04 Jul 2024Op-ed: Uniting the world through pan-African rhythms By Katherine McVicker On 25 August, it will be 38 years since Paul Simon’s seventh studio album,...By Music In Africa...
28 Mar 2024SA: How the Copyright Amendment Bill might affect musiciansA revision to South Africa’s copyright law is looming on the horizon. To review every change that...By Jonathan G. Shaw
28 Mar 2024A curious case of academia vs music journalismThe point of going to college is to be equipped for real-world application. Still, I will never...By Gabriel Myers Hansen
22 Nov 2023Gabriel Myers Hansen: Music journalists are an endangered...G, wearing a sheer white ensemble held together by golden rings at the cleavage and waist, spends a...By Gabriel Myers Hansen
05 Sep 2023Headies 2023: Afrobeats gets even with Burna BoyIf Burna Boy thought he could undercut Afrobeats’ credibility without any consequences, he was...By Gabriel Myers Hansen
18 Aug 2023 Op-ed: The fusion of sport and music in AfricaBy Jocelyne Muhutu-Remy There aren’t many things in this world that hold as important a place in so...By Music In Africa...
03 Feb 2023Rap isn’t dead! How streaming is helping SA hip hop multiplyThere is a line in AKA and Nasty C ’s ‘ Lemons (Lemonade) ’ that goes “People say hip hop died,...By Setumo Thebe-Mohlomi
31 Jan 2023Winky D: A bitter pill for Zimbabwe’s ruling classOn 31 December, well-known Zimbabwean dancehall artist Winky D released his much-awaited ninth...By Ano Shumba
25 Oct 2022Op-ed: Fostering the artist-fan relationship in the digital...By Jason Johnson Once upon a time, rock stars and celebrity artists were positioned as unreachable...By In-house West Africa
05 Sep 2022Op-ed: Why Lagos is now a global tastemaker city By Phiona Okumu It wasn’t that long ago that if you’d asked someone what they knew about Lagos,...By In-house West Africa
07 Jul 2022Music videos, tech and content creation: Africa and the...By Katherine McVicker In my capacity as director of Music Works International, I have developed...By In-house West Africa