NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Rwanda: New Tom Close album to drop this year

29 May 2018 - 16:32

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Rwandan singer Tom Close will launch his seventh album before the end of the year.

Tom Close is preparing for the release of his seventh album.

The singer spoke to Music In Africa after he made the announcement a week ago during an interview with a local publication.

He said the release date and venue for the launch would be announced once negations with potential sponsors were finalised.

Naba Umuyonga will be dropping in the third quarter of 2018,” he said. “I am done with all the recordings but the reason why I'm not conclusive on my launch date is because I'm planning a huge concert and need to put together enough funds for the event to be a success.”

Close said he was in talks with three companies that had supported his events and various charity initiatives in the past.

“I'm optimistic that I will get sponsors because my fans will be a valuable source of revenue for their products or services. I'm in talks about potential concert sponsorship packages with MTN Rwanda, Banque Populaire du Rwanda and Bralima Breweries.”

Musicians in East Africa are catching up to the rest of the world in finding novel ways to capture the attention of fans when launching their albums. This year's regional releases are evidence of that happening.

Tanzanian musician Diamond Platnumz's A Boy From Tandale, which was launched in March in partnership with Kenyan telco Safaricom, was nothing short of spectacular. The singer also flew in American singer Omarion, with whom he collaborated on the album, as an encore act at the Kenya National Theatre in Nairobi.

Close said his upcoming album would feature collaborations with local artists because working with regional artists in the past did not yield the results he wanted.

“I have worked with artists from the region before but the experience was frustrating because I ended up being the only one promoting the song in my country,” he said.

Close has produced Naba Umuyonga independently and says his experience over the years helped make the production process easier.

“This will be my seventh album, so I know what does and doesn’t work,” he said. "For instance, when I started I worked with only one producer but then I realised that recording with different producers not only shortened the turnaround period of production but also allowed for more creativity. That was how I had my album ready in under two years.”

But like most other musicians releasing albums in East Africa, the singer anticipates the distribution process of his latest offering to be an uphill battle.

“Getting your album in the stores is key but it's never easy. That is why once the album is released, my plan is to tour extensively around the country and sell the hard copies because locals barely buy music online. For the diaspora market, the album will be available on iTunes, Amazon and Google Play,” Close said.

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