Op-ed: The fusion of sport and music in Africa
By Jocelyne Muhutu-Remy
There aren’t many things in this world that hold as important a place in so many people’s hearts like both sports and music – they captivate, inspire and bring people together to celebrate.
More than just a sound, music connects us to one another, to our culture, our heritage and tells our stories. It allows us to share how we’re feeling, gives us an outlet to express ourselves, and makes our lives more vibrant. And more than just a game, sports can bind people from different backgrounds, cultures and beliefs in support of their favourite club or team. Through sport we form bonds with one another by watching our team overcome odds, achieve something new, grab victory from the jaws of defeat or fall short of the win. It helps us feel like we are a part of something bigger than ourselves.
Music has always resonated with sports. From as far back as the 1992 Olympics when ‘Barcelona’ by Freddie Mercury and Montserrat Caballé was featured as the theme song to the 2006 World Cup in Germany when Il Divo and Toni Braxton performed ‘The Time of Our Lives’, music has always acted as a catalyst that enables sports stick.
In Africa, songs like ‘Jerusalema’ by Master KG and Nomcebo Zikode, ‘Wavin’ Flag’ by K'naan, ‘Waka Waka’ by Shakira featuring Freshlyground and ‘Issa Goal’ by Naira Marley, Lil Kesh and Olamide have also been associated with soccer. African soccer legends like Drogba, Eto’o and Okocha have also been immortalised in songs. Recently, Burna Boy’s performance at this year’s Champions League final in Istanbul, Turkey, also reinforces the obvious bond between music and sports.
Very much two sides of the same coin, it’s no surprise then that when we bring sports and music together, it can have a powerful impact. Together, they can strengthen communities, fuel political processes and drive socio-cultural and economic change. This is especially true in Africa which boasts the youngest population in the world, at more than 400 million individuals aged between 15 and 35. Spotify data shows that listeners aged between 18-24 created the most playlists with the word ‘sport’ in them, followed by 25-29 year olds, a clear indication that Africa’s youth is on the pulse of the synergy between music and sports.
This young population continues to grow rapidly while African talent across both spheres of music and sports is booming in abundance. This is demonstrated by the rise in popularity and proliferation of African genres like amapiano and Afrobeats internationally.
Spotify data shows that African music’s year-on-year growth in international markets rivals that of K-pop. Its leading artists such as Burna Boy, Davido, Tiwa Savage, Rema, DJ Maphorisa, Uncle Waffles and Black Coffee are taking over global stages. Meanwhile, many African athletes are key players for international clubs across sports such as basketball, football and rugby.
With Africa’s music market expected to show an annual growth rate of 11.32% between now and 2027, resulting in a projected market volume of $47m by 2027 and total revenue in the sports market on the continent expected to grow at an annual rate of 9.02% between now and 2027, resulting in a projected market volume of $8m by 2027, it’s clear then that the fusion of sport and music offers substantial potential to help drive economic growth and development.
We can already see this impact realised through partnerships such as the collaboration between Spotify and European football club FC Barcelona. Under the partnership, the two worked together to bring the worlds of music and football together by giving a global stage to players and artists as well as building new opportunities to connect with fans at the home of Barcelona, Spotify Camp Nou.
Some of the African artists who have been featured in the 99 000-seat stadium’s advertising board include Fireboy DML, CKay, Omah Lay and DJ Spinall. This is in line with Spotify’s aim to leverage FC Barcelona’s global fan base to fuel discovery and engagement with artists in turn creating more opportunities for those artists to live off of their art.
The National Basketball Association (NBA) also took advantage of the collaborative power of sport and music during its All-Star Weekend this year by bringing artists like Burna Boy, Tems and Rema together as performers for its halftime show.
Spotify has also partnered with youth basketball non-profit organisation Giants of Africa for the inaugural Giants of Africa Festival between 12-19 August in Kigali, Rwanda. Since 2003, Giants of Africa has positively impacted over 40 000 African youth across 17 countries, providing access to basketball courts, camps and clinics. By joining forces, the two will bring together African youth across sport and entertainment to showcase a shared vision for the continent’s future. Playlists with the word ‘basketball’ on Spotify have increased by over 1 300% since 2020, so this partnership is happening at the opportune moment.
The Giants of Africa Festival will culminate in a closing ceremony, presented by Spotify, where some of the biggest African artists like Davido, Tiwa Savage, Tyla and Bruce Melodie will perform. These artists' core listeners on Spotify are aged between 18-29, further underlining Giants of Africa and Spotify’s shared commitment to investing in African youths.
With such a vast pool of young sporting and musical talents found in Africa, it’s clear that investment in their development to compete on an international level will drive socio-economic and cultural impact across communities on the continent.
By leveraging the connective power of both sport and music, we can not only create a platform for this young talent but also attract much-needed investment into our local sports and music industries which would help us to discover, nurture and develop the artists and athletes of the future.
Jocelyne Muhutu-Remy is Spotify’s managing director for sub-Saharan Africa
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