NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud to announce its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is launching a new national programme designed to create jobs, address skills gaps, and strengthen South Africa’s creative industries — in line with the SEF’s overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative will recruit and train participants, match them with host organisations, and place a minimum of 1 000 workers across the country. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

Chaque année, nous fournissons des informations générales afin de guider les participants dans la préparation de leur voyage. En plus de ce site, des mises à jour importantes seront envoyées par e-mail à tous les délégués inscrits. Assurez-vous de vous inscrire dès que possible. Pour plus d'informations, veuillez contacter [email protected] Continuez à consulter cette page pour plus d'information.  

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

Pour les praticiens et les organisations culturels et créatifs opérant en Afrique australe, l’accès au financement reste un défi majeur. La pandémie de COVID-19 a également eu un impact massif sur les politiques gouvernementales, les dépenses et l’économie en général, et a vu les dépenses consacrées à la culture reléguées plus bas dans la liste des priorités. De plus, les industries culturelles et créatives citent régulièrement quatre domaines principaux où l’investissement est nécessaire pour la croissance : une visibilité accrue, la mobilité incluant l’accès à de nouveaux marchés, le financement et les structures de soutien.

Music In Africa Live
Music In Africa Live

MUSIC IN AFRICA LIVE Lancé en 2020 pour une durée de 3 ans, Music In Africa Live est une initiative visant à soutenir l'écosystème de la musique africaine face aux contraintes imposées par la pandémie de COVID-19 ; le projet a été lancé par la Fondation Music In Africa (MIAF) en partenariat avec le ministère fédéral allemand des Affaires étrangères, Siemens Stiftung et le Goethe Institut. Plus de 30 aides sont disponibles dans le cadre de la troisième édition de Music In Africa Live, dans 3 catégories :  showcases, renforcement des compétences et plaidoyer, en conformité avec les modalités énoncées.

Instrument Building And Repair Project
Instrument Building And Repair Project

The overarching objective of Music In Africa Foundation’s Instrument Building and Repair (IBR) project is to encourage the formalisation and professionalisation of instrument-making and repair in Africa, especially in relation to indigenous African instruments. Background In 2014, the Music In Africa Foundation (MIAF) identified as one of its focus areas for development the need to encourage young people from music and music-related sectors to consider instrument-making as a career. This need extended itself from the recognition that the making of traditional African instruments is not a widely practiced skill and seems to be limited to the older generation. Traditional African instrument makers are also few and far between, making communication and logistics between teachers and learners an obstacle. When instrument building workshops take place, budgetary constraints do not allow teachers or learners the time to explore the finer details of an instrument. Based on these observations, the MIAF designed and piloted the first IBR workshop at the Dhow Countries Music Academy (DCMA) in Zanzibar in February 2015. In 2016, the foundation received funding from the South African National Lotteries Commission to implement a much bigger version of the project in Johannesburg. The project drew participants from five African countries. 25 students from South Africa, Ghana, Senegal, Kenya and Ethiopia were trained on how to build and repair musical instruments. The instruments that they made were: Traditional Instruments: Umakhweyana and Marimba Conventional Instrument: Dulcimer guitar The workshop culminated in a traditional instruments concert at the Wits Theatre in Johannesburg. It is the MIAF’s aim to roll out similar workshops in as many African countries as possible over the next few years. Objectives Developing awareness of musical instrument makers in Africa with a view to promote their work to a wider global audience. Facilitating the sharing and transfer of skills in indigenous instruments between countries on the continent. Encouraging the formalisation and professionalisation of instrument-making and repair in Africa, especially in relation to indigenous instruments. Helping instrument makers develop their careers. Fostering the rapid monetisation and sustainable development of instrument-making and repair in Africa. Promoting constant exchange of ideas, expertise, experiences and know-how among instrument makers in Africa. Facilitating the identification of existing gaps in the field with a view to contribute new solutions. Facilitating the transfer of knowledge and skills of indigenous instruments between younger and older generations. 2020 edition The MIAF has also announced that multi-instrumentalist and instrument maker Joe Makhanza will facilitate one of the workshops on the building of the kamale ngoni instrument. Kamale ngoni is a kora-like, stringed instrument that originated in West Africa. The instrument contributed to the rise of Wassoulou music in the 1970s and 1990s. Makhanza was born in Giyani in South Africa's Limpopo province. He completed a bachelor of music degree and a post-graduate diploma in arts marketing from Wits University. He is currently completing his masters in ethnomusicology and is a part-time lecturer in African music studies at Rhodes University. He plays the kora, mbira, valiha, masenqo, xiwewe, ngoni ba and xizambi, among others. He also manufactures the aforementioned instruments. The MIAF will confirm more trainers who will join the workshops as well as the other instruments that will be featured in the 2020 IBR programme.  Apply to participate here. Connect with us on Twitter, Instagram and Facebook, and subscribe to our monthly newsletter. The Music In Africa Instrument Building and Repair project is funded by the National Lotteries Commission. It is implemented in partnership with Siemens Stiftung, Goethe-Institut, Wits Theatre and Kaya FM.

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2022 Concert for Refugees in Joburg: Meet the artists

Accueil/Non classé/2022 Concert for Refugees in Joburg: Meet the artists

The Concert for Refugees seeks to draw attention to the plight of people who have been displaced from their homes, forgotten and misplaced by others, and to honour those who have overcome the challenges of being a stranger in another’s homeland.

Confirmed artists include locals Msaki, Sipho ‘Hotstix’ Mabuse, PJ Powers, Thandi Ntuli, Pops Mohamed and Neill Solomon as well as South African poet Lebogang Mashile. They will be joined by musicians Bienvenue Nseka (DRC) and Rocksteady.Dub (Mozambique). On the same night, Solomon will launch his song titled ‘Homeland’.

