NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud to announce its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is launching a new national programme designed to create jobs, address skills gaps, and strengthen South Africa’s creative industries — in line with the SEF’s overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative will recruit and train participants, match them with host organisations, and place a minimum of 1 000 workers across the country. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

Chaque année, nous fournissons des informations générales afin de guider les participants dans la préparation de leur voyage. En plus de ce site, des mises à jour importantes seront envoyées par e-mail à tous les délégués inscrits. Assurez-vous de vous inscrire dès que possible. Pour plus d'informations, veuillez contacter [email protected] Continuez à consulter cette page pour plus d'information.  

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

Pour les praticiens et les organisations culturels et créatifs opérant en Afrique australe, l’accès au financement reste un défi majeur. La pandémie de COVID-19 a également eu un impact massif sur les politiques gouvernementales, les dépenses et l’économie en général, et a vu les dépenses consacrées à la culture reléguées plus bas dans la liste des priorités. De plus, les industries culturelles et créatives citent régulièrement quatre domaines principaux où l’investissement est nécessaire pour la croissance : une visibilité accrue, la mobilité incluant l’accès à de nouveaux marchés, le financement et les structures de soutien.

Music In Africa Live
Music In Africa Live

MUSIC IN AFRICA LIVE Lancé en 2020 pour une durée de 3 ans, Music In Africa Live est une initiative visant à soutenir l'écosystème de la musique africaine face aux contraintes imposées par la pandémie de COVID-19 ; le projet a été lancé par la Fondation Music In Africa (MIAF) en partenariat avec le ministère fédéral allemand des Affaires étrangères, Siemens Stiftung et le Goethe Institut. Plus de 30 aides sont disponibles dans le cadre de la troisième édition de Music In Africa Live, dans 3 catégories :  showcases, renforcement des compétences et plaidoyer, en conformité avec les modalités énoncées.

Instrument Building And Repair Project
Instrument Building And Repair Project

The overarching objective of Music In Africa Foundation’s Instrument Building and Repair (IBR) project is to encourage the formalisation and professionalisation of instrument-making and repair in Africa, especially in relation to indigenous African instruments. Background In 2014, the Music In Africa Foundation (MIAF) identified as one of its focus areas for development the need to encourage young people from music and music-related sectors to consider instrument-making as a career. This need extended itself from the recognition that the making of traditional African instruments is not a widely practiced skill and seems to be limited to the older generation. Traditional African instrument makers are also few and far between, making communication and logistics between teachers and learners an obstacle. When instrument building workshops take place, budgetary constraints do not allow teachers or learners the time to explore the finer details of an instrument. Based on these observations, the MIAF designed and piloted the first IBR workshop at the Dhow Countries Music Academy (DCMA) in Zanzibar in February 2015. In 2016, the foundation received funding from the South African National Lotteries Commission to implement a much bigger version of the project in Johannesburg. The project drew participants from five African countries. 25 students from South Africa, Ghana, Senegal, Kenya and Ethiopia were trained on how to build and repair musical instruments. The instruments that they made were: Traditional Instruments: Umakhweyana and Marimba Conventional Instrument: Dulcimer guitar The workshop culminated in a traditional instruments concert at the Wits Theatre in Johannesburg. It is the MIAF’s aim to roll out similar workshops in as many African countries as possible over the next few years. Objectives Developing awareness of musical instrument makers in Africa with a view to promote their work to a wider global audience. Facilitating the sharing and transfer of skills in indigenous instruments between countries on the continent. Encouraging the formalisation and professionalisation of instrument-making and repair in Africa, especially in relation to indigenous instruments. Helping instrument makers develop their careers. Fostering the rapid monetisation and sustainable development of instrument-making and repair in Africa. Promoting constant exchange of ideas, expertise, experiences and know-how among instrument makers in Africa. Facilitating the identification of existing gaps in the field with a view to contribute new solutions. Facilitating the transfer of knowledge and skills of indigenous instruments between younger and older generations. 2020 edition The MIAF has also announced that multi-instrumentalist and instrument maker Joe Makhanza will facilitate one of the workshops on the building of the kamale ngoni instrument. Kamale ngoni is a kora-like, stringed instrument that originated in West Africa. The instrument contributed to the rise of Wassoulou music in the 1970s and 1990s. Makhanza was born in Giyani in South Africa's Limpopo province. He completed a bachelor of music degree and a post-graduate diploma in arts marketing from Wits University. He is currently completing his masters in ethnomusicology and is a part-time lecturer in African music studies at Rhodes University. He plays the kora, mbira, valiha, masenqo, xiwewe, ngoni ba and xizambi, among others. He also manufactures the aforementioned instruments. The MIAF will confirm more trainers who will join the workshops as well as the other instruments that will be featured in the 2020 IBR programme.  Apply to participate here. Connect with us on Twitter, Instagram and Facebook, and subscribe to our monthly newsletter. The Music In Africa Instrument Building and Repair project is funded by the National Lotteries Commission. It is implemented in partnership with Siemens Stiftung, Goethe-Institut, Wits Theatre and Kaya FM.

