NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Top ethnomusicologists and traditional artists to meet in Durban

23 Sep 2015 - 13:31

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The University of KwaZulu-Natal in Durban, South Africa will host an international African music symposium that will bring together academics, artists and documentary filmmakers with an interest in Africa and the Diaspora.

The International Council for Traditional Music (ICTM) African Musics Symposium will take place from Tuesday 29 September to Sunday 4 October at the university’s Howard College campus. It will see delegates exchange research and creative outputs about African music and dance. The symposium will also see discussions on academic papers, concerts and workshops where delegates can interact and share knowledge. 

South African traditional artist Madosini. Photo: muafa1234.tumblr.com

The keynote speaker is distinguished emeritus Professor J.H. Kwabena Nketia, a Ghanaian ethnomusicologist and composer, considered Africa’s premier musicologist. He has lived an amazing legacy spanning decades and is considered the most published and best known authority in African music and aesthetics in the world.

Chair of the Local Arrangements Committee and Programme Committee, UKZN academic Dr Patricia Opondo, said she was very proud to be able to bring this prestigious international symposium to Durban. She explained that the symposium has three themes: African Bows, Harps, Fiddles, Guitars; Packaging Heritage; and Transnational Diasporic Cultures.

“It is so exciting that after a year of planning, we are now just a week away from celebrating this decade of presenting African folklore and indigenous performing arts through mounting the annual African Cultural Calabash. This year is special as we have included a three-day symposium that includes paper, workshop and film presentations by 35 performer-academics around the globe," said Dr. Opondo.

“To have esteemed emeritus Professor Kwabena Nketia presenting the Keynote Address is indeed the cherry on top. These four days and the preceding weeks provide life-changing experiences for our music students, particularly those majoring in African Music and Dance, as we will bring the best in the field to them. They will not only listen to groundbreaking research but be able to participate in amazing workshops - and best of all perform to an illustrious international community,” she explained.

“We will also be bestowing a Lifetime Achievement Award to the UKZN Umakhweyana Bow teacher, Clement Sithole, in recognition of his contributions in preserving this Zulu indigenous instrument that he learnt at the feet of the late Princess Constance Magogo, the mother of Honorable Mangosuthu Buthelezi,” added Opondo. “We have also invited the South African musical bow icon and legend, Madosini from the Eastern Cape, one of South Africa’s musical treasures, who will perform on uhadi and umrube.’

About 100 guests are expected to attend, including Professor Dave Dargie, who has a prolific publication record spanning over 40 years on Southern African bows, particularly those found in the Eastern Cape. Other artists and scholars will come from Zimbabwe, Botswana, Kenya, Ghana, Nigeria, Mozambique, Uganda, Cape Verde, South Africa, Sierra Leone, Malawi, as well as from Portugal, Germany, USA, Turkey, Hungary. Delegates who teach and research African Music and Ethnomusicology at the music departments of the major South Africa universities – University of Cape Town, University of Witswatersrand, University of Pretoria and North-West University - will also be in attendance. They can all expect to participate in exciting workshops of music and dance from a number of different ethnic groups from various African countries and learn from research findings of ethnomusicologists and African researchers on a broad variety of subjects.

Papers to be presented include ‘Southern Africa’s Remarkable Heritage of Musical Bows: Does It Have a Future?’ by Prof. Dave Dargie (Germany/South Africa); ‘Re-packaging Heritage, Reinventing Africa: Rethinking Musical Education, Culture and Insight into Diasporic Cultures’ by Ayorinde Oladele (Nigeria/South Africa); and ‘Ethnomusicological Perspectives on the Nile Project: Musical Collaboration as Transnational Cooperation’ by Damascus Kafumbe (Uganda/USA).

“The symposium will showcase UKZN’s mission to be the premier institution of African scholarship - and indeed in inspiring greatness,” said Opondo.

African Cultural Calabash

The symposium dovetails with the 10th anniversary celebrations of the African Cultural Calabash, hosted by the African Music Project at UKZN. The African Cultural Calabash is an annual folklife event curated and produced by the Applied Ethnomusicology section in the School of Arts’ African Music and Dance division. This pan-African show takes place against the backdrop of Durban’s xenophobic disturbances earlier this year and will see pulsating performances from trailblazing international acts, including Tomeletsi Sereetsi (Botswana), ZviriMudeze (Zimbabwe), Jembeken (Mozambique/SA, USA); Zippy Okoth (Kenya), Ngalanga Ensemble (Mozambique/SA) and Praise Zinhuku (Zimbabwe), who will serenade the audience with music and dance from across the continent. The line-up also includes Madosini and Southern African bow researcher-performers Dave Dargie and Cara Stacey. KwaZulu-Natal's own Clement Sithole will perform on an old Zulu indigenous instrument, the umakhweyana bow, as will postgraduate student and maskandi star Nozuko Nguqu.

Following the performances will be a function showcasing delicious African cuisine from throughout the continent, making the African Cultural Calabash a not-to-be-missed evening of indigenous music, dance, fashion and cuisine. Dr Opondo added: “Come dressed in your African gowns and beads and skins, in true pan-African spirit, and celebrate with both legends and youth practitioners and researchers.”

Tickets for the African Cultural Calabash concert are on sale for R200 for adults and R150 for students and pensioners. Contact Thulile Zama (+27) 31 260 3385) at the Centre for Jazz and Popular Music on the Howard College campus or email [email protected]. For more information visit the Cultural Calabash website.

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