NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Overviews

Popular music in South Sudan

27 Oct 2016 - 07:08

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By Elbow Chuol

Africa’s youngest nation, South Sudan, has faced instability since it broke away from Sudan in 2011. Music has remained the vehicle through which young people continue to voice their concern and advocate for peace. This text explores South Sudan’s popular music.

South Sudan pop artist Khor DJ. Photo courtesy of Elbow Chuol

Peace remains the most common theme in most songs. Whether it is hip-hop or gospel, artists continue to voice the importance of peace for South Sudan to forge ahead. In August 2016, the country witnessed a major musical collaboration when artists performing different genres united under the Ana Taban campaign. Gen. Manasseh Mathiang Ayak, Coozos Clan (Menimen), Natty P, Tutu Baibe, L.U.A.L, Mr.Lengs, Lomerikson and Ras Kayne released the single ‘Ana Taban’ (loosely translated I am tired) which has become popular around the country. ‘Ana Taban’ was dedicated to all those who have lost their lives as a result of the war. The song has enjoyed considerable airplay within the country, attracting more than 5,000 views on YouTube.

Abul Oyay[i], an artist and one of the founders of the Ana Taban campaign, said the song was created as part of an effort to bring South Sudanese artists together and to echo the will of South Sudan’s people. The artists met in Naivasha in Kenya, to write, compose and produce the song. The town was symbolic because it was the site where the agreement that set South Sudan on the path to independence was signed.

While peace remains a common message in most songs, a few years ago this was not the case. In the past music from the country was dominated by famous musicians who sang songs of war. The country however is yet to create its signature sound. Its pop music is still heavily influenced by the sounds of the places where most of its artists are based in exile.

Afro-beat

To begin with, Afro-pop is considered the most popular musical genre in South Sudan. Internationally recognized artists like Yaba Angelosi are among those who continue to popularize the genre outside of the country. Born Angelo Maku in South Sudan’s capital city of Juba, the artist immigrated to the US in 2000 and has been keen on developing his musical career. Angelosi’s music mixes catchy African traditional sounds with Western dance. He uses modern instrumentation and arrangements. He has performed internationally, including at The White House, during Sudan’s Comprehensive Peace Agreement (CPA). His well-known singles include ‘Junubia’ and ‘Egoba’.

Khor DJ is another popular Afro-beat artist. Khor’s sound is always evolving. Born Khor Deng Jang in 2008, the artist was awarded the Best Male Award for his single ‘Abibi’ at the now defunct Miraya FM Awards. Following this recognition Khor embarked on national tours singing in clubs and touring many regions in the country. He was the only artist living outside South Sudan who was invited to perform at the South Sudan independence celebrations in 2011.

Khor has continued to maintain his popularity within South Sudan even though living in Ethiopia. Beyond the fans’, Khor has also been recognized by South Sudan’s Ministry of Youth, Culture and Sport. In an interview with Music In Africa Khor revealed that he is working on a new album, One Republic, which he says fans should expect to be out before the year ends. He is also planning to stage concerts in Australia.

His latest single ‘Tuok Thare jin’ (You began it) continues to enjoy airplay. The song advises people to be cautious of tribalism and any other issues that may cause differences among them and disrupt the peace.

Mr. Leng and Mary Mboyo are other outstanding artists who perform Afro-beat music in South Sudan. Emmanuel Kembe has earned a reputation for his unique style. Kembe sometimes fuses folk music with reggae.

Dance Hall and Reggae

Dance hall is most popular among young people. MC Ghetto is the genre’s leading artist. Currently based in Nairobi, Kenya, MC Ghetto is known for having effectively mastered the art of dance hall. As many would say, MC Ghetto knows what he is doing. Some of his hits include ‘Dinka Girls’ and ‘Monyinyer’.

Kawaja Revolution is another dance hall artist who emerged on the music scene three years ago.

On the reggae front artists such as Dynamq and WJ De King continue to impress fans with their songs. Dynamq is popularly known for his reggae release ‘Those Days in Nairobi’. His other release is ‘Nobody’. Jere Jere was recognized by the Grammy Awards two years ago as promising Upcoming Artist.

WJ De King impressed the industry with his reggae message of peace. His latest single ‘Peace’ was released in August 2016 and has been at the top of charts on most radio stations, including Miraya FM.

Hip-Hop

With internationally recognized acts such as Emmanuel Jal, hip-hop in South Sudan continues to witness new talents emerging on the scene. Jal’s unique brand of hip-hop, layered with African beats, has led him to be considered one of the rising stars on the world music scene. Before Jal emerged on the scene, rapping in South Sudan was primarily in the local language of Nuer and artists used sticks and clapping hands in place of instruments.

On the home front artists such as L.U.A.L are keeping hip-hop alive. With the initials L.U.A.L implying Lyrically Untouchable African Legend, he cites 2Pac as among his earliest influences. His hit song ‘I’m the King around here’ is still a big deal among his fans. His music is often heard on the majority of the radio stations in the country.

K-Denk is a former contestant of the Tusker Project Fame talent search competition. Among the songs he has released since he made a comeback include ‘Ya Hobi’ (Mine), ‘Ou Kene Guot’ (The world didn’t end) and ‘Baki Ji’ (I came for you). The young rapper is vastly blessed with the ability to move his listeners through his latest recorded songs. Perhaps East Africa most remembers K-Denk for his hit song ‘Niko’, which he released in 2012, featuring Kenyan radio presenter Sana.

Conclusion

South Sudan’s popular music is largely borrowed but artists like Emmanuel Kembe are fast experimenting with a variety of sounds to attain a unique sound for the nation. Despite the many challenges, the artists’ unwavering spirit enables them to thrive locally and beyond their country’s borders.

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