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Open call: Goethe-Institut training programme bid

Accueil/Non classé/Open call: Goethe-Institut training programme bid

This initiative is part of the African Feminisms – Rights, Representation, Resources project. The project is implemented by the Goethe-Institut in Nigeria, Rwanda and South Africa, and is funded by the German Federal Foreign Office.

Taking feminism and intersectionality into consideration, the training can be in – but is not limited to – the themes of gender rights and advocacy, technical/educational training, feminist leadership, technology/digital space, access to resources and representation of young women in the political, economic and social sphere. The explicit target group is young women between 18 and 30 years.

Context

The project, African Feminisms – Rights, Representation, Resources, is based on the guidelines of the German feminist foreign policy and aims to explore feminisms on the African continent and in Germany. The aim of the project is to apply feminist practices in training and capacity-building programmes and to open new perspectives on feminisms through discursive and artistic work. The project is an initiative of the Goethe-Institut project ‘House of African Feminisms’.

The guidelines for feminist foreign policy focus on feminism as a global movement. In this approach, feminisms are to be understood as plural and their diversity and different histories are to be recognised. The policy offers the opportunity for a deeper understanding of feminisms, the application of feminist practice in training programmes and networking opportunities for young women. It also aims to encourage new perspectives on feminisms through artistic work and represent the outcome in Germany.

The African Feminisms project follows the triad formulated in the guidelines of the German feminist foreign policy which are:

  • Women’s rights for feminist politics of the future.
  • Representation of feminist positions in politics and civil society, and artistic contexts.
  • Access to resources for feminist opinion-forming and projects (finance, knowledge, community).

Services required

The Goethe-Institut is seeking the services of Civil Society Organisations in Sub-Saharan Africa to deliver the following services:

  • Planning and implementation of training programmes for young women, applying feminist practices in at least one of the following areas: rights, representation, and resources.
  • Conceptualise and implement a small-scale public event aimed at engaging with a wider audience on their work as well as on feminist topics and approaches.

Guidelines

  • The required services shall be implemented from December 2024 until latest May 2026.
  • The activities can take place in any country in Sub-Saharan Africa.
  • The activities shall follow approaches and practices in line with a feminist ethos (CSOs that may not explicitly identify as feminist are welcome, provided they subscribe to feminist principles and gender-sensitive or transformative approaches).
  • The activities shall focus on young women between 18 and 30 years.
  • The activities shall target strengthening young women from marginalised groups. This can be, but is not limited to, women from rural areas, women with disabilities, and women with limited access to education, among others.

Expected outcomes:

  • CSOs have independently conducted training programmes and public events in the field of feminisms.
  • CSOs have expanded their portfolio of services.
  • Young women have gained knowledge about their rights, and have increased political, social and economic participation and/or access to resources in their respective countries.
  • Young women have gained confidence and can make use of their acquired knowledge to bring about change through their activities and in their daily lives.

Eligibility criteria for bidding CSOs:

  • Registered Civil Society Organisation in sub-Saharan Africa.
  • At least two years of proven work experience in the fields of gender-justice, equality and feminism(s) across relevant themes.
  • Track record of designing and implementing capacity-building programmes for young women in Sub-Saharan Africa: and
  • Proven experience in project management and budget monitoring.
  • Profiles of internal and external team members demonstrating competence for the conceptualisation and implementation of the training programme.
  • Award criteria (criteria for selection): The project team of the Goethe-Institut will evaluate the different bids submitted based on the following award criteria:
    • Proposed budget.
    • Quality of the proposed concept for training programmes and public event.
    • Responsiveness to the needs of the local context.
    • Experimental/innovative ideas, such as new formats, new approaches, new methodologies and new activities within the organisation’s portfolio.
    • Feasibility (timeframe, budget and capacity).
    • Demonstrable feminist ethos through approaches and practices.
    • CVs of the project team.

The proposals with the highest number of cumulative points across all sections will be awarded. The Goethe-Institut reserves the right to ask for additional information after submission.

Submission of offer

The organisation must submit the following:

  • Registration document of the organisation (1 PDF).
  • Profile or portfolio of the organisation, incl. track record of previously implemented similar projects (indicating the project budgets and incl. 2-3 references) (1 PDF).
  • A detailed concept note of not more than 5 pages in total outlining the planned activities incl. a timeline and budget (up to 20.000 EUR per CSO over a maximum od 18 months), taking the selection criteria above into consideration (1 PDF).
  • Profiles of internal and external project team members (1 PDF).
  • A short description of how the organisation follows a feminist ethos (200 words) (1 PDF).
  • Proposals can be submitted in English, French or Portuguese.

Proposals need to be submitted electronically with the above 5 PDFs as attachments to Julia Scheller ([email protected]) with the subject line “CSO Training programme – (Name of Country)” no later than 3 November 2024. Late submissions will not be considered.

View the original call here.

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