NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud to announce its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is launching a new national programme designed to create jobs, address skills gaps, and strengthen South Africa’s creative industries — in line with the SEF’s overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative will recruit and train participants, match them with host organisations, and place a minimum of 1 000 workers across the country. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

Chaque année, nous fournissons des informations générales afin de guider les participants dans la préparation de leur voyage. En plus de ce site, des mises à jour importantes seront envoyées par e-mail à tous les délégués inscrits. Assurez-vous de vous inscrire dès que possible. Pour plus d'informations, veuillez contacter [email protected] Continuez à consulter cette page pour plus d'information.  

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

Pour les praticiens et les organisations culturels et créatifs opérant en Afrique australe, l’accès au financement reste un défi majeur. La pandémie de COVID-19 a également eu un impact massif sur les politiques gouvernementales, les dépenses et l’économie en général, et a vu les dépenses consacrées à la culture reléguées plus bas dans la liste des priorités. De plus, les industries culturelles et créatives citent régulièrement quatre domaines principaux où l’investissement est nécessaire pour la croissance : une visibilité accrue, la mobilité incluant l’accès à de nouveaux marchés, le financement et les structures de soutien.

Music In Africa Live
Music In Africa Live

MUSIC IN AFRICA LIVE Lancé en 2020 pour une durée de 3 ans, Music In Africa Live est une initiative visant à soutenir l'écosystème de la musique africaine face aux contraintes imposées par la pandémie de COVID-19 ; le projet a été lancé par la Fondation Music In Africa (MIAF) en partenariat avec le ministère fédéral allemand des Affaires étrangères, Siemens Stiftung et le Goethe Institut. Plus de 30 aides sont disponibles dans le cadre de la troisième édition de Music In Africa Live, dans 3 catégories :  showcases, renforcement des compétences et plaidoyer, en conformité avec les modalités énoncées.

Instrument Building And Repair Project
Instrument Building And Repair Project

The overarching objective of Music In Africa Foundation’s Instrument Building and Repair (IBR) project is to encourage the formalisation and professionalisation of instrument-making and repair in Africa, especially in relation to indigenous African instruments. Background In 2014, the Music In Africa Foundation (MIAF) identified as one of its focus areas for development the need to encourage young people from music and music-related sectors to consider instrument-making as a career. This need extended itself from the recognition that the making of traditional African instruments is not a widely practiced skill and seems to be limited to the older generation. Traditional African instrument makers are also few and far between, making communication and logistics between teachers and learners an obstacle. When instrument building workshops take place, budgetary constraints do not allow teachers or learners the time to explore the finer details of an instrument. Based on these observations, the MIAF designed and piloted the first IBR workshop at the Dhow Countries Music Academy (DCMA) in Zanzibar in February 2015. In 2016, the foundation received funding from the South African National Lotteries Commission to implement a much bigger version of the project in Johannesburg. The project drew participants from five African countries. 25 students from South Africa, Ghana, Senegal, Kenya and Ethiopia were trained on how to build and repair musical instruments. The instruments that they made were: Traditional Instruments: Umakhweyana and Marimba Conventional Instrument: Dulcimer guitar The workshop culminated in a traditional instruments concert at the Wits Theatre in Johannesburg. It is the MIAF’s aim to roll out similar workshops in as many African countries as possible over the next few years. Objectives Developing awareness of musical instrument makers in Africa with a view to promote their work to a wider global audience. Facilitating the sharing and transfer of skills in indigenous instruments between countries on the continent. Encouraging the formalisation and professionalisation of instrument-making and repair in Africa, especially in relation to indigenous instruments. Helping instrument makers develop their careers. Fostering the rapid monetisation and sustainable development of instrument-making and repair in Africa. Promoting constant exchange of ideas, expertise, experiences and know-how among instrument makers in Africa. Facilitating the identification of existing gaps in the field with a view to contribute new solutions. Facilitating the transfer of knowledge and skills of indigenous instruments between younger and older generations. 2020 edition The MIAF has also announced that multi-instrumentalist and instrument maker Joe Makhanza will facilitate one of the workshops on the building of the kamale ngoni instrument. Kamale ngoni is a kora-like, stringed instrument that originated in West Africa. The instrument contributed to the rise of Wassoulou music in the 1970s and 1990s. Makhanza was born in Giyani in South Africa's Limpopo province. He completed a bachelor of music degree and a post-graduate diploma in arts marketing from Wits University. He is currently completing his masters in ethnomusicology and is a part-time lecturer in African music studies at Rhodes University. He plays the kora, mbira, valiha, masenqo, xiwewe, ngoni ba and xizambi, among others. He also manufactures the aforementioned instruments. The MIAF will confirm more trainers who will join the workshops as well as the other instruments that will be featured in the 2020 IBR programme.  Apply to participate here. Connect with us on Twitter, Instagram and Facebook, and subscribe to our monthly newsletter. The Music In Africa Instrument Building and Repair project is funded by the National Lotteries Commission. It is implemented in partnership with Siemens Stiftung, Goethe-Institut, Wits Theatre and Kaya FM.

