
Hip hop in Africa
According to a Nielsen Music report(link is external) released early this year, hip hop became the most dominant genre in the US in 2017, surpassing rock for the first time in history. The statistical discovery wasn’t too surprising; in 2015, streaming service Spotify analysed 20 billion tracks and found that hip hop songs had appeared on more playlists than any other genre around the world.
This success of hip hop is owed to the accessible nature of the genre. Whereas many other music styles – the most obvious of them being jazz and classical – require extensive training and expensive equipment, all that hip hop asks for is a human voice and a creative mind. This is best illustrated by cyphers and rap battles where rappers often go a capella and in the process add a layer of purism to the art form.
In Africa, hip hop is just as appealing as anywhere else in the world, with many young people still looking up to the American masters of yesteryear for inspiration. More often than not, Africa is defined by persistent socio-economic problems that are impossible to ignore, especially if one has a deep sense of justice. Combine poverty, war and corruption with Africa's rich oral traditions and what you get is some of the most powerful lyrics delivered through the medium of hip hop. Today, some of the most profound criticism of power structures that have gone awry is meted out through hip hop, which in many instances has been effective in changing opinions and driving change.
On the creative front, many African musicians are fusing traditional music from their backyards with the modern approaches of hip hop production, the result of which is a original take on the genre and one that rappers around the world have begun to take note of. This can only spell success for the future of African hip hop.
Music In Africa has commissioned and published original Overview Texts that cover the historical development of the genre in various African countries, with more still to come. We have also compiled a selection of hip hop-related features, news articles and reviews from our magazine section, which will be updated as the month progresses.
Overview Texts
- Hip hop in Lesotho
- Hip hop in Botswana
- Hip hop in Northern Nigeria
- How French hip hop found its own voice by going back to Africa
- Hip hop in Gabon
- Hip hop in Benin
- Hip hop in Togo
- Hip hop in Chad
- Hip hop in Zambia
- Hip hop in Mali
- Hip hop in South Africa
- Hip hop in Cameroon
- Hip hop in Tanzania
- Hip hop in Senegal
- History of Nigerian hip hop
- Hiplife in Ghana
- History of hip hop in Kenya
- Hip hop in Central African Republic
News, Features and Reviews
- African rappers evaluate hip hop scene
- Rosa Ree: A rose among the thorns
- Uganda: Arts Envoy Programme leaves its mark
- The big Gigi Lamayne interview – part I
- This is Nigeria ban: Rights body demands reversal
- Chocolate City hosts listening session for three hip hop albums
- SA duo Darkie Fiction gets featured on Apple Music
- Falz reacts to This Is Nigeria banSA duo
- South African rapper ProKid passes on
- South African rapper Ben Sharpa dies
- Public Enemy, The Internet confirmed for Afropunk Joburg
- Cape hip hop raps in the voices of the ‘less thans’
- Interview: Ugandan rapper Sylvester Kabombo
- MI Abaga's controversial 'Fix Up' song leads to Nigerian hip hop festival
- South African rapper Ben Sharpa dies
- The tale of Ethiopian hip hop – part 1
- The tale of Ethiopian hip hop – part 2
- Is Sarkodie the best African rapper now working?
- 'Gambian hip hop can help nation-building'
- Top 5: African women in hip hop
- Top 5: South Africa's forgotten hip hop tracks
- Hip hop: The basics of freestyling
- The story of Kenyan hip hop and how an Englishman made Kenyans rap in Swahili
Also be sure to check out the Music In Africa directory.
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