NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Best African songs of 2019 – part 1

18 Dec 2019 - 08:49

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In 2019, African artists continued to make major strides by signing big deals, winning top awards, releasing memorable hits and collaborating with renowned musicians around the world. A number of African musicians amassed millions of YouTube views and gained new international fans on streaming platforms, earning much needed exposure.

Burna Boy, Sho Madjozi, Sarkodie and Yemi Alade.

Like 2018, 2019 has been a great year for Africa artists in terms of collaborations, although divisions were seen after the September xenophobic attacks in South Africa, with a number of local and foreign musicians cancelling shows in the country and abroad.

Nonetheless, 2019, the final year of the decade, can still be marked down as a successful one, as the African music industry continued to gain momentum.

Music In Africa has complied a playlist of the top popular songs that defined the year. The below two-part playlist has been divided into Africa’s five geographic regions with the help of our regional editorial teams in Lagos, Dakar, Kinshasa, Nairobi and Johannesburg.

West Africa

West Africa still commands a huge following and influence on the continent, as well as in the US and Europe. The success of the region’s music has earned artists massive collaborations with some of the biggest names in the music industry. Nigeria’s Burna Boy is no doubt one of the artists who did exceptionally well in 2019. The 'African Giant' hitmaker won accolades at the BET Awards, Headies and MTV Europe Music Awards (EMAs) and Soundcity MVP Awards Festival. He was also nominated for a Grammy ahead of the 2020 awards ceremony in LA, alongside fellow African nominee Beninese singer Angélique Kidjo.

Joining our list is Ghanaian artist Stonebwoy, who won a Nickelodeon Kids' Choice Award in 2019. The reggae-dancehall act was victorious in the Best Male West Africa category at the African Muzik Magazine Awards (AFRIMMAs) in Dallas, Texas. In April, he inked a deal with Samsung Ghana.

Ghana’s Sarkodie took home the Best International Flow Award at the BET Hip Hop Awards, beating off competition from fellow Africans Nasty C (South Africa) and Falz (Nigeria). Yemi Alade (Nigeria) also made inroads when she signed a licensing deal with Universal Music Africa in September and was nominated in the African Influencer of the Year category at the E! People's Choice Awards in California.

Wizkid, Davido and Tiwa Savage also had a successful 2019 with the release of big hits. Davido did well on the collaborative front. His two hits, ‘Blow My Mind’ featuring Chris Brown and ‘Risky’ featuring Jamaica’s DJ Popcaan, were sitting on more than 34 and 9 million YouTube views respectively at the time of writing.

Not to be outdone, Wizkid became the first African artist to hit 8 million monthly streams on Spotify. The previous record was held by Congolese rapper and singer Maitre Gims, who had hit 7 million in one month. In addition, Wizkid collaborated with Beyoncé on ‘Brown Skin Girl’, which has also been nominated at the Grammys.

In May, Tiwa Savage signed a record deal with Universal Music Group (UMG) in California. Under the deal, Tiwa Savage’s music will be released internationally through UMG’s operations in more than 60 countries worldwide.

French-Malian singer Aya Nakamura has done outstandingly well with her 2019 hits songs ‘Pookie’, ‘The Dowry’ and ‘Soldier’, which amassed hundreds of millions of YouTube views. In October, she won the Best Female West Africa Award at the AFRIMMAs.

Togolese duo Toofan made their country proud when they earned a nomination at the 2019 MTV EMAs. Their hit single ‘OU LÉ’ is a favourite in Francophone Africa.

Senegalese singer Wally Seck and Ivory Coast’s Safarel Obiang also had a positive year with ‘Yobante’ and ‘Tchin Tchin’ respectively. Obiang also won the Primud d'Or in Ivory Coast.

