NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Top amapiano songs of 2019

09 Aug 2019 - 10:22

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The dynamism of South African house music has no boundaries. Just a few years ago, gqom took over the country to define a new sound that is influencing electronic genres around the world with its rudimental, and rhythmically rude, appeal.

DJ Maphorisa.

While some are still dancing to gqom, a new genre called amapiano seems to be the fastest growing electronic genre in the country. It has been described as a fusion of gqom, deep house and jazz, all underlined by piano/synth lines. The genre is said to have originated in the city of Pretoria and its townships, although fans living in Johannesburg are claiming the genre for themselves.

Below are some of the hottest amapiano tracks making their rounds in South Africa today:

'Sing It' by Sha Sha feat. DJ Maphorisa and Kabza De Small

Sha Sha's melodious vocals are out of this world. The song, whose powerful beats are courtesy of DJ Maphorisa and Kabza De Small, is something amapiano fanatics should not lack in their library.

'Tender Love' by Sha Sha feat. DJ Maphorisa, Kabza De Small

'Tender Love' is another powerful song by the above artists whose names are dominating the amapiano music scene toward the end of 2019.

'Akulaleki' by Samething Soweto feat. DJ Maphorisa, Kabza De Small & Sha Sha

The song is off the Isphithiphithi album and has topped the local chats. The album had concurrent No 1 releases on Apple Music's Singles and Album charts in South Africa with a pre-add release.

'Labantwana Ama Uber' by Semi Tee feat. Miano & Kammu Dee

'Labantwana Ama Uber' is among the reasons amapiano is dominating the music scene in South Africa. The powerful vocals of Semi Tee, Miano and Kammu Dee synch well the song's slow tempo.

'Suk'endleleni' by Jobe London and Mphow69 feat. Kamo Manje

In 'Suk'endleleni', house and amapiano artist Jobe London makes use of repeated verses to emphasise his impact in the music industry. The song features popular dancer and amapiano artist Kamo Manje as well as singer Mphow69.

'Khethile Khethile' by De Mthuda, Semi-Tee, Kammu Dee and Miano

'Khethile khethile' was released in early October and will no doubt make it in the clubs. Songs featured by Semi-Tee, Kammu Dee and Miano seem to be well and that says a lot about their career.

'Shesha' by De Mthuda and Njelic

'Shesha' (make it fast) urges party lovers to rush to the next party. Listen!

‘Bum Bum’ by El Maestro feat. TP

Written and produced by TP and El Maestro respectively, the song has elements of Afrobeat, gqom and ragga. With its persistent groove, trippy vibe, piercing whistles and nods to East Africa and singalong quality, ‘Bum Bum’ is destined to be a big hit.

‘iGama’ by Gaba Cannal feat. Dladla Mshunqisi

The song is a collaboration between the Soweto-born Gaba Cannal and the Durban-based Dladla Mshunqisi. The track features slow-paced and steady synth stabs and disembodied vocals. It borrows gqom hues to create a unique and catchy hybrid.

'Kokota' by KayGee Daking feat. Bizizi and Killer Kau

This track has the makings of a classic and is one of the biggest bangers in 2019. It really harks back to '90s kwaito and bears a nostalgic feel that would appeal to those who were partying it up before Y2K.

‘Yey Wena’ by Cyburmusiq

In the song, piano elements make up the majority of the track as the lead instrument. Featuring Jozlna, ‘Yey Wena’ was released in May and is among the songs that is playing at most South African clubs and parties.

‘Yebo-Pa’ by Kabza De Small

The track is an instrumental and lets the listener delve into its melody.

‘Mduva’ by Kay Invictus

Kay Invictus (born Kabelo Pooe) joined the music industry in 2015, with his songs are being played on radio and in cars. A producer by profession, Kay Invictus started off producing Afro deep house and later shifted to amapiano.

‘Blissful Day’ by De Mthuda

The song is off De Mthuda’s seven-track Forever album. The sound of giggling children in the background gives the song a joyful mood. ‘Blissful Day’ is the kind of song you can play during an outdoor day party.

‘Freak Like Me’ by Thackzin

The slow tempo in ‘Freak Like Me’ makes the bass and rhythmic piano sounds really audible. The fusion can also be heard in Thackzin’s other tracks such as ‘Ayikho La’ and ‘Paradise’.

‘Iskhathi’ by KWiiSH SA

This song is off the March 2019 AmaPiano Volume 4 album. In ‘Iskhathi’ KWiiSH SA wants his listeners to 'jump' amid repeated chants to do so.

‘Paradise 1475’ by Thackzin

‘Paradise 1475’ is another soft club track by the talented Thackzin. The semi-instrumental song confirms Thackzin as a top amapiano artist in South Africa.

‘Vula Vala’ by DJ Maphorisa, Kabza De Small, Vigro Deep feat. Nokwazi

‘Vula Vala’ was taken off DJ Maphorisa and Kabza De Small's 'Scorpion Kings' EP. The song features the powerful vocals of house queen Nokwazi.

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