NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

African stars bring their fire to 10th Bushfire fest in Swaziland

02 Jun 2016 - 10:02

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The 10th edition of MTN Bushfire saw tens of thousands of people ‘bring their fire’ to Swaziland’s Malkerns Valley for a weekend of music, arts, culture and pure celebration.

Peter Solo of Vaudau Game at Bushfire in Swaziland. Photo: Dave Durbach / Music In Africa

Kicking off proceedings ahead of the main festival over the weekend, the MTN Bushfire Schools Festival created inclusive workshop and dialogues for Swazi youngsters.

On the morning of Friday 27 May, the annual Arts Round Table took place at the nearby Malkerns Country Club. The event provides a forum for musician and others working in the local music industry to share and gain knowledge and skills with leading industry professionals, while fostering exchange and regional networking opportunities. Presenting their secrets to success at the conference were local local hip-hop duo Siyinqaba, ground-breaking South African DJ Zinhle and veteran American musician and promoter George Worthmore, all of whom also performed over the weekend.

Representatives of Music In Africa and the African Music Development Programme (AMDP) were also given the opportunity to present their work and share some tips on the opportunities available to musicians within a pan-African context. Their joint presentation was well received by musicians and professionals in the Swazi music industry.

As the sun set on Friday evening, the main festival was officially opened with the traditional lighting of the fire. What followed was a weekend-long feast of music and culture. After the opening ceremony local reggae artist Pachanga kicked things off with her infectious local grooves. The first night’s headliners include French-based band Vaudau Game, led by charismatic Togolese frontman Peter Solo (who will also headline the upcoming Fete de la Musique in Johannesburg on 21 June), one of the many highlights of the weekend thanks to their relentlessly funky songs, air-tight rhythm section and matching retro outfits.

Other acts to headline the opening night were a trio of South African stars in AKA, two-hit wonders Beatenberg and DJ Zinhle. Also performing were visiting acts Cold Specks (Canada), Australian dub-reggae act Kingfisha, Hagar (Egypt/Israel) and Spanish duo Za!, among others, several of whom also performed at Azgo festival in Mozambique the week before, as well the Africa Day concert in Johannesburg and Zakifo in Durban that same weekend.

With tickets for the festival sold out by Saturday, the party was in full swing for the rest of the weekend. MTN Bushfire’s commitment to homegrown Swazi talent was also on display with the multi-award winning Correctional Services Choir starting off the day. Other Swazi artists including King Terry, Nomzamo, Siyinqaba, Fanaza also performed throughout the weekend, with another highlight being the internationally renowned Bholoja playing the sundown set on Saturday evening.

Swiss act Pablo Nouvelle impressed with their electro-pop tunes and skillful vocal sampling, before Mozambican legends Ghorwane, led by Roberto Chitsondzo, delivered their inimitable marrabenta grooves to an appreciative audience.

South African collective Bombshelter Beast disappointed, however, with lacklustre performances from their various frontmen and women - suggesting that the band are out of their depth in front of such a large audience. Next up was a string of high-profile headliners. South Africa’s Mafikizolo were one of the main acts on Saturday night, with a performance that saw over 15 000 Bushfire fans singing along to their high-energy and visually engaging performance, complete with neon lights on their matching outfits. They were followed by more African heavyweights in Ghana’s Blitz the Ambassador and Kenya’s Sauti Sol, who kept the audience going despite the late-night cold. Nigerian star Ice Prince would have disappointed many who stayed up past 2am to see him, however, with a show that was at best uninspired.

For audiences wanting something a little different, meanwhile, on the second Bushfire stage at the House on Fire Amphitheatre, SA electronica pioneer Felix Laband put on an appropriately oddball set of melodic downtempo beats and curious samples. South African traditional artist Vukazithathe kept the audience moving with his infectious maskandi grooves, before one-woman band Estère from New Zealand impressed with her captivating stage presence.

For dancefloor junkies not so interested in live bands, the Red Bull stage hosted a wide selection of DJs from around the world, arguably the best of which was DJ Julien Lebrun, head of Paris-based label Hot Casa Records, a specialist in funked-up Afrobeats from across the continent.

A fourth venue, The Barn, also played host to various acoustic acts, besides screening the Champions League final for the many football fans (and European visitors) at the festival.

The party kept going on Sunday - despite the early withdrawal of Joburgers and others already concerned with getting to the office on Monday - with Jesse Clegg, Mail’s Songhoy Blues, Zimbabwean legend Oliver Mtukudzi and Cape Town ska band The Rudimentals closing the festival in style, albeit an hour or two behind schedule and with the crowd rapidly shrinking.

This year’s MTN Bushfire Festival was truly a global affair, with artists from over a dozen countries performing to over 16 000 music lovers from 58 different countries. Clearly, MTN Bushfire has developed into one of the most diverse and international festivals in the region, perhaps even the entire continent.

Festival Director Jiggs Thorne was satisfied with a job well done: “We were blown away by the international and cultural diversity of this year’s MTN Bushfire. From the artists to the fans, our atmosphere of tolerance and passionate commitment to music, the arts and the environment was really brought to life. No matter where people hail from, everyone took part in a peaceful, safe and energizing weekend celebration. We could not have asked for a better 10th anniversary edition of MTN Bushfire and we thank everyone who brought their fire in 2016!”


All photos © Dave Durbach / Music In Africa


Congratulations to the winners of Music In Africa’s MTN Bushfire ticket giveaway: Maria Bucuane, Gino Gil, Boy Mkhwanazi, Celumusa Thusi, Mwandireya Kundhlande and Siphesihle Vilakati.

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