NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Confusion over funding of Kora Awards in Namibia

12 Jan 2016 - 08:29

cc-img flag-img

Namibia’s government says not a cent will be spent on the Kora Awards, despite the event being incorporated in the country's annual independence anniversary celebrations.

Ernest Adjovi, founder of the Kora Awards. Photo: www.namibian.com.na

Three government ministries - environment and tourism, education and information - have joined hands with the awards organisers. Some people said the awards had to be postponed last year because of a lack of finances. The event is set for 20 March 2016 (see the full list of nominees here).

Organisers of the awards have however approached parastatals, among them MTC Namibia, to contribute US$2 million towards the awards. The budget for the awards is yet to be disclosed.

Ernest Adjovi, the Kora All Africa Awards founder, told The Namibian that the overall winner will walk away with US$1 million, while regional winners in the best male and best female categories will each receive US$50 000.

The Namibian government's participation in the event was confirmed by environment and tourism minister Pohamba Shifeta, who said it was a partnership in which they will not spend a penny. Shifeta said the partnership is only in the form of endorsement and support and that government does not have a budget for the event apart from providing transport. He also said the partnership provides an opportunity for the ministries to carry out their different mandates.

Adjovi said he wants the Kora brand to grow from being a US$700 million event to a US$1 billion event. However, he did not commit himself to a figure, but it is safe to say that he wants Kora to be worth US$1 billion. So far Air Namibia, Namibia Tourism Board, Windhoek Country Club, the Namibian Broadcasting Corporation and New Era have been announced as sponsors for the event. Adjovi said the rest of the funds will be sourced from international sponsors.

Sources said government took on the awards because of the close relationship between President Hage Geingob, Adjovi and fellow organiser Tonata Shiimi. At one stage it was reported that Geingob was a partner in the awards but he subsequently denied this, saying the idea was only born while they were playing golf and that he thus only supported it as an idea but not to gain from it.

“Kora approached us and we decided the opportunity is right. And about the President distancing himself, you can take it from me that President (Geingob) is in full support of the awards. Those reports are a misrepresentation. He meant that he is not part of the Kora as a company, but he fully supports it,” Shifeta defended Geingob.

The public relations officer in the Office of the Prime Minister, Saima Shaanika, said no addition has been made to the N$3 million (US$178 000) allocated for the independence celebrations as per the 1 April 2015 to 31 March 2018 budget. She said the amount may increase but only because of inflation.

Adjovi told The Namibian that the postponement came after the organisers failed to secure the venue, a dome from South Africa, and because of the size of the Ramatex factory. “Because of the size of the production team, we would not have been able to house all of them. There was a big event happening and most of the places were already booked,” Adjovi said. “We want to make Windhoek the capital of music in Africa. The idea was born here, so it only makes sense.”

The awards, he said, are financed by his family and are not for gain.

Adjovi shared Shifeta's sentiments, saying the partnership is strictly endorsed and no funds are expected or will be received from government. He also said contrary to common belief, the government will not be asked to pay any licence fee for the awards being hosted in the country. Adjovi vehemently denied continental media reports that he asked Zimbabwe to pay US$1,1 million. “Zimbabwe never hosted the awards, if all these things are true, why are we not in court?” Adjovi questioned.

Further reports also state that Adjovi cost the provincial government of KwaZulu-Natal in South Africa close to N$50 million (US$3 million) after the province endorsed a sponsorship deal to boost tourism and commerce in the area.

He said he had to sell houses and businesses to be able to fund the projects and that all his efforts are selfless and aimed at growing the Kora brand enough to be a multi-million, if not billion-dollar project.

* The majority of well-known hotels and guesthouses contacted by The Namibian did not know about any enquiries for accommodation regarding the Kora Awards or any other music awards made in December last year.


Originally published on 4 January 2016 in The Namibian.

Please log in to post a comment.

Most popular

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

newsletter banner

Subscribe to our monthly Newsletter

Follow us on social media