NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Nigerians listening to more music than any other country – IFPI report

18 Nov 2022 - 10:18

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Nigerian music fans are listening to more music than any other country globally, according to the International Federation of the Phonographic Industry’s (IFPI’s) Engaging with Music 2022 report.

Burna Boy, Wizkid, CKay and Tems are among Nigerian acts constituting to its growing global acceptance.

The study, the largest of its kind, is based on research conducted with more than 44 000 music fans across 22 countries and demonstrates the growing power of local genres, notably the continuing popularity of the West Africa-led Afrobeats sound.

Nigerian pop, Nigerian hip hop/rap as well as Afrobeat and Afrobeats ranked among the top 10 genres globally. And while Nigerians were found to listen to a diverse range of music genres, Afrobeats, gospel and Nigerian hip hop and rap constituted the most popular genres in the country.

The report found out that Nigerian music fans are listening to more music than any other country in IFPI’s global study, spending an average of 30.4 hours listening to music weekly.

Another highlight from the study is the fact that music was integral to supporting both mental health and physical activity, with 82% of Nigerian respondents saying music is important to their mental health while 87% agree that music is important when they exercise.

About 67% of time spent on short-form video apps in Nigeria was on music-focused videos, corroborating the notion that music is central to people’s engagement with short-form video apps.

Again, despite the growing popularity of DSPs in the country, unauthorised access to unlicensed music is a major threat to the local music ecosystem, with 88% of respondents admitting to the use of illegitimate methods to listen to or download music.

Overall, the study found music to be a source of national pride in Nigeria, with 87% of respondents expressing satisfaction when a musician from the country cracks global success.

“This year’s Engaging with Music report paints a fascinating picture of how fans around the globe listen and engage with music today,” IFPI chief executive Frances Moore said. “Working with artists to bring them their greatest creative and commercial success, record companies are harnessing new technologies  –  including in-gaming and health and fitness apps  –  to make it possible for music fans to connect with their favourite artists and tracks in even more ways.

“However, there remains work to be done to ensure that those seeking to profit from unlicensed and unauthorised music can’t threaten the vibrancy of a music ecosystem that is essential to artists and fans. Engaging with Music 2022 serves as a healthy and celebratory reminder of the true global importance and value of music  – and the need to protect and support it.”

IFPI’s regional director for sub-Saharan Africa, Angela Ndambuki, added: “Engaging with Music 2022 shows just how vibrant and exciting the Nigerian music scene is, with Nigerian music fans listening to more music than any other country in the study. However, it also reminds us that we must remain diligent in ensuring that the music industry within Nigeria grows sustainably and that we continue to support those who are investing in local music and artists in their work to build a healthy music ecosystem in the country.”

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