NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud to announce its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is launching a new national programme designed to create jobs, address skills gaps, and strengthen South Africa’s creative industries — in line with the SEF’s overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative will recruit and train participants, match them with host organisations, and place a minimum of 1 000 workers across the country. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES has stamped its authority as Africa’s leading music trade event. At the 2019 edition in Accra, the conference brought together more than 1 200 delegates from about 50 countries on the continent and beyond. The conference also hosted 76 showcasing artists from Africa and the diaspora, who got to perform for an influential audience at two top live venues in the Ghanaian capital. Apart from live showcases, the event features panel discussions, presentations, exhibitions, pitch sessions, Q&A sessions with prominent musicians and visits to key music industry hubs in the host city. Many of these activities will be planned for ACCES 2021, with the ACCES team already exploring a tailor-made programme that will cater for the specific needs of the local music industry amid the pandemic. ACCES is organised by the Music In Africa Foundation, a non-profit and pan-African organisation, in partnership with Siemens Stiftung and Goethe-Institut.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at claire@musicinafrica.net. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Henrike Grohs – a lover of our continent and a dear colleague

15 Mar 2016 - 07:47

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The Music In Africa Foundation and its partners are mourning the loss of Ms. Henrike Grohs, remembering her as a “proponent of freedom of artistic expression, a lover of our continent, a hard-working colleague and a dear friend.”

Henrike Grohs with Music In Africa Foundation chairman Ribio Nzeza Bunketi Buse at the third AGM in Cameroon in 2015.

Ms. Grohs was among the victims of the attack in Grand-Bassam, Ivory Coast on Sunday 13 March, when terrorists opened fire at a beach resort, killing at least 16 people.

Ms. Grohs occupies a very important place in the history of the Music In Africa Foundation. While working at the Goethe-Institut in South Africa as head of the Culture and Development department, she played an integral role in the establishment of the Music In Africa project in 2011. Her work included bringing together both local and international partners together with music professionals from across the continent to formulate the initiative.

Between 2011 and 2013, she actively worked on the project in a crucial phase that culminated in the formalisation of the organisation as a fully-fledged non-profit organisation and the launch of the Music In Africa website, among other important outcomes. In 2013, she was transferred to head up the Goethe-Institut in Abidjan and despite that being a huge task she continued to be actively involved in the work of the Foundation, serving as a board member responsible for international partnerships and fundraising. In October 2015, Henrike stepped down to concentrate on her responsibilities in Abidjan but she remained a vital partner of the organisation.

Always keen to connect arts people from all over the continent, her focus this year was to host the Music In Africa Foundation Annual General Meeting (AGM) for the first time in Ivory Coast.

At the time of her death, she had developed numerous cultural projects in Ivory Coast together with many partners. Her work with the Goethe-Institut began in 2009 when she joined the organization in Johannesburg. Before that she had been the project manager for the educational programme of the Berlin Philharmonic Orchestra since 2002. She was 51 years old at the time of her death.

Music In Africa Foundation chairman Dr. Ribio Nzeza Bunketi Buse remembers when he started working with Henrike: “I was always deeply impressed by how she could work on multiple projects at the same time and do it so well. I worked very closely with her in 2013 in the DRC when we organised the very first Music In Africa partners’ meeting in Kinshasa and set up our regional office for Central Africa.”

Mr. Andre Le Roux, managing director of the SAMRO Foundation who served on the Music In Africa board alongside Ms. Grohs, also remembers her role in setting up the project: “She was there right at the beginning. She was unsure as to how to proceed with music as it was not her forte but she was clear and focused in initial discussion that it should benefit African artists and the African music scene. Henrike was not one to be toyed with, outspoken and clear with a deep love of the many cultures that enriched our African soil. On the one hand seriousness and on the other playful, warm, kind, smiling - and boy could she dance! It was a little intimidating that she was a boxer too - so she could really fight, not just for the arts.”

Mr. Jens Cording, senior projects manager at the Siemens Stiftung who worked closely with Ms.Grohs to set up a strong partnership between Siemens Stiftung and Goethe-Institut geared towards Music In Africa, says: “I realized already at the beginning of the project that Henrike would be an African door- and heart-opener for me. Her understanding of the concerns of the people, her enthusiasm and her love for Africa infected me from the beginning of the project. Her courageous dedication was to an Africa that is characterized by dialogue, tolerance and a better life for its people. It is especially painful that she became the victim of the forces that pursue the opposite goal.”

Music In Africa Foundation treasurer Ms. Belisa Rodrigues added: “Henrike was steadfast in her convictions and focused heart-and-soul on building Music In Africa to where it is today.”

According to Music In Africa Foundation director Mr. Eddie Hatitye, “It is not only a huge loss to her family but a great loss of an individual who worked extremely hard to make the Music In Africa initiative what it is today.”

Johannes Ebert, secretary general of the Goethe-Institut, said: "We are shocked that Henrike Grohs had to die in such a tragic and violent way. She loved her work and was full of ideas and the energy to bring these ideas to fruition with her partners. Our thoughts are with the family and the colleagues in Abidjan."

There will be a memorial service this week, Friday 18 March at 2pm at the Goethe-Institut Johannesburg. A book of condolences will be available to leave your messages from midday on Tuesday 15 March at the reception of the Goethe-Institut.

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