With a goal to maximise results, THI has partnered with the Music In Africa Foundation, Nelson Mandela Foundation, Amnesty International, South Africa’s Department of Sports, Arts and Culture, Universal Rights Association, Wits University, Flame Studios, Horizon Educational Trust, Mail and Guardian, Time to Care, Scalabrini Centre, JT Communication, the Southern African Music Rights Organisation, ConcerstSA and Refugee Social Services.

“We want people to think ‘what if I was in their shoes, what would life look like? Could I face the sometimes insurmountable challenges and daily struggles they face?’,” THI executive director Ayhan Cetin said. “With these concerts our aim is to reframe the refugee experience, shifting the debate away from refugee statistics and refocusing on the attitudes of those who may not be sure who refugees even are, creating connections through common experiences and increased understanding.”

Meet the artists

Msaki

Msaki is hailed as a multi-hyphenate creative known for her iconic collections and passionate activism. From soothing R&B to dance-ready house grooves, her honeyed harmonies can be heard on a wide range of tracks. Among her collaborators are Mobi Dixon, Revolution, Black Coffee, Black Motion, and Prince Kaybee. Her work has earned her multiple accolades since she made her debut in 2013. She is the founder of ALTBLK, a platform dedicated to showcasing the diversity and complexity of black music from Africa and the diaspora.

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Sipho ‘Hotstix’ Mabuse

Mabuse started off his career in the mid-1970s with an Afro-soul group called the Beaters. He has experimented with different genres including American-style funk, soul, and pop music. He earned fame in the early 1980s following the release of his first major crossover hit ‘Burn Out’, which sold over 500 000 copies. In the late 1980s he had a huge disco shangaan hit called ‘Jive Soweto’. Mabuse has performed across Africa, Europe, and the US. He has recorded and produced for legendary artists such as the late Miriam Makeba, Hugh Masekela, Ray Phiri and Sibongile Khumalo.

[video:https://www.youtube.com/watch?v=zLFlcXk0ec0 width:744 height:446 autoplay:0]

PJ Powers

Affectionately known as Thandeka, PJ Powers has been active in the industry for more than four decades with groups like Pantha and Hotline. She made a name for herself with hits such as ‘Jabulani’ and ‘World in Union’ with Ladysmith Black Mambazo. The singer has shared the stage with top local musicians such as the late Miriam Makeba and performed for royalty like Queen Elizabeth and King Juan Carlos of Spain.

[video:https://www.youtube.com/watch?v=y6MJFIMuWXY&list=RDy6MJFIMuWXY&start_radio=1 width:744 height:446 autoplay:0]

Thandi Ntuli

Thandi Ntuli’s love for music began at a tender age when she began taking classical piano lessons under the tutelage of Ada Levkowitz. However, her keen interest in jazz was only kindled later in life prompting her to enrol and complete a bachelor of music in jazz performance at the University of Cape Town. Since the release of her debut jazz album The Offering, Ntuli made an imprint on the local jazz scene. The album received critical acclaim as well as numerous awards and recognition since its release in 2014. She has released three more albums thus adding new insight into her music.

[video:https://www.youtube.com/watch?v=CiQQcrAG2v8 width:744 height:446 autoplay:0]

Pops Mohamed

Pops Mohamed is a well-known multi-instrumentalist and producer who has played the keyboard and guitar with eminent jazz musicians live and in the studio. With more than ten albums under his belt, Mohamed has toured and performed in the US, UK, Scandinavia, Namibia, Swaziland, Tanzania (especially Zanzibar), Germany, Switzerland, Kathmandu in Nepal and Vietnam, among others.

[video:https://www.youtube.com/watch?v=vTkuEERAdw8 width:744 height:446 autoplay:0]

Neill Solomon

Without a doubt, Neill Solomon is one of South Africa’s top singers and songwriters. Over the decades, he has consistently produced songs of depth, character, and beauty that will endure, beginning with his Uptown Rhythm Dogs days to his solo work in The Passenger years. Their success fuelled the group’s selection as the opening act for US artist Janis Ian. Following a solo career, Solomon continues to shine lyrically and musically, mesmerising and influencing audiences through his musical talents.

[video:https://www.youtube.com/watch?v=8VHJk_YcDxk&list=OLAK5uy_ngTH8p2Eu9LIZ0vjz8TDNuQecizLYVasc width:744 height:446 autoplay:0]

Rocksteady.Dub

Rocksteady.Dub is an artist of longstanding and depth who has released more than six albums in his own right. He is also a talent scout, booking manager, and co-owner of Bam Jive Alternative Music Festival and Bam Jive Record Store in Soweto. His performance at the 2010 FIFA World Cup in South Africa remains one of his highlights. He has also performed at the Oppikopi Music Fest, Fête de la Musique and Woodstock Music and Art Fair in New York alongside Dutch artist Marike Jager.

[video:https://www.youtube.com/watch?v=zXInFqBuHwI width:744 height:446 autoplay:0]

Bienvenue Nseka

Bienvenue Nseka was born in Kinshasa and came to South Africa in 1995 to start his Congolese-influenced band Les Fantastiques. Some of the well-known South African musicians he has worked with include Jeff Maluleke, Chicco Twala, Jonas Gwangwa, Jamali and Neill Solomon. With a background in composing and co-producing, he released his debut album in 2004 which won him the title of Best Francophone Artist in South Africa.

[video:https://www.youtube.com/watch?v=Nk_vex3sCEE width:744 height:446 autoplay:0]

For more information about this event, visit the Concert for Refugees official website. To be part of this memorable night of music and compassion, concert-goers can purchase tickets via Webtickets for R200.

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