Anybody by Burna Boy

Ololo by Stonebwoy ft. Teni

Lucky by Sarkodie ft. Rudeboy

Blow My Mind by Davido ft. Chris Brown

Risky by Davido ft. Popcaan

49-99 by Tiwa Savage

Joro by Wizkid

Pookie by Aya Nakamura

OU LÉ by Toofan ft. Jacob Desvarieux & Kassav

Yobanté by Wally B Seck

Tchintchin by Safarel Obiang

Baby by Joeboy (Nigeria)

Power Rangers by Teni

Supernova by Mr Eazi

Low by Larry Gaaga ft. Wizkid

Dis Love by DJ Spinal ft. Wizkid and Tiwa Savage

Southern Africa

As usual, South Africa tops the list of southern African artists whose music made waves in the region in 2019. South African rapper Sho Madjozi found global success with her hit song ‘John Cena’, which was inspired by the professional wrestler. In June, she took home two top awards: Artist of the Year and Female Artist of the Year at the South African Music Awards (SAMAs). That same month, she triumphed in the Best New International Act (Viewers' Choice) category at the 2019 BET Awards.

Also in South Africa, Samething Soweto was the first local artist to have concurrent No 1 releases on Apple Music's Singles and Album charts with a pre-add release. He reached the top of the two charts with the single 'Akulaleki’ and the Isphithiphithi album.

Amapiano music has brought new energy to South Africa’s music industry to define a sound that is influencing electronic genres around the world. New names such as Kabza De Small, Sha Sha, Semi Tee, De Mthuda and Gaba Cannal have emerged as the leaders of the scene, and the genre is moving fast to neighbouring countries such as Botswana and Zimbabwe. And South Africa’s house and gqom scenes are showing no sign of slowing down with massive hits coming from DJ Zinhle, Simmy, Heavy K, Ntombi and Moonchild Sanelly.

Apart from Nasty C’s BET Hip Hop Award nomination, Apple Music ranked the rapper among the South African artists whose music is getting the most streams on the platform. His song 'SMA' featuring Rowlene is so far the hip hop song with the most YouTube views in SA, and his Strings and Bling album came out on top in the Best Produced Album and Best Hip Hop Album categories at the 2019 SAMAs.

South African hip hop rivals AKA and Cassper Nyovest had their fair share of success this year. AKA won the Favourite South African Star gong at the Nickelodeon Kids' Choice Awards in Los Angeles and his album Touch My Blood appeared on Apple Music’s Top Local Albums c hart for South Africa. Cassper Nyovest took home two awards at the SA Hip Hop Awards and triumphed in the Best New Age Kwaito Song category at the Mzansi Kwaito and House Music Awards.

Also doing well on the SA hip hop scene is Afrikaans rapper Biggy with hit track ‘Dames’, which went viral after its release in May and inspired a number of memes on social media.

In Zimbabwe, dancehall singer Winky D and Afropop artist Jah Prayzah released ‘MuGarden’ and ‘Kune Rima’ respectively, and sparked debate on social media with fans arguing about which track is the best. Winky D’s ‘MuGarden’ outdid Jah Prayzah’s ‘Kune Rima’ with more than 1.5 million YouTube views.

Other artists that released top music this year are Zambia’s Sampa the Great and B1.

Kona by Sho Madjozi

John Cena by Sho Madjozi

SMA by Nasty C

Whipped by Tellaman ft Nasty C and Shekhinah

Kune Rima by Jah Prayzah

Tender Love by Sha Sha ft. DJ Maphorisa and Kabza De Small

MuGarden by Winky D ft. Gemma Griffiths

Ngaibake by Freeman ft. Alick Macheso

Kure by Ishan and Ti Gonzi

Akulaleki by Samething Soweto

Dames by Biggy

Main Ou's by AKA, YoungstaCPT

Move for Me by Cassper Nyovest ft. Boskasie

Final Form by Sampa the Great

Kwa George by B1

Umlilo by DJ Zinhle

Yebo Mama by Heavy K ft. Moonchild Sanelly

Gugulethu by Prince Kaybee ft, Indlovhikazi, Supta and Afro Brothers

Imma Boss by Nadia Nakai

You and I by Riky Rick ft. Mlindo the Vocalist

Supa Dupa by K.O

Ndakwenza Ntoni by Naakmusiq & Blue

See part 2 of our Best African Songs of 2019 playlist here.

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