NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

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Idylle Mamba - Bêkou, un album pour l'espoir

Home/Non classé/Idylle Mamba – Bêkou, un album pour l’espoir

Lauréate du concours de la chanson francophone en 2004 à Bangui (Centrafrique) et meilleure artiste d’Afrique Centrale à la nuit des Canal 2’or en 2017, Idylle Mamba est une chanteuse d’une grande sensibilité.

En 2013, alors que sa Centrafrique est fortement affaiblie par une effroyable crise militaire, elle sort Bêkou, un album dont le titre en Sango (langue nationale de la Centrafrique) évoque l’espoir.

Bêkou est une balade de 51 minutes en blues, en jazz et en afro folk, à travers 12 titres qui abordent chacun, des questions profondes sur l’existence et l’altérité. Idylle Mamba y chante dans sa langue maternelle, mais aussi en Ewondo (langue du  centre du Cameroun).

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L’opus s’ouvre sur « Gadji Koyo », un morceau chargé de mélancolie. Accompagnée avec finesse par une guitare sèche, Idylle Mamba décrit l’amertume d’une femme qui perd son fils à l’issu d’un rite initiatique ; la circoncision. Naviguant entre musiques acoustique et salsa, elle dénonce la violence de certaines pratiques traditionnelles qui peuvent être fatales, laissant des familles dans le désarroi.

Sur la même lancée, la chanteuse aborde la question de l’excision dans le titre « Petite fille ». Sur du blues, son style de prédilection, elle exprime sa compassion pour ces jeunes filles, victimes de cette douloureuse mutilation à travers le continent africain.

Bêkou est le murmure de ceux que la société exclut, le cri de ceux que la violence du monde intimide. Dans le titre « Wa nzin », Idylle Mamba joint sa voix à celles des aveugles, des sourds et de tous les autres handicapés de la vie, pour réclamer plus de solidarité. Pour dire ce plaidoyer en la faveur des infortunés, la chanteuse a choisi un air d’afro folk rythmé.

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« Maman » est sans doute l’un des titres les plus captivants de l’opus. Dans ce morceau, Idylle Mamba pose sur un blues raffiné, les mots bouleversants d’une orpheline impuissante, qui voit mourir sa mère sans pouvoir la réveiller. Ce qu’il y a de plus touchant, c’est que l’orpheline dont  il est question, c’est elle-même. En guise de commentaire sur ce titre, la chanteuse a posté sur sa chaîne YouTube ce message : « Je n’étais qu’une enfant quand tu es partie, depuis je passe chaque instant de ma vie à te chercher et en espérant que tu me reviennes. Maman, juste te dire que je t’aime et que tu me manques » !

Pour sortir de la mélancolie, Idylle Mamba propose dans Bêkou, le titre « Guene na sesse ». Elle y appelle tout le monde à profiter des plaisirs fugaces qu’offre la vie, sans trop se morfondre dans la peine et les plaintes. Sur un air joyeux de jazz, elle rappelle que nous sommes de simples pèlerins dans ce monde.

« Sango et vous » est le dernier titre de l’album. Idylle Mamba célèbre en afro folk, la splendeur du sango sa langue nationale. Ce titre est l’un des plus suivis de son opus. Il a été diffusé en boucle sur des chaînes de télévision centrafricaines et en camerounaises.

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Bêkou est un album à forte résonance dans une Centrafrique et même une Afrique en proie à la souffrance.

À travers son œuvre, la chanteuse Idylle Mamba offre son cœur compatissant, mais aussi sa voix pour l’espoir. Peu après la parution de son opus, elle a chanté en featuring avec la star sénégalaise Youssou N’Dour sur le célèbre titre « One Africa », pour le retour de la paix en Centrafrique.

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