NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

10 African songs for Valentine’s Day

14 Feb 2024 - 05:39

cc-img

Africa is the birthplace of lasting genres. The continent’s music, serving as the language of passion, sees its composers inherently positioned as storytellers of love tales.

Sona Jobarteh.

Centred on various dimensions , love-themed songs have not only supported Africa’s reputation for hospitality but also heightened its global allure. Ancestral rhythms ignite with the melodies of love, and contemporary pop continues in this rich tradition. This musical heritage, circulating for centuries, has ensured emotional composure and inoculated its people against tough times.

Today, on the occasion of Valentine’s Day, our in-house team of editors presents a bouquet of carefully curated tunes in honour of love brewed in Africa.

Jarabi by Sona Jobarteh

The work of Sona Jobarteh, hailing from a legendary line of griot kora players in Gambia, is all grace: the stuff that makes you simply shut your eyes and lose yourself. Her sweet interpretation of the popular 1960’s folk anthem ‘Jarabi’ (Beloved), a tribute to the power of love, makes you float. The song’s poignant lines include: “Forgive me, mothers, but money cannot buy love / It’s true, forgive me, fathers, no riches can buy love.”

Afraid to Lose You by Kwabena Kwabena

Often, the starting point of a great love song lies in honesty: the realisation that a heart now belongs to another and that the mere contemplation of life outside of this newfound connection can be crippling. On the charming 2022 ballad ‘Afraid to Lose You’, highlife veteran Kwabena Kwabena, a trusted voice on matters of the heart in Ghana, delves straight into the core of this emotional reality.

I Wish by Waje

The lyrics of Nigerian songstress Waje’s reggae-leaning ‘I Wish’, which debuted a decade ago, express the lamentation of vulnerability experienced by the heart in the depths of love. On the record, the singer bemoans her misfortune in romantic relationships, suggesting that if given the chance, she would willingly exchange her organ for a piece of rock to avoid the pain and suffering associated with love.

‘Butta My Bread’ by JZyNo ft. Lasmid

On ‘Butta My Bread’, his 2023 breakout single, Liberian pop singer JZyNo enlists Ghana’s Lasmid for this passionate yet familiar manifesto, offering a catchy melody, captivating hook and the customary promises of idealistic dreams.

Unajua by Gilad ft. Wendy Kimani

This Kenyan classic by Gilad and Wendy Kimani continues to be the love standard nearly 10 years after its release. It’s an irresistible love anthem not only for the incurable romantics but even those who eschew such feelings.

Dah by Nandy ft. Alikiba

Probably one of the biggest bongo flava collabs so far in 2024, Nandy and Alikiba combine their talents to serenade their romantic interests in the best way they know. The lyricism, oozing with charm, will sweep many listeners off their feet.

Omukwano (Love) by Joshua Baraka ft. Winnie Nwagi

On this high-octane Ugandan offering, Joshua Baraka and Winnie Nwagi show that love songs can also fall into the club category: you can dance to them all night long!

‘Ndihamba Nawe’ by Mafikizolo

‘Ndihamba Nawe’ is a popular love song by South African pop duo Mafikizolo. Taken from the group’s 2007 debut album Sibongile, the track is a standard to for a Valentine’s Day or wedding playlist. An anthem of love, ‘Ndihamba Nawe’ celebrates finding the person that one wants to spend their life with.

‘MuGarden’ by Winky D ft. Gemma

‘MuGarden’ is a popular love song by Zimdancehall singer Winky D featuring Gemma Griffiths. The track tells the story of the first man and woman in the Garden of Eden. Throughout the story, Winky D (Adam) asks Griffiths (Eve) not to live a jealous or lust-filled life. In his plea, he urges her not to betray him as Eve did when she persuaded Adam to eat the forbidden fruit. Undoubtedly, the couple wants to avoid Adam and Eve’s fate.

‘Nobody But Me’ by Vanessa Mdee ft. K.O

‘Nobody But Me’ is an uplifting collaborative love song by Tanzania’s Vanessa Mdee featuring South African rapper K.O. It is an emotional display of excitement over the prospect of a new relationship. Although the song was released in 2015, it continues to be popular as a plea for attention from a lover.

Please log in to post a comment.

Most popular

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

newsletter banner

Subscribe to our monthly Newsletter

Follow us on social media