NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

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Paris, France

In operation since:

2006

Contact person:

Alune Wade

BIO

Alune Wade was personally selected by Marcus Miller in 2015 to contribute to Miller's album "Afrodeezia" - a testament to his exceptional talent. However, Wade's path to success began earlier when he was discovered by Ismaël Lô at the age of 18. Since then, he has collaborated with an impressive array of contemporary music legends and performed alongside artists such as Salif Keita, Oumou Sangaré, Bobby McFerrin, Joe Zawinul, Fatoumata Diawara, Paco Sery, Bela Fleck, Cheick Tidiane Seck, Deep Forest, and Gregory Porter. Apart from his distinctive and vibrant electric bass playing, it is his voice that, much like the West African griots, tells stories with deep emotion and touching falsetto/tonality.

Alune exudes a calm authority and intense power, creating a unique jazz experience with a sophisticated urban flair. Inspired by the bustling metropolises of Paris, New York, and Dakar, he truly embodies cosmopolitan music. As a remarkable figure in today's jazz and Afrobeat scene, Alune Wade presents his eclectic and highly creative compositions, captivating audiences on significant stages worldwide.

Alune Wade is both rooted in tradition and experimental in his approach: African rhythms serve as the foundation of his compositions, around which he masterfully and effortlessly arranges various genres that seamlessly blend into one cohesive whole. For him, the electric and double bass are natural extensions of his African roots, offering fantastic rhythmic possibilities across different genres, from classical music to jazz and global music. His masterfully played bass serves as the backbone, creating a valuable link between rhythm and harmony, infusing new vitality into the African jazz scene.

Born in June 1978 in Dakar, Senegal, Alune Wade was exposed to classical music by his father, the conductor of a symphony orchestra. At the age of 13, Alune began playing bass in local bands in Dakar, and he made his first recordings at the age of 15 in a friend's music studio. Three years later, Alune Wade auditioned for Ismaël Lô, one of the most respected musicians on the African continent, and remained with Lô for eight years.

Alune Wade's versatile and deeply rooted bass playing style has established him as a virtuoso in the African jazz scene. One of the masters who discovered Wade's talent was the late Joe Zawinul, who invited him to be part of the legendary Zawinul Syndicate. Since then, Alune Wade has served as a bassist for diverse artists like Henri Dikongué, Paco Sery, and Mokhtar Samba, to name just a few.
In 2015, Alune Wade collaborated with Cuban pianist Harold López-Nussa to create the work "Havana-Paris-Dakar" (World Village), which serves as a bridge between the home countries of these two artists. In the same year, Alune also participated in the album "Afrodeezia" with Marcus Miller.
Further albums and collaborations followed, making Alune Wade one of the most significant figures in African jazz.

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