed on her musical talent.

“Ebony shares the fate of female musicians, including Mzbel and Mz Vee, who have been vilified for their honesty,” Adjapon writes. "When a woman expresses herself through her dressing, other women are likely to give her the evil eye. In several Facebook posts after Ebony’s death, although they expressed sorrow for her, many churchgoing women talked about feeling guilty for loving her music, as though Ebony had caused them to indulge in sin.

"While we are experiencing a shift towards a more positive view of female sexuality, there is room for growth. Some in society, particularly the clergy, criticized Ebony’s parents for allowing her freedom of expression. So-called prophets prophesied her impending death, almost wishing for it, and when it did occur, they gleefully claimed validation. No one has attacked male musicians in the same way. ”

Read the full essay here.