NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Overviews

Popular music in Togo

21 Oct 2016 - 15:04

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Popular music in Togo is characterized by dance rhythms carried out by young artists. Afropop, a mix of African music styles and American pop is the new trend in Togo. Hip-hop is also popular although it is slowly disappearing.

(Photo) : Toofan in concert

Hip Hop

The early 2000s was marked by the emergence of hip-hop in Togo. Young Togolese artists, strongly influenced by western (American) music, started to produce rap and R&B. One of the pioneers of this music revolution is Ayaovi Éric Mensah, known as Eric MC. He released his first album, Adjamofo, in 2003. Ali Jezz followed with his album, One Million, and Wedy the icon of Togolese R&B, released the album, New Day.

Today, Togolese Hip-hop is represented by young artists like Mic Flammez, winner of Best Hip-Hop Artist and Best Male Artist at the All Music Awards in 2014. Mic Flammez led the Togolese music scene with hits like ‘Plingo’, ‘Président du Rap Game’, ‘Milédji’ and his latest release ‘Raccourci Moulé Paradiso’. He shares the Togolese music scene with other artists like Willy Baby, KanAa and the talented Prince Mo.

In 2012 Prince Mo released his album Logone 228 online, free of charge. The originality and power of his lyrics make him one of the key hip-hop artists. His new album was introduced with two songs: ‘Dzitri’ (courage) and ‘Avoude’ (Fight). In 2015, he won Best hip-hop Artist at the All Music Awards.

Afropop

Afropop refers to contemporary African pop. In Togo, Afropop includes several music styles.

Gweta Dance

In 2005, Togo’s qualification for the 2006 World Cup in Germany allowed the public to discover Toofan, creator of the Obragada concept (Obagrada means to be in good shape). This new dance which combines rap and rumba rhythms won the heart of thousands of Togolese with the songs ‘Bonne année’ and ‘Eperviers Obragada’. For the first time, a Togolese concept conquered Africa. The band, comprised of Master Just and Toofan, also started the dance, Cool Catché.

Several Togolese artists such as Kossi Apeson, DJ Mohab and 109 Connection joined the movement. Today, Toofan is an international success with the Gwetadance (Gweta means - to avoid the trap). The band has released four albums namely Obragada 2006, Confirmation, Carte de Visite and Overdose. Gweta dance inspired other big names of Togolese music like Almok, who won Best Togolese Female Artist at the 2015 All Music Awards. Her songs include ‘Nononini’, ‘Dati the wood’ and ‘Jiguègué’.

Ghanaian music and dances

The Azonto concept from nearby Ghana gained traction in Togo. The dance was promoted by Fuse ODG, Tiffany and Black T. The song ‘MakpoNde’, recorded in 2012, in association with Chrono‘One and the late Alena,is still popular in the nightclubs of Lomé and on national TV and radio.

The songs ‘Adje Oda’ from Master Popa and ‘Aladji Be gah’ from Etane also contributed in popularizing the dance. In 2012, Mic Flammez, a rapper, also released a 100% Azonto song: ‘She dey make Me’ in association with Franzy.

Etane was discovered through the Azonto dance. After the success of ‘Aladji Be Gah’, the young artist made his name in Togolese showbiz with the release of ‘Viagra’ in 2014 and ‘Mépigan’ in 2015. The many covers and parodies online show the success of ‘Mépigan’. Etane won Best Male Artist and Best Song of the Year at the 2015 All Music Awards.

Laper laper dance

Laper laper dance is among the most popular dances in Togo. Imported from Ivory Coast, the dance was adopted by several Togolese artists of the new generation. The songs ‘Mkapye’ and ‘Chionmichionchion’ both released in 2015 by Snaky Da Future illustrate the popularity of the dance in Togo.

TchessPreza, who won Best Artist of the Diaspora at the 2015 All Music Awards, also joined the movement with ‘WoloWolo’ released in 2015.

D-aNy’s ‘Laper Laper’and Dzifason’s ‘Wokume’,‘Avoude’ and ‘Ela Vivi’ contributed to the spread of the laper laper dance in Togo in 2015.

Togolese people used to enjoy the coupé décalé from Ivory Coast before the popularity of laperlaper. Papson Moutite was known as the ambassador of the coupé décalé in Togo before he converted and began releasing religious songs.
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Links
http://www.africatopsuccess.com/2014/12/21/all-music-awards-2014-voici-les-laureats/
http://togocultures.com/papson-moutite-coupe-decale-sa-proclamation/
http://www.africatopsuccess.com/2015/12/21/all-music-awards-2015-decouvrez-les-laureats/

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