NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Nigerian artists arrested in Uganda for violating COVID-19 rules

15 Dec 2020 - 09:32

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Nigerian singers Omah Lay and Tems were arrested in Uganda on Sunday after they allegedly violated COVID-19 restrictions at The Big Brunch concert held in Kampala.

Omah Lay and Tems.

Both musicians had performed at the event, which took place the previous day. They were arrested alongside Tems’ manager Muyiwa Awoniyi and detained at the Katwe Police Station. Kampala Metropolitan Police deputy spokesperson Luk Owoyesigyire confirmed that manager of the venue Dungu Ivan, event manager Prim Kasana and three police officers – including the charge officer of the police station in the area – were also arrested.

“Yes, I’m with the Ugandan police. Something about the show from last night,” Omah Lay wrote on Twitter. “Everything would be fine.”

The two musicians and Awoniyi made a court appearance in Makindye on Monday afternoon. Their charges included negligently doing acts likely to spread an infectious disease in accordance with section 171 of the Ugandan Penal Code 1950, which states that "any person who unlawfully or negligently does any act which is and which he or she knows or has reason to believe to be likely to spread the infection of any disease dangerous to life commits an offence and is liable to imprisonment for seven years".

The trio will remain in custody until Wednesday. Plans to release them on police bond were suspended after their casefile was sanctioned by the office of the director of public prosecutions.

The arrests have elicited public outcry by artists, with the hashtags #FreeTems and #FreeOmahLay trending on Twitter. Wizkid, Johnny Drille, Davido, Burna Boy, Patoranking, and a host of others have all taken to social media to call out the Ugandan authorities and demand the release of the musicians.

“Free my people & bring them home safe,” Wizkid said. “Arresting Omah Lay and Tems makes no sense at all, Uganda. Patoranking wrote: "This is sad."

“They should not be treated like this @PoliceUg,” Burna Boy wrote. “They were invited for a show organised by your citizens, granted visas and tickets were sold publicly on the World Wide Web. This anarchy should not be targeted at the artists."

Ugandan musician-turned-politician Bobi Wine said that the arrests were uncalled for. “Truth is #OmahLay‘s arrest isn’t about COVID. No. It’s an act of shame by a corrupt regime that operates on double standards. He obtained a work permit and performed under police protection. Why arrest him? This as pro-Museveni artists stage street concerts unmolested."

Some local artists have also raised questions about why the Nigerian artists were allowed to perform in the country during the pandemic. Rapper Gravity Omutujju threatened to take legal action against the government, which he claimed “allowed this to happen when we the owners of the country are starving," he said.

‘‘[For] a foreigner to perform in Uganda, he must get a work permit, meaning the government was involved. In all honesty and fairness, how can you allow this concert to happen when you really know that you stopped your own artists [from performing], closed all happening [sic] places in a disguise of protecting the masses from catching COVID-19?”

Meanwhile, the Amnesty International on Monday accused the East African country of using the pandemic as a “pretext for repression.” The organisation's regional director for east and southern Africa Deprose Muchena said: “While it is reasonable that the Ugandan authorities, like others elsewhere around the world, should take measure to halt the further spread of COVID-19, it is apparent that in Uganda, COVID-19 regulations have been weaponized and disproportionately applied to the opposition as pretext for political repression and to restrict their activities, and their rights to freedom of expression, association and peaceful assembly,”

Uganda’s Ministry of Health on Sunday reported 461 new confirmed coronavirus cases, bringing the country’s case count to 27 532, with the death toll rising to 221.

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