NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

‘SAMRO is tightening its belt’ amid SABC bailout

09 Oct 2019 - 12:50

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The Southern African Music Rights Organisation’s (SAMRO's) executive management team has released a statement saying that it is putting in place measures to ensure it operates on principles of prudent financial management that will benefit its primary stakeholders.

SAMRO interim CEO Ditebogo Modiba.

The management said its biggest challenge was the non-payment of licence fees by organisations that broadcast music, which was directly hurting the musicians waiting for royalty payments.

SAMRO said companies that failed to pay licence fees placed the collective management organisation’s (CMO's) 20 000 members at financial risk and threatened the sustainability of the organisation as a whole.

“We are well aware of public perceptions about SAMRO due to events in recent years,” SAMRO interim CEO Ditebogo Modiba said. “While awaiting finality on ongoing investigations, we, as a collective, have decided to take the bold step to future-proof the organisation."

Although SAMRO did not name and shame the biggest defaulters in its statement, the South African Broadcasting Corporation (SABC) is one of the organisations that owes SAMRO, and by extension the CMO's members, the most money. It was reported in Parliament on 13 March 2019 that the SABC owed R250m ($16.5m) in royalties, of which R126m was meant to be paid out to SAMRO. SAMRO stakeholder relations officer advocate Nkateko Maluleke told IOL: “There are other streams of revenue for our clients, but the SABC represents a bigger portion of our income so we had to give them prior warning to expect a little less this month.”

On Monday, the South African government handed the state-owned SABC a R2.1bn bailout, but it is unclear whether any of that money will go to SAMRO and other CMOs such as SAMPRA, AIRCO, RiSA and CAPASSO. The R2.1bn lifeline given to the SABC is only a portion of the R3.2bn the public broadcaster requested from the government to keep operations going.

And now it seems SAMRO isn’t betting on getting any of the SABC bailout money, with Modiba saying that SAMRO will continue with its drive to expand its services in the southern African region and identify cost-saving measures in view of the declining economic climate.

“Our licensing team continues to seek new commercially viable licensees in the southern African region, and prospects are promising,” she said.

“We have begun to tighten the belt from within. Unfortunately, this affects the organisation’s ability to employ more personnel, but we cannot continue increasing staff at the expense of our members. This is why we have put a freeze on our headcount and reduced the use of temporary staff.

“Unfortunately, the measures we have taken as an executive management team are unpopular and will not please everybody. However, our core reason for existing is for the benefit of our members, and as such we will always prioritise their needs. When our members are rightfully taken care of, then so are we. It is in the interest of all at SAMRO to carve out a respectable space for South African musical talent both locally and abroad. As custodians of these talented people’s intellectual property, we intend to deliver on our promise.

“Overall, we remain committed to serving our members as best as we can. We understand the times we are operating in are not just challenging to SAMRO, but to every organisation nationally. To this end, we will continue to find ways to adapt to the economic climate in order to remain an efficient and commercially viable entity.”

SAMRO also said its board of directors was assessing various tech options to help modernise its operations and make them more efficient.

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