NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

opportunities

Call for applications: Goethe-Institut Project Space fund 2020

04 Jun 2019 - 09:24

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Goethe-Institut (GI) in South Africa is calling on artists to submit proposals for the 2020 Goethe-Institut Project Space (GPS) fund.

Zara Julius's 'Proclamation 73' was among the projects supported in 2018.

The programme will support work realised all over South Africa ranging from workshops to exhibitions, events and performances – including music, dance, visual art, literature, film and theatre projects.

How to apply

Interested individuals should download the application form or submit their proposals via email at [email protected]. Read the GPS FAQs here.

Proposal requirements

  • Completed application form.
  • Description of the project (two pages, 1000 words max).
  • Summary/synopsis of the project (150 words).
  • Description of project's aims/objectives (One page, 500 words max).
  • Timeline (giving an indication of the length of the production period).
  • Detailed budget (with financial and in-kind support, including the hosting and other partner’s contributions).
  • Professional biographies of all involved parties.
  • A signed letter of confirmation from all artists/collaborators named in the proposal. The letter should state that they know about the project and will support.
  • Visual documentation of previous projects and other supporting material.
  • Profile of the organisation/infrastructure where the project will take place (including a one-year record of its projects).
  • A signed letter of commitment from the space (confirming interest and detailing basis of partnership with proposed time frame.
  • Brief description of PR and communications strategy for the project

Framework

  • Only projects of a non-commercial nature will be considered
  • The GI offers financial support for chosen projects to the maximum amount of R60 000. Should the budget exceed this amount, the artist/project team should seek further support, information of which should be included in the budget plan for this application form
  • In the event that the person who is to realise a chosen project lives outside of South Africa, the GI will support up to half of their economy flight ticket cost in order for them to be present to realise the project
  • The artist/project team will be responsible to work out terms of reference with the space where the project will take place, detailing the basis of the partnership. The artist is responsible for realising the work and will be held accountable
  • The profile of the space has to be such that realisation of proposed project is viable
  • The signed letter of commitment from the space is essential
  • Work produced remains the property of the artist. The GI and GPS must however be acknowledged in all subsequent showings of the work and mentioned in all press relating to the work
  • The GI needs to approve all promotional material, including press releases and invitations related to the project before anything goes to print or is electronically, or otherwise, distributed
  • The GI will not be held liable for accidents of any kind to the artist and/or third parties
  • The artist and hosting partner are responsible in their individual capacities to make tax payments related to the project grant if and when required. The GI cannot be held responsible for any related issues
  • Only one project proposal per artist will be considered by the jury

“GPS is envisioned as a non-commercial, artist-centered free platform, designed to support not only the artists and their projects, but also the many structures, spaces and festivals that currently exist and need partnerships of this nature in order to continue their work,” the institute said in a statement. “GPS enables creators in all artistic disciplines to select the space and infrastructure they wish to work with. If awarded, a GPS grant would support both the hosting space and the project itself.

“The new project signals a move to decentralise, supporting smaller spaces, and also those situated outside of the large metropoles. Practitioners will be able to produce their work locally with a partner of their choice and a GPS grant. A public call for proposals is presided over by an independent jury of arts professionals, who will make the project selection.”

View the original call here.

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