NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

opportunities

Open call: British Council Festival Connect Fund

28 Feb 2024 - 09:36

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The British Council is inviting festival organisers in Africa to submit proposals for the Festival Connect Fund.

The application deadline is 1 April. Photo: The British Council

The grant seeks to enable new and innovative ways for connections, mobility and exchanges, and showcases contemporary arts between festivals across Africa and internationally.

The fund seeks grant proposals from festivals across various art forms such as music, creative technology, dance, film, literature, theatre and multi-disciplinary arts.

This call is open to festivals engaging with all art forms in Ethiopia, Ghana, Kenya, Nigeria, Rwanda, Senegal, South Africa, Sudan, Tanzania, Uganda and Zimbabwe.

The programme recognises the role of festivals in Africa as an embodiment of the traditions, values, and dreams of a place and its people as well as a catalyst to stimulate local economies, foster social connections and enrich the lives of those who attend. In a world marked by rapid change, festivals remain essential in preserving the spirit and vitality of communities across Africa.

“It is against this backdrop, that we are providing an opportunity for festivals in Africa to apply for grants to collaborate, increase access for their audiences to both regional and international artists, and provide opportunities for experimentation and showcasing,” the British Council said. “Festivals that have been in operation for at least two biennales or three editions inclusive of both physical and digital editions are encouraged to apply.”

Objectives of the Festival Connect Fund

The objectives of the Festival Connect Fund are to:

  • Create opportunities between festival peers in Africa and internationally that can lead to future creative collaborations, co-commissions and partnership projects.
  • Support festival-making and artistic expressions including community engagement during festivals that can lead to a meaningful social and economic impact.
  • Provide space for experimentation with creative technology (digital festivals included) to develop new experiences.
  • Build new cross-regional collaborations focused on access to the market and the potential of festivals in bridging cultures in Africa and internationally.
  • Improve the festival value chain including targeting tour-ready work and supporting the professionalisation of festival management through capacity-building.
  • Support mobility for festival directors, curators and managers within Africa to support professional exchanges and development.
  • Develop data-driven innovation and research into the festival sector across Africa – to inspire innovations from creators in artistic work, audience experiences, or research products and services that use/generate data.

Outcomes of the Festival Connect Fund

British Council expects the Festival Connect Fund to help achieve the following strategic outcomes between 2024 and 2027:

  • New festival partnerships and exchanges developed, and existing ones strengthened between festivals in Africa and/or the United Kingdom, artists, curators and managers.
  • Increased public engagement through access to regional and international artists.
  • African festivals connecting to showcase work to support collaborative projects.
  • The development of a network of festival curators and managers and represented festivals across the region.
  • Access to data-driven research on the festival sector in Africa to foster an understanding of festivals in operation in the region and strengthen collaborations, engagements, and networks in the wider festival ecosystem.
  • Shape communities, catalyse artistic innovation and contribute to social impact.

How much funding is available for applicants?

  • A total of £200 000 (about $253 500) is available for festivals in the eligible countries to support collaborations, exchanges, mobility and showcasing on scales ranging from £10 000 to £40 000 maximum per application.
  • A maximum of two applications will be accepted per festival.

There are three tiers of funding available

  • Tier one: Festivals can apply for grants to the value of £10 000.
  • Tier two: Festivals can apply for grants of no less than £10 000 but not exceeding £20 000.
  • Tier three: Festivals can apply for grants of no less than £20 000 but not exceeding £40 000. Festivals applying for tier three grants must be able to demonstrate their capacity to manage grants and provide supporting evidence with their applications.

Festivals can apply for the following activities:

  • Commissioning, co-production, development, or presentation of new or remounted work from across countries in Africa and internationally. These may include live/in-person and digital components.
  • Community engagement programme/arts events alongside the festival.
  • Other associated activities including mobility and travel to support festival development, partnership building, etc, that support the festival programme.
  • Administrative and technical costs towards managing/producing the festival, up to 30% of the grant amount applied for.

What can this look like?

  • Programming of young, emerging artists between African festivals.
  • Incubation of existing art (e.g. a piece that already exists that would benefit from further development).
  • Cross programming, co-production, and/or curation of work.
  • Experimentation between festivals/artists.

Applicants may also apply for funding for activity costs that your festival expects to incur.

These might include:

  • Artists’ fees (including performance fees).
  • Venue-rental costs.
  • Staff costs (e.g. administrative, technical, and front-of-house support directly related to the festival).
  • Audience engagement – activity carried out to develop ongoing relationships with current and new audiences.
  • Marketing and publicity costs.
  • Technical and production costs.
  • Travel costs and expenses for artists.
  • A contribution to the festival programme archiving.

This fund is not open to the following:

  • Non-arts festivals (e.g. food and wine festivals, wellness festivals, carnivals/parades) or arts activity within non-arts festivals.

“We acknowledge the broad diversity of festivals and in this regard welcome applications from festival organisations operating either annual, triennial or biennial festival programmes both face-to-face and online,” the British Council said.

Interested applicants can apply here before 1 April.

View the original call here.

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