NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Young South African composers win SAMRO scholarships

20 Aug 2018 - 14:25

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Andrew Hoole and Conrad Asman were big winners at the 2018 Southern African Music Right Organisation (SAMRO) Overseas Scholarships Competition for Composers at the Linder Auditorium in Johannesburg on Saturday.

Riley Giandhari, Ndabo Zulu, Conrad Asman, Andrew Hoole and Lise Morrison.

University of Cape Town graduate Hoole emerged triumphant in the Jazz category while Johannesburg-based University of Cape Town student Asman was the winner in the Western Art Music category. Hoole and Asman received R200 000 (about $14 000) to further their postgraduate studies or professional development abroad.

"Winning the SAMRO main and clazz awards has been a personal goal of mine, for which I have been striving ever since starting my university degree in composition," Asman said. "This experience offered me a platform on which my compositions could be performed and evaluated on a professional level, for which I am most grateful.

"The SAMRO scholarship will enable me to take my craft to the next level, as I plan to use the prize money to apply for festivals and postgraduate courses overseas – particularly in the UK, Europe and the US."

The two runners-up, University of KwaZulu-Natal (UKZN) alumnus Riley Giandhari and Stellenbosch University graduate Lise Morrison received R70 000 each. Giandhari and Morrison competed in the Jazz and Western Art Music categories respectively. Morrison also walked away with the R30 000 Indigenous African Music Award.

Asman and Giandhari also received the Surendran Reddy Clazz Award in the Western Art Music and Jazz categories respectively, for their ability to expertly combine elements of different musical styles. Both prizes are worth R10 000.

Reddy, who passed away in 2010 aged 47, devised the term 'clazz' to describe his crossover musical style and his concept of composition and improvisation – a fusion of classical, jazz, traditional African and various styles of world music.

"Saturday was an amazing evening. The wonderful artists from the Johannesburg Philharmonic Orchestra (JPO) and the ZAR Big Band brought new works to life," SAMRO managing director André le Roux said after the event. "The works literally jumped off the pages of their scores and into our ears like little earworms."

Speaking to Music In Africa after the big event, Andrew Hoole said: “I am very grateful and honoured to have been selected as the jazz category winner and I want to congratulate my fellow composers and musicians on a phenomenal evening of original South African music.

"A special thanks to the organisers of the event at SAMRO, who poured so much time, effort and money into an event that highlighted and rewarded local music in this country.”

Giandhari said: “I took the runner-up award of R70 000 and I also won the clazz award of R10 000. I am so grateful for the opportunity to get my music performed and I'm also very thankful to SAMRO for recognising me as a composer. I felt that everyone who received an award deserved it, due to all the hard work that was put in.”

Out of this world performances

Saturday night saw the five young composers' works brought to life by some of South Africa's most accomplished classical and jazz musicians, including Bokani Dyer, Marcus Wyatt, Ziza Muftic and Romy Brauteseth, among others. The composers' live renditions were witnessed by their families, friends, music professionals and fans who braved the chilly Johannesburg weather to experience the eclectic programme.

Trumpeter and bandleader Marcus Wyatt and the ZAR Jazz Orchestra performed Hoole’s winning compositions ‘Bombero Suite’ and ‘Kind of Cool’. Asman’s composition ‘Shisa Nyama' was put to action by JPO musicians under the conductorship of Kutlwano Masote.

Asman said he was inspired to write the "party piece" after thinking about how a South African braai, or barbeque, brings people together.

Giandhari’s piece ‘Answer the Call’ was also performed by Wyatt and the ZAR Jazz Orchestra. The composer said the composition was partly inspired after he heard a cellphone ringing constantly in a restaurant, prompting him to take his feelings of annoyance to the world of music.

Morrison’s work ‘Dololo’ (for flute, guitar, percussion and string trio) was composed with the mbira in mind, using the rhythm of the word 'dololo' (nothing) as a starting point. In addition, her 'Trio in Five Movements' was inspired by the contrasts between the different landscapes and soundscapes she has experienced during her travels. Both works were played by JPO musicians.

In addition to showcasing the works of these four finalists, the gala concert also offered another young composer, Ndabo Zulu, a platform to shine. His work ‘Umgidi’, dedicated to the Nguni nation, was performed by Wyatt and the ZAR Orchestra. Ndabo, a UKZN graduate who is completing his master’s degree at the Norwegian Music Academy in Oslo, received the R30 000 Indigenous African Music Award for jazz. ‘Umgidi’ was arguably the best-received composition on the night, with Zulu encouraging the participation of the crowd.

"Sitting back and listening to the indigenous African sounds through all the compositions, I get the sense that these young composers are creating a new soundtrack for South Africa by disregarding the rules and boundaries of jazz, western art and indigenous music," Le Roux saud.

"By mixing the sounds together they created a potjiekos or Shisa Nyama (braai) of sound. My team and I witnessed as these young people cultivated our tastes. The music was really Kind of Cool, the celebration a proper Umgidi and we tasted the Shisa Nyama. None of the candidates left with Dololo (nothing). Apart from their awards, they left with professional photographs, audio and video, and having been acknowledged by their peers as the top composers of their generation in the country."

As part of a special focus to honour Nelson Mandela, two tracks – ‘An Ideal to Die For’ and ‘Time to Build’ – by bass player Concord Nkabinde were performed on the night. The two songs were drawn from Mandela’s speeches and carefully sampled the late statesman’s wise words throughout the recital. Former SAMRO scholarship winner Darren English also paid homage to the late leader with his song ‘Pledge For Peace’.

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