NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

IFPI opens sub-Saharan Africa office in Kenya

19 Jun 2020 - 07:33

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The International Federation of the Phonographic Industry (IFPI) has opened its sub-Saharan Africa regional office in Nairobi, Kenya. 

IFPI sub-Saharan Africa regional director Angela Ndambuki.

The office will be headed by Kenyan lawyer and corporate executive Angela Ndambuki. She will take up the role of regional director and will be responsible for the region's 46 countries.

IFPI promotes the value of recorded music, campaigns for the rights of record producers and expands the commercial uses of recorded music. The federation boasts a membership of 1 300 major and independent companies in about 60 countries. It also has affiliated industry groups in 56 countries. Its recently released Global Music Report for 2019 shows that recorded music industry revenues for Africa and the Middle East grew by 15.9% to $101m.

"I am looking forward to working on strengthening the copyright industry in sub-Saharan Africa, both in policy and operations, especially in light of the Africa Continental Free Trade Area," Ndambuki said.

Ndambuki joins IFPI from the Kenya National Chamber of Commerce and Industry (KNCCI) where she was CEO since September 2017. Before KNCCI, she was the CEO of the Performers Rights Society of Kenya (PRISK) between 2012 and 2017.

Commenting on the launch of the regional office, IFPI CEO Frances Moore said: "Sub-Saharan Africa has an incredibly exciting and diverse music landscape. The opening of our office in Nairobi demonstrates IFPI's focus and commitment to the region and will enable us to better champion issues affecting the local recording industry and support the further development of the music market in these countries.

"I'm delighted that Angela is joining the global IFPI team to spearhead our work in the sub-Saharan Africa region and support its growing recording industry. Angela is enormously talented and comes with a wealth of experience.

"We would also like to thank Rob Hooijer whose work as the regional coordinator has helped us expand our presence in the region and laid the groundwork for the opening of our office in sub-Saharan Africa. We look forward to continuing our cooperation with him."

Ndambuki is well-known for defending the intellectual property rights of artists. In 2018, she was named among the 100 Most Reputable Africans by Reputation Poll for her various roles in advancing corporate governance, and intellectual and human rights interests.

In 2017 she was voted Kenya's Top 40 Under 40 Women winner by the Business Daily for her role in policy and advocacy in trade facilitation and intellectual property rights. She also serves as the vice-chairperson of the Kenya Association of Music Producers (KAMP) and is a member of the International Chambers of Commerce (ICC) as well as an expert at the World Intellectual Property Organisation (WIPO) Academy.

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