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Call for proposals: Concerts SA’s Music Mobility Fund

Accueil/Non classé/Call for proposals: Concerts SA’s Music Mobility Fund

The funding, administered by Concerts SA, comes in two forms: National Mobility Fund (for tours in South Africa), and a Regional Mobility Fund (for tours taking place in SADC countries, except South Africa). Concerts SA, a joint South African/Norwegian project housed under the auspices of the Stakeholder Hub within the SAMRO Foundation.

The programme is open to individuals and organisations:

  • Who can demonstrate a track record in the music sector;
  • Whose work will benefit from launching better networks – either musically/creatively or in terms of developing an audience for their work;
  • Who feature the creation of new opportunities for artists and arts professionals either in South Africa or host countries;
  • Who have not received support through the Mobility Fund in the two previous funding rounds (April 2016 and October 2016).

Grants are available to:

  • Individuals: musicians, managers, promoters, producers, agents, groups (one member will need to take the lead and have the main responsibility for managing the grant process). All people participating in the project must be over 18 years old, and hold a valid passport (only applicable for Regional touring).
  • Organisations: music organisations and businesses (both for-profit and non-profit), record labels, agencies, forums, associations, partnerships, local, regional and national organisations, groups of organisations (one will need to take the lead and have the main responsibility for managing the grant process).

In order to be eligible for a grant, you must:

  • Be a South African citizen living (or organisation operating) in South Africa;
  • Be established in South Africa;
  • Be directly responsible for the preparation and management of the project (not an intermediary).

 The types of projects that may be financed are:

  • Tours and concerts: performances; country and regional tours; participation at festivals and showcases, etc. (where you are able to demonstrate that such performances will develop your professional or creative practice).
  • Collaborations: artistic collaborations between musicians that lead to live music performances.
  • Performance-based workshops.

The requirements for the National Mobility Fund are:

  • Mobility: while artists from all provinces are invited to apply for national projects taking place in any South African province(s), the bulk of the activities must take place outside the province where the artist is based. The tour schedule must include one activity in Gauteng, the Western Cape or KwaZulu-Natal.
  • No double-dipping: the project will not be eligible for additional Concerts SA funding through its partner network of venues and promoters.

The requirements for the Regional Mobility Fund are:

  • Local partners: the applicant will need to conduct his/her own research and have identified and communicated with a potential partner or host based in the country he/she wishes to work in. The partner may be an individual or organisation and must be an established musician or music professional.
  • SADC countries: the project must take place in one or more of the following countries – Angola, Botswana, Democratic Republic of Congo, Lesotho, Madagascar, Malawi, Mauritius, Mozambique, Namibia, Seychelles, Swaziland, Tanzania, Zambia and Zimbabwe. While activities in South Africa may be included as part of regional projects, the bulk of the activities must take place outside of South Africa.

The duration of the project may not be less than four days, nor exceed three months. Projects may start before the end of March and must be completed by 15 June 2017.

Non-eligible types of project include: academic research projects; scholarships and fellowships for studies or training courses; fund-raising events, such as charity galas; projects supporting political parties or religious faith; recording of albums; and music education projects.

Applicants may request:

  • Up to R45,000 ($3,380) for SADC regional projects
  • Up to R 30,000 ($2,253) for national projects

This amount must not exceed 80% of the total costs of the project. In exceptional cases, the grant may cover the entire eligible costs of the project if this is deemed essential to carry it out, and does not exceed the maximum funding that may be requested. If that is the case, the applicant must justify the request for full financing in the grant application form. Projects requesting amounts higher than the limits stated above will not be considered. Applicants are encouraged to seek additional funding and sponsorship for their project.

The items that the fund will:

  • Cover are: travel and transportation; accommodation; daily needs (per diems); hiring of backline and other music & sound equipment; artwork design; travel insurance; visas.
  • Not cover are: musicians and artists fees; hiring of venues and other spaces; buying assets, such as equipment, computers, software and instruments; general running costs and overheads; costs that are already covered by other funding.

Application process

Application forms must be completed in English and submitted with the following mandatory documents:  

  • Legal documentation of the applicant: ID/Passport copy (for individuals and organisation representatives); registration documents (for companies)
  • Track record of musician or music professionals involved in the project: biography, EPK, CV, press coverage, web links, evidence of recognition awards, public appearances, etc.
  • Budget: projected income and expenditure.
  • Tour schedule including calendar of activities.
  • Letters from hosts, partners and stakeholders confirming their involvement with the project.

The Music Mobility Fund is a tour support mechanism, which offers opportunities for South African musicians to undertake live music tours. The project aims to build a vibrant and viable live music circuit in southern Africa. It also aims to develop an interest in and appreciation of live music by showcasing music performances and conducting workshops at schools.

All applications should be submitted to the following address: 20 De Korte Street, 4th Floor SAMRO Place, Braamfontein, Johannesburg, 2001. Enquiries and submissions should be submitted by email to [email protected], by fax to 086 500 7028 or by post to SAMRO Foundation. Applications submitted elsewhere will not be considered. For more information, and to download the application form, please visit the Concert SA’s website.

The deadline for the submission of applications is midnight Sunday 26 February 2017. Successful applicants will be announced before the end of March 2017. Only complete applications will be considered. You may submit multiple applications under this call, but may only be awarded one grant per Fund. Note that proposals will not be returned.

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