NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

opportunities

Open call: Spier Light Art Festival 2025

28 May 2024 - 12:14

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The Spier Festival of Light Art is calling on sound and light artists, designers, architects and students as well as institutions to submit proposals for installations that will appear at the event from 21 March to 21 April 2025.

Interested artists should email their expression of interests before 6 July. Photo: Stevie Thompson: 'Mycelium'

Every year, the choice of artworks reinforces just how innovative, bold and experimental South African artists are. Playful, provocative, reflective and engaging, each iteration of the event encourages viewers to contemplate what it means to live in this intriguing, diverse, complicated and hopeful nation on the southern tip of Africa.

Artists and designers (professionals, students and institutions) are invited to submit expressions of interest for light art works and video art that engage all age groups. Light should be a central element and experiment and innovation are encouraged.

The project will completely or partially fund installations chosen by the selection committee, headed by curators Jay Pather and Vaughn Sadie. The selection is not confined to a theme, but artists may be prompted by the ethereal and the whimsical, artworks that speak to technology, issues affecting South Africa, resilience, enchantment and exuberance, and the working wine farm.

Categories of work may include:

  • Sound or light.
  • Site-specific work (designed to be displayed in particular places on Spier Wine Farm).
  • Sculptural, object-based work.
  • Interactive art.
  • Digital works that foreground technology.
  • Video art.

Curatorial briefing

The curatorial team will hold an on-site briefing on 8 June. Artists who would like to attend, should RSVP to [email protected].

Submission requirements and process

Expressions of interest must include:

  • Artist/collective/studio biographies of all involved (200 words).
  • A short overview of the conceptual interests of the work, specifying which category the submission falls under (300 words).
  • A concise description of the work, including concept sketches (300 words).
  • A description of the use of light in the work (150 words).
  • A description of the audience interaction/engagement with the work, but ideally a video (150 words).
  • A provisional but realistic and well-considered budget indicating whether it is to be funded entirely or in part by the Spier Arts Trust.
  • Web links to and/or images of the proposed work or, if not already developed, examples of previous work.

Interested artists should email their expression of interest to the project manager at [email protected] before 6 July 2024. A more thorough proposal may be requested after the shortlist is announced.

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