NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Durban to stake its claim with International Jazz Extravaganza

09 Mar 2016 - 13:14

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Cape Town has the upcoming International Jazz Festival; Johannesburg has the annual Joy of Jazz. Not to be outdone, South Africa’s other major urban centre, the city of Durban in KwaZulu-Natal – though better known for hosting awards ceremony such as the MAMAs in recent years – is putting its name on the international jazz festival map with a new event, the International Jazz Extravaganza (IJE).

Nduduzo Makhathini will perform at the International Jazz Extravaganza in Durban. Photo: Facebook

On Saturday 12 March for one night only at the Durban International Convention Centre, the IJE will see American jazz icons Lee Ritenour and Spyro Gyra indulge local music lovers.

Also known as ‘Captain Fingers’, the internationally renowned guitarist Lee Ritenour, a founding member of the group Fourplay, will thrill fans for two hours by revisiting his best songs from of his 40 year career, including cuts from his new album, A Twist of Rit.

Spyro Gyra have been around for a similar amount of time, during which they have sold over ten million albums and played over 5000 shows on five continents. Bandleader Jay Beckenstein said of their upcoming appearance in Durban: “South African music has been an inspiration to us for many years so it’s a great pleasure for us to be able to play our music on South African soil. It’s always a thrill to play somewhere that we’ve never played before so we’re looking forward to our Durban debut!”

Though no local acts have been officially announced on the event’s website, the IJE’s communications head Grace Kadzere told Music In Africa that two local talents will be opening the show: “The opening will be by a 10-year-old self–taught guitarist, Luthando Jackson. This young boy has always looked up to Lee Ritenour’s music for inspiration. When he heard that he was coming to Durban, he asked for an opportunity to meet him. The event organisers decided to give him more than that by ensuring that beyond meeting the jazz legend, he would also get to perform on the same stage and do a piece of his own. While he might be young, he has already in the past performed with established musical groups such as the KZN Philharmonic Orchestra, James Grace and the Soul Brothers.

“This will be followed by compositions from the local jazz maestro, Nduduzo Makhathini, a gentleman who also hails from a musical family. His mother is a pianist and his father, a guitarist. A multi–Metro Award nominee, Nduduzo is talent to be reckoned with and has traveled the world with his music.”

Together these four acts are expected to entertain local jazz lovers for up to six hours.

Countering the popular perception that jazz is an exclusive genre for the old and/or wealthy, Kadzere said: “Jazz isn’t exclusive. It is just different music and is almost an acquired taste, like unsweetened coffee. It’s not for everyone but for those that embrace the music for what it is.”

Kadzere was positive about the current state of jazz in South Africa. “At a glance, based on the increase in the numbers of people attending local jazz festivals, it would be safe to say that jazz is growing. Jazz and classical music are the only genres of music that one can actually learn formally, the number of students enrolling for these courses at universities hasn’t gone down, which to me is a sign of growth. “

In terms of the benefits that the IJE will offer for the City of Durban, the host city and co-sponsor of the event, Kadzere explained: “Music brings about social cohesion. Music by international acts in Durban bring more tourists to the city and allow us to contribute towards the country’s economic growth. In the past, we have seen great economic spin-offs from hosting major events in Durban so we will continue to show support to our local music industry.”

Tickets are available from Computicket. For more information visit the IJE website or watch the video below.

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