NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Sauti za Busara entertains global audience

23 Feb 2015 - 08:31

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From 12 to 15 February 2015, Sauti za Busara once again brought people from across the world together in a sea of humanity displayed at Stone Town, Zanzibar to celebrate the wealth and diversity of African music. The theme for this 12th edition was “Together as One; Amani Ndio Mpango Mzima!”. The message was received loud and clear: with peace and unity, Africa is the Future!

Ihhashi Elimhlophe at Sauti za Busara 2015. Photo by Peter Bennett

On the opening day of the festival, Stone Town was brought to a standstill with the colourful parade consisting of the local police brass band, umbrella women’s group, stilt-walkers, reki warriors and the traditional kilua ngoma. The parade went on passing through various arteries of Stone Town and ended by unleashing a series of cultural displays at the heart of the action: Forodhani Park and inside the Old Fort.

Suddenly Africa was meeting in Zanzibar with Bonaya Doti from Kenya and DCMA Young Stars from Zanzibar warming the stage up to see Culture Musical Club fill the air with the beautiful sounds of traditional taarab music. The programme was wonderfully crafted with the screening of More Than a Festival by Sauti za Busara and Tanganyika about Msafiri Zawose at the amphitheatre. At the other side of the Old Fort in Mambo Club, Erik Eliana from Cameroon was treating the audience to a multi-instrumental gig shaking up the musical traditions of his homeland with his unique voice and original rhythms emphasizing. While screen lovers were being treated to the premier of I Shot Bi Kidude by Andy Jones, Msafiri Zawose was following in his father’s footsteps, displaying the Gogo traditional music rich in local Tanzanian sounds and taking these in new and exciting directions.

The atmosphere was ripe and the first day was well attended. The gifted Isabel Novella from Mozambique did what she does best, impressing the audience with her wonderful voice, which got the crowd not only dancing but singing along. Alikiba put on an enthralling performance, which the local dailies soon reported on with daring headlines such as ‘Ali Kiba steals the show at the 12th edition of Sauti za Busara’. Local music fans managed to step out and show support for Tanzanian and other East African groups. This year the festival had about 50% local and East African audiences, thanks largely to the 19 groups representing Tanzania.

The second day kept the pace going with Mwahiyerani and Shirikisho Sanaa from Tanzania opening the day’s proceedings. The gorgeous Aline Frazao from Angola took to the stage with an acoustic show that kept the audiences on the edge of their seats before Kiki Kidumbaki claimed their rightful place in history as the most active and respected kidumbak group in Zanzibar. Rwanda was represented by Liza Kamikazi’s powerful voice while Zee Town Sojaz and Rico Single from Zanzibar mesmerized the crowd at the second stage in the amphitheatre with live band performances.

Tsiliva, a Malagasy musician who performs the raunchy sounds of kilalaka, hopped to the stage and created a different mood altogether. His groovy beats left the audience on a high, only to be taken even higher by South Africa’s king of maskandi, the energetic Ihhashi Elimhlope, and Kenyan new Afro-fusion group Sarabi Band, the last act of the Friday programme. The young musicians took over the festival with their powerful music that addresses social injustice and corruption, putting on a show that connected deeply with the full-to-capacity audience, an inspirational set that closed the second day.

Day 3 kicked off with the nomadic Ifa Band from Tanzania taking to the stage, launching another great day of rich and diverse cultural experiences. They were followed by the poetic rhythms of the Comoros and France-based group, Ahamada Smis’ Origines Trio. Before they could even digest the beautiful sounds, festival-goers were brought back home when legendary taarab musician Mohamed Ilyas with Nyota Zameremeta from Zanzibar took to the stage, filling the air with melodies of peace.

Meanwhile the varied programme continued on the second stage, which showcased the supremely talented Tanzanian dancers and musicians known as Cocodo African Music and Mabantu Africa. Temperatures in the main stage venue rose even further with rousing sets by Leo Mkanyia & the Swahili Blues Band from Tanzania and Tsiliva from Madagascar, who played twice, leaving festival audiences screaming for more.

The festival finale continued with a fun-packed and inspiring programme. Tunaweza Band proved that disability does not mean inability, as they sent revelers from all over the world nodding and dancing. Mgodro Group from Tanzania raised the bar of live music fused with contemporary dance moves. Before one could imagine the next act of Swahili Encounters, with island styles of music from around Indian Ocean, the Songs for Peace awards paid tribute to exemplary productions that echoed messages for peace. Culture Music Club stole the Gold award with their unique taarab sounds and lyrics, Tunaweza Band bagged the Silver award, while Zanzibari hip-hop icon Rico Single won Bronze and Leo Mkanyia’s efforts were recognized with an outstanding runner-up award.

Soon after, Tcheka from Cape Verde filled the Old Fort with his uniquely powerful acoustic sounds. The stage was too hot to handle but Djmawi Africa did not disappoint. All the way from Algeria, the group electrified the audience with their energy. While the screening of a music documentary from Mali titled The Last Song before the War was being screened in the adjacent amphitheatre, others were treated to the thrilling, progressive sounds of The Brother Moves On from South Africa. Swiss-born Thais Diarra, with roots in Senegal and Mali, went on stage featuring Noumoucounda Cissoko on kora. Every audience member opened their hearts and bounced to the beautiful, unifying sounds on offer.

Shortly before the 12th edition was about to come to a close, Ghanaian-born, New York-based hip-hop artist Blitz the Ambassador shook the rocky venue with his Afropolitan vibes. Blitz provided Sauti za Busara’s most powerful finale ever, with a tight backing band setting the groove while Blitz sent out a flow of lyrical consciousness on the microphone, ensuring that the festival ended on a high.

Sauti za Busara proved once again that music trully is a universal language. It communicates to all of us, rich or poor, regardless of language, religion, gender or politics. Music teaches us to respect our differences and value diversity. Through music and art, the world can see that Africa is positive, vibrant and rich in culture and forms of expression. The festival's organisers wholeheartedly thank all the artists, crew, donors and sponsors, media partners and the audience, all of whom helped make the 12th edition the most successful Sauti za Busara to date.

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