NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Africa Day playlist: Food for the soul, groove for the sole

25 May 2022 - 09:41

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Africa’s character is one of sacrifice, honour, resilience and community. Spilling with endless resources and marked by a profusion of art and culture, the continent is home to unbroken hope and smiles. We hear it in the vibrant drums, the precious melodies, and the fearless voices calling for justice.

Papa Wemba, Becca, Akon and Amanda Black.

Although this year’s Africa Day celebrations are themed around nutrition, they should also pay tribute to Africa’s musicians, who provide nourishment for the soul through their boundless talent and social commentary; when they have gone about their duties, conjuring up sounds inspired by the ancestors of the land, Africa’s musicians have done so with superior charm and grace while celebrating Africa’s golden spirit.

Music In Africa’s 2022 Africa Day playlist, curated with the help of our regional editors and published in commemoration of this special day, honours the bold, insightful and diverse African voices, whose efforts as cultural ambassadors continue to curate an honourable image for the motherland.

‘Esclave’ by Papa Wemba (DRC)

The song comes from the album of the same name, released in 1986. Papa Wemba talks about the slave trade and the journeys of black slaves from Africa to the Americas. It also pays tribute to civil rights activists and artists such as Martin Luther King Jr, Nelson Mandela and Bob Marley.

‘Jammu Africa’ by Ismaël Lô (Senegal)

In 1996, while some African countries were shaken by violence, notably Senegal where a rebellion arose in the region of Casamance, Ismaël Lô released ‘Jammu Africa‘ ​​(Peace in Africa). In addition to exorcising evil acts such as war, the track quickly became a hymn for Africa and was use used in a host of films and documentaries.

‘Ifriquia’ by Fnaïre (Morocco)

Founded in 2001 in Marrakech, Morocco, Fnaïre combines traditional Moroccan melodies – sometimes surfing on the wave of dakka marrakchia, an ancestral tradition of the Red City, which involves a harmony that evokes a whole musical heritage – and a fluidity of vibrant sensuality. Fnaïre often wrap their compositions in African sounds. The sound makes the group unique, summoning slam and textual drapes drawn from the mysterious orality specific to Africa. With ‘Ifriquia’, released in 2012, Fnaïre evoke the many riches of the continent by deploring the foreign greed that has led to conflict throughout history. "Her strange and fruitful beauty creates lust," the trio sings.

‘Afrika Obota’ by Pierre Akendengué (Gabon)

‘Afrika Obota’ (Africa My Mother) is one of the best-known works of Gabonese artist Pierre Akendengué. Released in 1975, the song advocates for African unity and cites countries such as Gabon, Cameroon, Nigeria, among many other countries on the continent.

‘Wakafrika’ by Manu Dibango (Cameroon)

‘Wakafrika’ is a good example of a song about African unity. The song and album of the same name was released in 1994 and celebrates African melodies and culture. The album brought together African giants such as Angélique Kidjo, Salif Keïta, King Sunny Ade, Ladysmith Black Mambazo and Youssou N’Dour.

‘Isegazini’ by Zoë Modiga (South Africa)

‘Isegazini’ is off Zoë Modiga’s 2020 album Inganekwane. The track is about one’s identity and roots, and chronicles Modiga’s wish for humanity to spread throughout the world.

‘Where is Home’ by Jaiksana Soro ft. PCY, Proudly Kigezo (South Sudan)

There are things many of us take for granted. If you are born to loving parents in a peaceful, stable country, you probably won’t have any idea what Jaiksana Soro is talking about in ‘Where is Home’. As a South Sudanese living in a refugee camp in Uganda, the hip hop artist explores this question in this deeply moving song that exposes the psychological scars of wars on the African continent.

‘Kigali’ by Mr Kagame ft. Ariel Wayz (Rwanda)

Rwandese singer Ariel Wayz lends her arresting vocals to this atmospheric hit by Mr Kagame paying homage to his hometown Kigali. Few hip hop tracks can make you homesick as this catchy, nostalgia-tinged offering from the land of a thousand hills.

Afrika by Amanda Black ft. Adekunle Gold (South Africa/Nigeria)

In ‘Afrika’, Amanda Black takes pride and joy in being African. Featuring Nigeria’s Adekunle Gold, the track is steeped in African folk tales and poetry. The song serves as a celebration and a call to African people to embrace who they are.

‘Africain’ by Sexion d’Assaut (Sénégal/Mali/Guinea/DRC)

When we talk about Africa, we mainly talk about the African, a singular, warm and inventive being. The African is also the one who has long suffered racial injustice and many other evils, and who is determined to get up today. The brave and proud ‘African’ is the one sung about by the group Sexion d’Assaut in the song ‘Africain’, which was a hit in 2012.

‘Moussawayou’ by Ifrikya Spirit (Algeria)

This Algerian ensemble thrives on the African spirit. Moussawayou employs both North African and sub-Saharan dialects, and the composition leans toward Latin countries, recalling their African roots.

‘Africa Was Born in Me’ by Berima Amo (Ghana)

Ghanaian trumpeter Berima Amo released this song on 6 March 2021 to coincide with the 64th anniversary of Independence Day in Ghana. The musician draws from the enduring sentiment by Kwame Nkrumah – a staunch pan-Africanist and the leading architect of the West African country’s liberation – for both its title and theme: “I am not African because I was born in Africa but because Africa was born in me.”

‘African Woman’ by Becca (Ghana)

What is Africa without its women? This track, taken off Ghanaian singer Becca’s Forever album (2011), honours the infinite strength of the women who have helped to build the continent. The record is also a nod to West African lullabies.

‘Mama Africa’ by Bracket (Nigeria)

‘Mama Africa’, taken from Nigerian pop duo Bracket’s 2015 collection Alive, invites dancing from the continent’s inhabitants. The track is steered by a peppy beat and guitar licks, and finds its authors namedropping a host of African countries to join the party.

‘Xenophobia’ by Bobi Wine and Nubina Lil (Uganda)

The quest for a united Africa continues, and the early pan-Africanists’ preachings seem to have been lost in the din that is nationalism. In this song, the Ugandan dancehall star beseeches Africans to embrace each other and shun divisive rhetoric.

‘Oh Africa’ by Akon (Senegal/US)

The 2010 FIFA World Cup in South Africa was a source of pride for the entire continent. Anthems to Africa were written all over the world, but Senegalese-American musician Akon’s ‘Oh Africa’ ​​captured the public’s attention with its powerful groove and colourful video.

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