NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Concerts SA strengthens tours in southern Africa through Music Mobility Fund

23 Jan 2015 - 07:14

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South African music is on the move this season. Thanks to the Concerts SA Music Mobility Fund, administered by the SAMRO Foundation, dozens of musicians are receiving extra support for their touring projects, reaching and developing new audiences for live music in South Africa and neighbouring SADC countries.

Madala Kunene

2014 ended with tours by Frank Paco's Art Ensemble in Mozambique, Tumi Mogorosi's Project Elo in Botswana, and Luna Paige, Josie Field and Laurie Levine throughout South Africa. 2015 starts with national album launch tours by Madala Kunene and Benjamin Jephta. This Mobility Fund is aligned to other activities by Concerts SA to strengthen live music touring circuits in South Africa.

Madala Kunene, known as the King of the Zulu guitar, will be performing material from his forthcoming album. This new release highlights the story of Kunene's family evictions at Umkhumbane in 1959 and how he later met and made friends with the man who evicted his family. The album includes collaborations with Hugh Masekela, Steve Newman and Guy Buttery. Following this theme of forgiveness and reconciliation, Kunene will visit District 6 in Cape Town, where he will collaborate with Vivienne Simchovitz and will perform at three different venues. From the Cape, Kunene will move on to Johannesburg where he will visit Sophiatown and collaborate with Thabo Lepere and Mabi Thobejane in two days of performances at the Afrikan Freedom Station.

Benjamin Jephta, a semi-finalist in the prestigious SAMRO Overseas Scholarships Competition 2012, has already become one of the premier double and electric bass players in South Africa at 22-years-old. His album Homecoming marks his debut offering as a solo artist. Jephta says: "I want to give the listener a musical biography of my life by using the harmonies and melodies associated with my upbringing. As an artist, I believe one should create music that is significant to you. I have always been captivated by this kind of honesty in the musicians I look up to. It is exactly what I'm hoping to achieve with this album: to move and uplift the spirit. To welcome you, the listener, to my musical home."

Jephta will be presenting Homecoming in Cape Town and Johannesburg with a band comprised of Kyle Shepherd (piano), Sphelelo Mazibuko (drums), Marcus Wyatt (trumpet) and Sisonke Xonti (sax). “The musicians on this album are all artists in their own right! They interpreted the music in a way I could never have imagined and brought the compositions to life. I'm really looking forward to playing with this band again, as a lot of the music has already evolved since we recorded this album," Jephta says.

Initiated in 2013 by the British Council's Connect ZA and the SAMRO Foundation, the Music Mobility Fund offers opportunities for South African musicians to undertake live music-related activities. A total of 16 applications were successful in the 2014 round and are being supported in South Africa and in the SADC region.

Funded by Concerts SA and Connect ZA, the fund is administered by Concerts SA at The SAMRO Foundation. Concerts SA is a joint South African/Norwegian project housed under the auspices of the Stakeholder Hub within the SAMRO Foundation. Concerts SA also receives technical support from Concerts Norway. The project aims to stimulate live music in South Africa by finding and implementing ways to create regular, sustainable performance platforms. It also aims to develop an interest in and appreciation of live music by showcasing music performances and conducting workshops at schools.

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