NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Speed Darlington granted bail after alleged defamation of Burna Boy

09 Oct 2024 - 15:08

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Nigerian musician and socialite Speed Darlington was released on bail on Tuesday night following a wave of speculation and concern after he was detained for allegedly defaming Afrobeats superstar Burna Boy.

Speed Darlington.

The news of Darlington’s detention gained traction earlier this week, particularly after a viral video emerged showing a woman identifying herself as Miss Queen and claiming to be his mother appealing for his safe return. In her plea, she suggested that Burna Boy might be involved in her son’s detention, fuelling public concern and debate.

Miss Queen’s concerns were supported by local activist and lawyer Deji Adeyanju, who confirmed on social media that Speed Darlington was being detained by the Nigerian Police Force. He reported that after after gaining access to Darlington, the musician said he was arrested in Lagos, moved multiple times, and ultimately taken to Abuja. “We can confirm that the petition against him was written by Burna Boy,” Adeyanju added.

In a tweet confirming Speed Darlington’s release, following his intervention to help meet the bail conditions set by the police at the Intelligence Response Team (IRT) in Abuja, Adeyanju expressed appreciation for the huge support received and acknowledged the IRT team for their professionalism.

The allegations of defamation stem from comments Speed Darlington made in a video weeks ago, where he questioned Burna Boy’s 2021 Grammy win for his fifth album Twice as Tall, co-executive produced by embattled US rapper and record executive Sean ‘Diddy’ Combs. Darlington jokingly referenced oil to suggest that the effort behind Burna Boy’s Grammy win might be questionable, linking this to Combs’ recent legal issues, including serious sexual abuse allegations and the seizure of over 1 000 bottles of baby oil, while implying that Burna Boy may have been compromised in working with Combs.

Darlington has yet to address his detainment publicly, and Burna Boy has also remained silent on the issue. Meanwhile, social media is rife with debates about celebrity rivalries and the limits of free speech within Nigeria’s entertainment industry.

“Nobody should be arrested by the police for expressing their views or opinions,” Adeyanju said on Tuesday, in the wake of news of Darlington’s disappearance. “We urge the authorities to stop the clampdown on freedom of speech in Nigeria.”

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