NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

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Djibouti: Ostinato Records to release Groupe RTD album

Home/Non classé/Djibouti: Ostinato Records to release Groupe RTD album

The label’s latest project, The Dancing Devils of Djibouti, is a 10-track album by Groupe RTD. The group is the official band of the national broadcaster, Radiodiffusion-Télévision Djibouti (RTD).

Ostinato Records founder Vik Sohonie told Music In Africa that although the sounds in the album are heavily influenced by Somali music, there is also a mix of Bollywood music, American jazz and Djibouti’s cosmopolitan sound that came from intercultural exchanges over the years as a result of the country’s harbour, which attracted traders from around the world.

Sohonie’s first encounter with the band was in 2016 when he travelled to Djibouti to meet with RTD officials, who granted him full access to the broadcaster’s music archives. At the time, he was interested in acquiring the rights for the 2017 compilation album of Somali music, Sweet as Broken Dates, which received a Grammy nomination for Best Historical Album.

It was during his 2016 visit to Djibouti that Sohonie met Groupe RTD bandleader and saxophonist Mohamed Abdi Alto. “He’s a national treasure, the best saxophonist in the country and possibly the most unheralded saxophone virtuoso in all of Africa,” Sohonie said. 

Other members of the group are Omar Farah Houssein (drums), Moussa Aden Ainan (keys), Salem Mohamed Ahmed (dumbek), Abdirazak Hagi Sufi ‘Kaajaa’ (guitar) and Abdo Houssein Handeh (bass). the vocalists include Asma Omar Om, Guessod Abdo Hamargod, and Hassan Omar Houssein. 

“Groupe RTD is the finest expression of Djibouti’s cosmopolitan culture,” Sohonie said. “By day, they perform for presidential and national events and welcome foreign dignitaries. By night, when no longer on official duty, Groupe RTD is clearly one of East Africa’s best-kept secrets.”

The Dancing Devils of Djibouti was recorded in a mobile studio over three days – a deadline imposed by the local authorities. “Djibouti’s authorities gave us only three days to record the entire set, with no extension,” Sohonie said. 

“The recording equipment in the radio had not been upgraded in decades, and technical neglect meant we had to devise a novel approach to ensure the highest quality recording possible. With the help of Djibouti’s head of customs, we flew in a state-of-the-art mobile recording studio.”

Sohonie believes that the album, which is available for pre-order, will help change global perceptions of Djibouti, renew interest in its rich musical heritage and inspire the government to allow the band to tour internationally.

Given the COVID-19 pandemic, Sohonie said that part of the album sales would be donated to Djibouti’s ambassador to Germany, to purchase masks and other essential supplies for his country.

Ostinato Records works to capture music from countries that have experienced trauma and displacement. The label’s other compilations include Somali Sounds from Mogadishu to Djibouti and Synthesize Soul: Astro-Atlantic Hypnotica from the Cape Verde Islands 1973-1988.

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