NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Interview: How Show Dem Camp made Palm Wine Music

21 Aug 2017 - 17:11

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Outside a studio in Ikoyi, Boj is holding a bottle of beer. He pulls out his phone and plays a song for three friends. It is a track from his upcoming album Magic.

Show Dem Camp explains how they recorded the Palm Wine Music EP. Image: Facebook

“This is like the thing they play around Owambe now,” one says. All four bob their heads. The song ends. They enter the studio.

Bass-rich sounds leak out the dark-lit studio, and minutes later, Ajebutter22 strolls out and drives off. He is followed by a crew that includes Boj, Funbi, Poe, Odunsi, Tomi Thomas, Wavy the Creator and Lady Donli. These acts, described by Tec of Show Dem Camp as the Palm Wine Crew, are rehearsing ahead of a pop-up show. You'll find a lot of them in the video for ‘Up to You’, first single from SDC’s Palm Wine Music EP Vol 1. The duo's new project is a mix of rap, soul, highlife and Afropop.

“This is our vibe already. It comes naturally to us,” says Boj, who is back outside the studio with Poe. Both are featured on the EP. Their work with SDC goes back to 2012's ‘Feel Alright’.

“It’s interesting to see where we’ve come since Feel Alright,” says Poe. “It’s a culture shift: The transition from just hip hop music to creating a whole vibe-ish.”

“And the way people took it," Boj cuts in. "You could tell there’s something special about this one. ‘Feel Alright’ is still a jam. It’s timeless.”

'Feel Alright' started with Juls, the Ghanaian producer recognized as creator of the wildly popular strain of slow, catchy, danceable Afropop. He sent Show Dem Camp a tape with a beat originally meant for Efya, but the singer passed it on. “She was the one that actually told us that it’s cool we use the track because she could hear us on it,” says Tec, now sitting with Ghost at Bogobiri, a day after the Ikoyi studio rehearsals.

At the time, the duo were looking to shoot a video for ‘Ogidiga’, a fast-paced song named for an alcoholic herbal drink famed for boosting the sexual prowess of men. That video never happened. ‘Feel Alright’ took its place. The slow paced, groovy tune was promoted with a video focused less on virility than on beach-fun with friends and palm-wine-filled red cups.

It became their most popular song and now Tec hates performing 'Ogidiga'. But where 'Ogidiga' and 'Feel Alright' shopped fun and sex, Palm Wine EP celebrates women. “That was me,” Tec says. “When we started recording, I spoke to Ghost about it: ‘Let’s do something and put it out on Valentine’s Day’.”

“We were in that space,” says Ghost. “I think that energy just transmitted itself unto the Palm Wine EP, because every verse we were recording was just with that vibe.”

“Ghost will tell me, not another babe song. What’s going on?”

Ghost laughs. “I think he was in love then.”

Spax, the album's producer sent SDC some rap beats, but Tec wasn't having it. “A lot of producers see us as hardcore hip hop guys and give us beats in that box."

They ditched the beat sending process and decided to jam together in the studio. The first product of the new method was 'Compose', a track featuring Boj. More artists came in, and by the end Funbi, Poe, Tomi Thomas, Odunsi, and Ajebutter 22 became part of the album. But there was one more person they wanted on the project.

“For 'Feel Alright', the first person we wanted to put on the jam was Burna Boy,” says Tec, leaning forward on his seat; he wants to be clear, it seems. “We’ve been meaning to do a song with Burna Boy for a very long time. Every time I go to his house, I leave in a haze. Something happens. I don’t know how I forget about the track, forget about life. Time stops in Burna’s house.”

The EP was recorded without Burna Boy, and since its release Show Dem Cap has made public appearances, several times alongside a new crop of artists. “I think these young guys have a lot to offer,” says Ghost. “I think it’s our duty to give them an opportunity. As some people paved a way for us, we have to do same for others.”

Show Dem Camp also draws inspiration from these artists. “You don’t have to just release an album, " Ghost says. "These new school guys will release a song, "just vibe of this song for a while". Then they’ll release another one. And even though they’re working on their album, they keep feeding their fan base. That’s what I like about them.”

Tec agrees. “We tried to do something similar with The Collectiv3,” he says. “But I think it’s a fresher approach by these new guys. There’s less egos because they’re all just starting." The entire process of making the Palm Wine EP has suggested to the pair a new model for making music, which might be used in recording an LP.

“For the album it’ll be more than one producer,” says Tec. “We'll be locked in with them, try new sounds, and invite several musicians to come play. It is a layered approach to creating music, and that is what excites us.”

And with that the men of Show Dem Camp go on to join their fellow performers, rapping, vibing, and fine-tuning their act on the Bogobiri stage in preparation for their first palm wine pop-up show.

Buy Show Dem Camp’s Palm Wine Music EP on iTunes.

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