NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Top 10 bongo flava songs of February 2019

01 Mar 2019 - 07:34

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In February we kept tabs on Tanzania's bongo flava releases, many of which carried the favourite topic of love – perfect timing for Valentine’s Day.

Nandy released Hazipo in February.

The list sees Aslay and Rich Mavoko appearing in two releases, while Ommy Dimpoz returns after a year's break. Singer Jux starts the year with his first Kenyan collaboration alongside rapper Nyashinski.

'Ni Wewe' by Ommy Dimpoz

Ommy Dimpoz is back with 'Ni Wewe' after surviving food poisoning, which damaged his throat and forced him to undergo three major surgeries in South Africa and Germany. The song is a thank you to God for saving his life and to his fans for helping him blossom into the man he is today.

'Ukintekenya' by Shilole ft Aslay

As Aslay teams up with Shilole, the question is, how do you decrypt your partner’s love language? Well, these two totally know how to do it. Aslay says his love language is physical touch, and Shilole likes it. It's rare to see Aslay collaborate with another artist, so this is progress.

'Chanda Chema' by Darassa ft Marioo

Arguably one of the most consistent Tanzanian artists, Shariff Thabeet, popularly known as Darassa, begins his year with Marioo. The two profess their devotion to their women and hint at proposing.

'Hazipo' by Nandy

Still on the theme of love, after releasing ‘Aibu’ four months ago, Nandy, who is also known as the 'African Princess', manages to ignite proper butterfly moments for any lovers out there as she gets lost in fantasy and the memories of her love story. The video is beautifully shot on the coast and sums up the feeling of elation when in love.

'Asante' by Damian Soul and Barnaba

Bongo flava artist Damian Soul teams up with singer Barnaba for a new gospel joint titled ‘Asante’. They give thanks to God for his grace, mercy, life, friends, family, and success.

'Bam Bam' by Fid Q, Isha Mashauzi, Rich Mavoko and Big Jahman

A handy song to roar along to when you've had a few beverages. These veteran Tanzanian artists know how to team up for a club banger: the song is upbeat and the vocals and raps flow; it's a song that could be on repeat until the end of the year, and beyond.

'Mawazo' by Brown Mauzo

In relationships, regret is like a boomerang. You never know when it will come back and hit you right in the fac. In ‘Mawazo’, Mauzo (that's a tongue twister if you say it a hundred times) understands that some mistakes are more challenging to make right than others. Nevertheless, he is determined to find his way back into his lover's heart by asking for forgiveness.

'Edda' by G Nako ft Aslay and Rich Mavoko

There is nothing better than finding someone who completes every part of your life. However, sometimes things get tough quicker than expected, and most people find it difficult to let go of a relationship. All they hang on to are the nostalgic memories of when they fell in love for the first time.

'Shoko' by Snura ft Minu Calypto

Controversial singer Snura collaborates with Minu Calypto in ‘Shoko’. This release is way out of her comfort zone, as she is known to make videos for the so-called erotic entertainment niche. She is one of the artists whose music videos was banned by the Tanzania Arts Council (BASATA) for being ‘immoral’ last year.

'In Case You Don't Know' by Jux ft Nyashinski

‘In Case You Don't Know’ could easily pass for the best East African collaboration so far this year. Jux seems to have his head in the music game. He is not just about ‘making it’ but about standing out and breaking barriers. This is his first collaboration with a Kenyan artist, and people love it.

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