NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Call for artists: The Nile Project

20 Aug 2015 - 08:48

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The Nile Project’s musical collaboration programme brings together artists from the 11 Nile countries (Rwanda, Burundi, DR Congo, Egypt, Eritrea, Ethiopia, Kenya, South Sudan, Sudan, Tanzania and Uganda) to make new music that combines the region’s diverse instruments, languages and traditions. Artists from the various Nile countries are encouraged to apply now to take part in the project’s 4th Nile Gathering, which takes place in Aswan, Egypt from 1 to 20 October 2015.

The Nile Project collective in Jinja, Uganda. Photo: Peter Stanley

The Nile Project was founded in 2011 by Egyptian ethnomusicologist Mina Girgis and Ethiopian-American singer Meklit Hadero to address the Nile Basin’s cultural and environmental challenges at the core of conflicts in the region. Using music to spark cultural curiosity, the Nile Project engages musicians, students and audiences, encouraging them to feel connected to the world’s longest river and to explore new, sustainable approaches to the region’s problems.

Andrew Reissiger, the project’s Music Program Manager, told Music In Africa more about the project: A healthy collaborative musical process shares many of the traits that other collaborative processes require: listening, working towards a shared goal, leadership, support and expressing group as well as individual identities... Concerts expose audiences across the Nile Basin to the different cultures of their river neighbours and illustrate how such rich diversity can harmoniously co-exist under a shared Nile identity, thereby exemplifying the potential for peaceful cross-cultural dialogue and participatory leadership.

“Through the music, people begin to grasp the depth of their shared cultural connections, appreciate their Nile cultural identities and value their Nile citizenship, fostering cross-cultural empathy,” he explained. “Musicians demonstrate what collective cultural expression would sound like, illustrating the possibilities resulting from different people, languages, traditions and instruments not usually combined sharing the same space.”

The project’s collective has performed all over Africa and the US, including on a boat in Jinja, Uganda after their second Nile Gathering in early 2014. They went on to play at Sauti za Busara in Zanzibar. In Nairobi, Kenya they played at the Safaricom Jazz Festival and celebrated Nile Day at the Kuona Arts Center. They then we went to Addis Ababa in Ethiopia, where we played a few shows including one at Mulatu Astatke's African Jazz Village. In Egypt, they played in Cairo, Aswan and Alexandria. After a break, they reunited in Minya, Egypt for another Nile Gathering, before embarking on a four-month tour throughout the USA, where besides numerous performances they began recording their latest album, titled Jinja, which is due for release in the next year or so.

Reissiger elaborates on their work during the US tour: “We engaged over 30 000 people, working with a diverse array of partners including student and community leaders, entrepreneurs, professors, representatives, university deans, scientists, lawyers, as well as everyday people: the change-makers of tomorrow. We led over 120 workshops, lecture-demonstrations and panel discussions about topics such as civic engagement, resource management, gender and African identity in the region, the role of musicians in social movements, and leadership solutions. Through music workshops, master-classes and over 60 concerts, we demonstrated that our musical process can be a sort of blueprint for a new way to organize the Nile.”

Looking ahead, the Nile Project will be visiting New York University at their Abu Dhabi campus for their UAE debut on 29 October. Similar to the US tour, this will be a week-long residency with educational dialogue and musical components. They are also planning an African tour for early 2016 and a second US tour for 2017. Some of the new musicians who impress at the 4th Nile Gathering could end up touring or recording with the Nile Project in the future, so apply now!

How to apply

The Nile Project is inviting a new class of musicians to join its Collective. Applications are now open. Selected candidates will be invited to the 4th Nile Gathering that will take place in Aswan, Egypt from 1 to 20 October 2015.

The project seeks accomplished traditional and contemporary musicians interested and able to collaborate with peers of different cultures, languages and musical styles. Applicants must be from one of the following countries (irrespective of country of residence): Rwanda, Burundi, DR Congo, Egypt, Eritrea, Ethiopia, Kenya, South Sudan, Sudan, Tanzania and Uganda. Applicants cannot be current members of the Nile Project Collective. Special consideration will be given to musicians who double as community leaders and those with a desire to learn more about sustainability and environmental issues. Educators, storytellers, dancers, and multi-instrumentalists are highly encouraged to apply. Proficiency in English is important but not required. Computer proficiency and dependable access to internet is required.

Applications close on Monday 31 August. To apply, complete the online application form available from the Nile Project website.

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