NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Scrap Uganda social media tax, musicians tell govt

05 Jul 2018 - 11:09

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Ugandan Musicians have joined a public outcry rejecting a recent law imposed on social media users.

A Pass says the government should respect the public’s right to freedom of expression.

The law, which took effect on 1 July, requires all social media users to pay a daily fee of about 200 Ugandan shillings ($5 cents). The tax is equivalent to about 20% of what typical Ugandan users pay for their mobile phone data plans, according to Reuters.

Speaking during a musicians' press conference on Tuesday, dancehall artist A Pass asked the Ugandan government to respect the public’s right to privacy and freedom of expression.

“These apps are not for the Ugandan government so the tax is illegal,” he said. “Daylight robbery, you guys should be ashamed of yourselves. What percentage are you going to give the developers of these apps? The hardest thing to understand in Uganda is how the government system works because it’s like they operate on impulse and not intelligence.”

The singer said the public was already paying enough in cellphone taxes. “We are taxed when we buy airtime and when we call airtime is taxed. Paying for the 200 tax is also taxed and transactions via mobile money are similarly taxed. This is unacceptable."

Musician-turned-politician Robert Kyagulanyi, popularly known as Bobi Wine, said: “We must stop being spectators and become actors. When the debate on these obnoxious taxes came to Parliament, some of us raised our voices. I personally tried to persuade fellow members of Parliament on the floor of the House that taxing social media would amount to double taxation. But would they listen? Sadly, the majority of them do not take orders from the people who elected them but from State House and that's how we end up here.”

On Monday, a group of five Ugandan citizens filed a lawsuit challenging the implementation of the tax. The petitioners argue that the new tax limits access to social media and in turn violates the right to freedom of expression, public participation, political mobilisation, peaceful assembly and unarmed demonstration.

“This tax is not meant to generate revenue but to clamp down on free expression," one of the petitioners said. "Similar taxes are being enforced in European Union countries but they are paid by the companies running the social media platforms and not the individual users."

The government through the Minister of Information and Communications Technology, Frank Tumwebaze, announced yesterday that it would review sections of the new law but maintained that the Uganda Communication Commission and the Uganda Revenue Authority (URA) would not scrap the tax.

It also seems that the review of the law would only concern the source of where the tax is collected.

“They are right. Why do I have to be bothered to pay the tax when you could deduct it from my airtime or bundles? That point is noted and we have communicated to the Ministry of Finance and URA,” Tumwebaze said.

Tumwebaze's announcement comes a day after a representative for Ugandan civil society, Penelope Sanyu, gave the government until Friday to retract the new law or risk nationwide demonstrations.

"If our concerns are not addressed by Friday 12pm, we shall mobilise the country to exercise their constitutional right and actively protest and reject the tax, which depicts a continued exclusion of young people from national processes,” she said.

Bobi Wine told Music In Africa that the new law should not be revised but scrapped. He said the tax had hindered expression, interaction, access to information and job opportunities for young people.

“The unemployment rate among the youth in Uganda is over 65%. The social media tax will worsen the situation because our businesses are struggling even harder. With rising poverty levels in this country, we reject the idea that a Ugandan who uses and can only afford daily data of say 500 shillings should be charged 200 shillings. This tax renders access to social media a preserve of the economically empowered,” Bobi Wine said.

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